This fonds contains reports, addresses, and articles by Haslam, as well as reprints of articles and dissertation summaries produced by the Department of Physics Betatron Group, 1951-1956. Additionally, it contains correspondence, membership lists, submissions, and clippings related to the Association of Retired Faculty.

This fonds contains correspondence, reports, publications and memoranda relating to the research activities of Herman Austenson, as well as some administrative records relating to the department of Crop Science and Plant Ecology, and the research activities of the Crop Development Centre. Some of the materials were created by J.B. Harrington; these files have been identified whenever possible.

This fonds contains correspondence, minutes, lists, publications, notes and course material.

This fonds contains several drafts of the play "Chokecherry Wine (or the Hafford Wedding Caper)" including the version edited for high schools; material concerning the arrangements and expenses for the 1974 Strolling Players tour, as well as a diary of their 1975 tour.

This fonds contains biographical material, including a Paul family history and reminiscences and anecdotes by L.C. Paul, as well as several of his articles. In addition, there is both the manuscript and published version of the History of Extension (1910-1970), and a file on the Retired Faculty Association. The addendum contains clippings and article pertaining to the history of agriculture and agricultural science in Western Canada.

This collection contains a complete set of the University of Saskatchewan 1939 and 1940 Graduates’ Newsletter, established and produced by Mr. Weber. This newsletter contains information on Engineering alumni, their careers since leaving university, and obituaries.

This fonds contains notes, clippings, articles and correspondence related to the research, writing and publication of the book Saskatchewan Heroes and Rogues. Material is organized by the name of the person profiled. Profiles include: Will James; Joan Bamford Fletcher; Jean Ewen; Gladys Arnold; Morris "Two Gun" Cohen; Richard St. Barbe Baker; Tom Hourie; Norman Falkner; Charlie Palmer; Father Claffey; Emma Woikin; and Kate Rice.

This fonds contains material relating to theatre in Saskatchewan. In particular, productions from the University of Saskatchewan (Greystone Theatre) and Gateway Players are well represented, but there is also material from numerous other theatre groups, including The Actor’s Lab, New Theatre Co-op, and Saskatoon Community Players. This fonds contains programmes from various plays, concerts, and cultural events, together with numerous productions in which Chrisse Bornstein played a role, either as an actor or behind the scenes. This information has been included within the file descriptions.

This fonds contains material relating to Dr. Crawford's poultry research, notably epilepsy mutant data, notes on breeds including Japanese quail and Chantecler, material from Poultry Breeding and Genetics, and wing band indexes of stocks by year (1965-1990); as well as material relating to Dr. Crawford's sabbatical leaves, and his personal correspondence.

This fonds includes materials relating to the history, faculty and students of the department of economics and political studies; Spafford's work with the Symphony, heritage organizations in Saskatoon, etc; as well as materials relating to her father, Ah King, and her mother, Katie Malinowski (nee Dobrowney).

This fonds consists of correspondence, research notes, drafts, and manuscripts relating to King's books: "A Book of Canadian Poems;" "A Book of Essays;" "Extending the Boundaries;" "The First Fifty;" "Saskatchewan: The Making of a University;" "Saskatchewan Harvest;" and "Three Stories by Joseph Conrad." Additionally, it includes King's articles, lectures, and addresses dealing primarily with Canadian literature. There is also material related to King's other interests: the career and works of G.B. Shaw and R.A. Wilson, provincial and national library associations, and pacifism.

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

This fonds contains material relating to Doug Willis’ student days at the University of Saskatchewan, notably as an athlete; and material relating to his military career.

This fonds consists of records created, accumulated and used by Margaret (Fiji) Robinson in her career as a vocalist and performer in the musical revues The Quinlan Sisters (comprised of Robinson, Peter McGehee and Wendy Coad) between 1981 and 1984, and The Fabulous Sirs (Robinson and McGehee) between 1987 and 1990 in Saskatoon, Saskatchewan and Toronto, Ontario.

It also includes records created, accumulated and used by Robinson between 1990 and 2007 in the development of a book proposal and subsequent film proposal on her career as a performance artist working with writer/director Peter McGehee. Research and notes for the online GLBTQ On-Line Encyclopedia entry for McGehee's life partner, human rights activist Douglas Wilson, are also included.

It also includes records created, accumulated and used by Robinson in 2008 and 2009 in the course of producing Painted on the Spot: On the Road with Ernie Luthi, a documentary about Ernest Luthi (1906-1983), an artist from Punnichy, Saskatchewan.

The types of records included are research notes, drafts of written works, clippings, programmes, posters, song lyrics, music scores, photographs, budgets, grant applications, curricula vitae, drawings, photocopies of correspondence to Ernest Luthi, a CD-ROM and an audio cassette recording of The Fabulous Sirs in concert at the 1988 Edmonton Fringe Theatre Festival.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.