This fonds includes materials collected primarily as a result of Bob Cole’s student days at the University of Saskatchewan and STM. The University Publications are particularly useful as these items are not duplicated in the University Publication Collection.

This collection contains records relating to the lives, family, and avocations of Louis Bowley, Mary Bowley, and Norm Jones.

This fonds contains materials relating to the history and work of Dignity Canada Dignité, McGuire’s published letters and other correspondence, together with articles and materials outlining the debate within the Catholic church (echoed within other Christian denominations) regarding homosexuality.

This collection consists of exhibition catalogues, posters, invitations and promotional ephemera, primarily (but not exclusively) from Canadian art galleries. The catalogues predominantly feature the work of Canadian artists, with some European and American artists (and minimal representation from Asian artists). The collection provides interesting documentation of the development of Canadian art across the country, including regional focus and to some extent, the development of interest in Indigenous art. In addition, the collection includes some auction catalogues, as well as items relating to advertising; art and design used in industry promotion; and industrial design.

This seems to be a complete day- by-day account of Allena Williams's life between May 26, 1840 and October 11, 1843 (Vol. 6). She was a regular churchgoer and a Sunday-School teacher. The diary notes various accounts of sermons and a service at St. Paul's for S.P.G. There are also accounts of concerts in Hanover Square Rooms, where there was music by Rossini, Schubert, and others, and Beethoven's Sonata in D. Minor finally played by Sterndale Bennette.
Furthermore, she was a studious and industrious woman who always seemed to have either a book or a needle or a pen in her hand, or to be singing or playing.

This fonds documents the career of Douglas Schmeiser, notably his work as a constitutional advisor both in Canada and internationally; his work with the Law Reform Commission of Saskatchewan, as well as his study of judicial independence and judicial compensation; and his work on human rights.

This collection contains mostly textual materials related to Cecil King’s work in Aboriginal Education. His papers, translation work, speaking notes, and teaching materials are included, as are significant documents from his committee work. The collection includes a number of important documents surrounding the aboriginal education work done by such institutions as the University of Saskatchewan, Queens University, the Indian and Northern Education Program, the Indian Teachers Education Program, the Northern Teachers Education Program, the Saskatchewan Urban Native Teachers Education Program, the First Nations University of Canada (formerly SIFC), the Gabriel Dumont Institute, the Saskatchewan Indigenous Cultural Centre, and more. The history of troubles at the First Nations University of Canada is tracked through nearly-daily news reports collected by King from 2005-2010. King also extensively collected materials on Aboriginal Education, language, and general matters of indigenous interest..

This collection is comprised primarily of exhibition mailers, as well as samples of his work in the form of stamps and book covers.

These photographs capture the activities of the Indian 4-H program in a number of locations around Saskatchewan. Most photographs are in albums, although some arrived mounted on foamcore.

This fonds contains clippings, photos, correspondence and memorabilia re. the U of S and synchronized swimming.

This fonds contains two distinct sets of material. The first documents Wiebe’s career at the University Library and the second his participation in the activities of the University of Saskatchewan Faculty Association (USFA).

This series contains materials created and/or acquired by Walter Murray during his tenure as President, from 1908-1937, documenting nearly three decades of the University of Saskatchewan’s history including its establishment; the faculty crisis of 1919; the development of the Colleges of Agriculture, Arts & Science, Education, Engineering; Law; Medicine, Pharmacy and the Extension Division; and the financial crisis of the Depression years.

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

This collection contains material relating to the life of Lilja Stefansson, mainly her life with Evelyn Rogers. A lot of writing by Lilja as well as Evelyn which documents their lives, as well as clippings, correspondence and other documents. Also documents relating to lesbianism, Lilja’s involvement in Intercultural Grandmothers, her work at SGI, and involvement with the Senior’s Education Centre at the U of R.

This fonds contains materials pertaining to the writing, planning and production of Diefenbaker’s 80th Birthday Party in 1975. Specifically, it includes handwritten and typed notes, correspondence, photographs, slides, film and audio reels, and some clippings. The film includes footage gathered and created for the event (including new interviews with John and Olive Diefenbaker) as well as the finished product as presented during the birthday gala.