This collection contains drafts, revised and working scripts, continuity reports, schedules, breakdowns, and cast calls.

The fonds includes film footage and audio recordings created during Christopher Chapman’s film project relating to Richard St. Barbe Baker; photographs of the film shoot in British Columbia; correspondence, drafts, proposals, notes, etc. documenting the film project, including correspondence between Chapman and St. Barbe and between Chapman and others; photographs taken and collected by St. Barbe; letters sent to St. Barbe care of Chapman during his extended visit to Canada; articles and other resource material compiled by both Chapman and St. Barbe, especially relating to forestry and the environment, and about St. Barbe; and related material including slides of the Findhorn Community in Scotland.

This fonds reflects Kerr's vocational and avocational interests. His academic activities include not only his own writing in a variety of genres but also his editing, assessment and review of the contributions of others to prose, poetry, drama and film. His service to the community external to the University is primarily evident in the political, arts and heritage fields.

This fonds contains correspondence, memoranda, reports, and published material relating to the administration and activities of the Division.

This collection consists of promotional materials for films with a homosexual, bisexual, or transgender component, in terms of characters or theme. Both documentaries and feature films are included.

This collection includes various 28mm films, including two Charlie Chaplin films, "The Rink" and "The Fireman" (both 1916) and "The Coward," a 1915 Civil War drama; as well as newsreel and instructional films on the gasoline engine; the Canadian Rockies; and athletic instruction; etc. Also included are textual records including a catalogue of films available at the time, and correspondence with General Films Limited; together with the 28mm projector Kozakew used.

This fonds contains minutes, financial reports, lists of the Society's membership and its constitution; together with advertising, clippings, posters and brochures concerning the films shown; as well as questionnaires documenting members' reactions to the films.