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Museum of Antiquities - Official Opening

P.M. (Michael) Swan, Head, Department of Greek and Roman Studies, and Nicholas Gyenes, Professor Emeritus of Art, look at an exhibit at the official opening of the Museum of Antiquities. 'Hermes of Praxiteles' is in background.

Bio/Historical Note: The Museum of Antiquities is an archaeological museum at the University of Saskatchewan. It opened in 1974 to provide an opportunity to study ancient works. The Museum currently features a variety of Greek and Roman sculpture, and contains a collection of Near Eastern, Egyptian, Byzantine, Islamic and Medieval art. It is one of only a handful of museums of its kind in Canada. The project which became the “Museum of Antiquities” began in 1974. It was initiated by ancient history historian Michael Swan and art historian Nicholas Gyenes, both professors of the University of Saskatchewan. The collection began with a small group of replicas purchased from the Louvre, but grew to include replicas from other museums and workshops, as well as original artifacts. The collection grew through the generosity of the University and private benefactors until, in 1981, new facilities in the Murray Library were acquired, the collection was officially opened as the “Museum of Antiquities”, and Catherine Gunderson became the first curator and director of the museum. In 2005, the ever-expanding Museum moved to a larger space in the newly renovated College Building now known as the Peter MacKinnon Building. Tracene Harvey became director in 2009. The long-term aim of the Museum is to offer a reliable and critical account of the artistic accomplishments of major Western civilizations and epochs from approximately 3000 BC to 1500 CE. The first step in this endeavor was the presentation of a dependable picture of ancient Greco-Roman sculptural art, as it has heavily influenced much later Western art. The present collection focuses on items from the Middle Helladic (c. 1500 BCE) to the Late Antique (c. 500 CE) period and now has expanded to include pieces from the ancient Near East and ancient Egypt. The Museum's pieces mainly consist of plaster cast replicas, making the collection one of a few cast collections in Canada, and the only one in Saskatchewan. The replicas in the Museum are, in general, not crafted from the same material as the original. Most are casts of plaster or resin, not marble or bronze, for reasons of expense and weight. The replicas by large workshops—such as those at the Louvre, Paris, the British Museum, London, and the Gipsformerei der Staatlichen Museen, Berlin—are created from moulds taken directly from the original pieces. They therefore replicate exactly any damage borne by the original. After the plaster cast is unmoulded, it is painted and given a surface finish which matches the original. The collection has replicas of several famous pieces, such as the Rosetta Stone and the Venus de Milo. The collection features original sculpture such as the 17th century portrait of Hannibal. Other original pieces include a storage amphora, a false door and a substantial collection of ancient glass.

Saskatchewan Homemakers' Clubs - Plaque Unveiling

Hon. Adolph Matsalla, Minister of Tourism and Renewable Resources, Government of Saskatchewan, unveils a plaque in honour of the Homemakers' Clubs of Saskatchewan, as R.W. Begg, University President, looks on. The plaque is located between Saskatchewan Hall and Qu'Appelle Hall.

Bio/historical note: The Homemakers' Clubs of Saskatchewan were created at a "special conference for women" initiated by the University in 1911. The objectives as stated in the constitution, were "to promote the interests of the home and the community". It was organized virtually as part of the university. The Director of Agricultural Extension was the ex officio secretary and managing director until 1913, when these duties fell to the newly appointed Director of Women's Work. From that time until reorganization in 1952, women's extension remained as a separate unit, reporting directly to the president of the university. After 1952, its work was still carried on independently, but with a greater degree of integration with agricultural and adult education services. Unique in Canada was the Club's official association with the University, which provided the provincial secretary, secretarial staff, and extension department resources to aid the development of the club and its programs. In 1971, the name was changed to the Saskatchewan Women's Institute and the University reduced its role to supplying free office space on campus.

Native Law Centre - Exterior

View of the Native Law Centre building at[420] Cumberland Avenue South.

Bio/Historical Note: The Native Law Centre at the University of Saskatchewan was founded in 1975 by Dr. Roger C. Carter whose commitment to social justice issues convinced the University of the need for a Centre to facilitate access to legal education for Indigenous peoples. This was to promote the development of the law and the legal system in Canada in ways that better accommodate the advancement of Indigenous peoples and communities, and to disseminate information concerning Indigenous peoples and the law. Structured initially as an independent special project within the University of Saskatchewan, the Centre became a department of the College of Law in 1984. From the beginning, the Centre has nurtured innovation in its program areas of teaching, research, and publication. The Indigenous Law Centre continues to build upon that history and remains attentive to the contributions made as well as the challenges confronted by Indigenous peoples in Canada and internationally. Directors of the Centre have included: Roger C. Carter (1975-1981); D.J. Purich (1981-1994); J.Y. Henderson (1994- ) and Larry Chartrand (2017-). In May 2018, the Cree words “Wiyasiwewin Mikiwahp” were added to the Native Law Centre's name, so it will now be called Wiyasiwewin Mikiwahp Native Law Centre.

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