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Educational Media Access and Production (EMAP) fonds

  • RG 2024
  • Fonds
  • 1966-1997

This fonds contains correspondence, memoranda, reports, and published material relating to the administration and activities of the Division.

University of Saskatchewan. Educational Media Access and Production (EMAP)√

David Thauberger Collection

  • MG 566
  • Fonds
  • 1971-1995

This collection is comprised primarily of exhibition mailers, as well as samples of his work in the form of stamps and book covers.

Thauberger, David

Don McNamee fonds

  • MG 141
  • Fonds
  • 1954-1993 (inclusive) ; 1968-1993 (predominant)

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

McNamee, Donald Keith

Shirley Serviss fonds

  • MG 617
  • Fonds
  • nd, 1975-1992 (inclusive)

This fonds contains correspondence from Reta Cowley, and John Hicks. The Cowley correspondence in part, discusses her painting process; and the Hicks correspondence discusses the Saskatchewan writing scene (particularly Prince Albert); his publications and awards, and his ideas about writing.

Serviss, Shirley

Dennis Walter Harley fonds

  • MG 639
  • Fonds
  • 1902-1991 (inclusive); 1950-1981 (predominant).

This fonds documents the teaching career and private interests of Dennis W. Harley. It contains film, audio tapes, publications by Harley, reference material, correspondence, sketches and photographs.

Harley, Dennis Walter

Logan-Wickenden fonds

  • MG 630
  • Fonds
  • 1954-1990.

This collection of correspondence was predominantly written by Horace Wickenden (one note was written by Margaret Wickenden) to friends Ivan and Marjorie Logan. The letters reflect Wickenden’s views on current events, both global and national, with some emphasis on Canadian politics. In them, he also discusses books he has read; philosophy; reflects on teaching and education; and to some extent, relates daily activities and events in his life and that of his family. Very little discussion of art and painting are in the letters, although these, too, are occasional topics: particularly with regard to Robert Hurley, an artist Wickenden clearly admired.

Wickenden, Horace Watson "Wick"

Marie Elyse Yates St. George fonds

  • MG 406
  • Fonds
  • 1969-1987 (inclusive); 1971-1979 (predominant)

This fonds contains numerous of Marie Elyse St. George’s prints and sketches, together with some textual records relating to print-making and writing.

St. George, Marie Elyse Yates

Ian Innes fonds

  • MG 597
  • Fonds
  • n.d., 1915-1984 (inclusive); 1958-1984 (predominant).

This fonds contains images depicting many of the building projects that were done during Innes’ years working on campus. They are not limited to buildings, but include available building sites, roads and walks, landscaping and some graphics. In addition, it includes images of other university campus from around North America, and some from Europe.

Innes, Ian

Chaddie Bremner Baxter print collection

  • MG 672
  • Fonds
  • 1849-1851, 1983

This collection contains prints using the George Baxter patented method. A Baxter print is generally considered any print done by Baxter, licensees or other printers using his method. Baxter used relief and intaglio printing methods.

Bremner, Chaddie

Warren H. Peterson fonds

  • MG 329
  • Fonds
  • 1977-1981

This fonds consists of 27 Sony Beta videocassettes of drawing tutorials.

Peterson, Warren H.

Hurley / Westcott Collection

  • MG 554
  • Fonds
  • 1937-1980 (inclusive); 1971-1980 (predominant)

The Westcott-Hurley Collection contains many finished paintings, sketches, and experimental artworks by Hurley as well as correspondence, newspaper clippings, slides and photographs of Hurley, as well as his family, friends, and things that interested him.

Hurley, Robert Newton

Tappert Strack/Lindner Collection

  • MG 506
  • Fonds
  • [ca. 1927]–1979

This collection contains Christmas cards, notes and letters, ephemera and clippings sent from Ernie to Johanna over a period of years. A small amount of material is from J.W.T. Spinks.

Strack, Johanna (Tappert)

Robert Newton Hurley Collection

  • MG 482
  • Fonds
  • 1894-1978 (inclusive); 1938-1978 (predominant)

The Hurley Collection contains many finished paintings, sketches, and experimental artworks by Hurley as well as correspondence, newspaper clippings, slides and photographs of Hurley, as well as his family, friends, and things that interested him. It also includes his diaries and “memories” or memoirs.
The Hurley Collection contains many pieces of finished and unfinished artwork by Hurley, particularly landscapes as well as other sketches and experimental works. It contains his diaries and memoirs as well as correspondence which discusses his life and his artwork.

Hurley, Robert Newton

Russell/Walker/Hurley fonds

  • MG 503
  • Fonds
  • 1963-1978

The fonds contains personal ephemera including cards, sketches, art, and photographs, from the Russell/Walker/Hurley families. A number of Hurley’s letters and cards include sketches, pictograms, and “Hurleyniks”. The personal correspondence includes updates on personal achievements, activities and health concerns. Hurley’s failing eyesight is apparent in later letters.

Hurley, Robert Newton

H.D. "Howdy" McPhail Photograph Collection

  • MG 402
  • Collection
  • 1949-1973 (inclusive) ; 1955-1960 (predominant)

This collection includes Howdy McPhail’s aerial photographs, predominantly of individual farms and views of towns and cities. Some images are of specific landmarks, scenic views, or fauna. All images are identified and a majority are dated. A second accrual contains examples of printed calendars and postcards that were sold by McPhail, as well as some correspondence and other business documentation. Images used in an exhibition curated by Helen Marzolf were added in 2018. Further accruals of correspondence, order forms, negatives and prints were interfiled in Series B.

McPhail, Hugh Duncan

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