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University of Saskatchewan Photograph Collection University of Saskatchewan - Arts Building√
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College of Arts and Science Building - Tower - Construction

Crane hoisting metal girders to the top of the Arts Tower at left; classroom wing at right. Snow-fencing standing and broken down in foreground.

Bio/Historical Note: The Arts Building was constructed in four major stages from 1958 to 1967 at a cost of $758,491. The first stage of construction began in September 1958 with the raising of the classroom wing. The classroom wing was constructed by W.C. Wells Construction, and was designed by Shore and Moffat. It was officially opened on 28 September 1959. The second phase of construction was completed in 1960. It involved the building of the first seven floors of the Arts Tower, the Arts Theatre, and a link joining the Tower to the classroom wing. The Arts Tower project was contracted to Bird Construction while design of the building was again carried out by Shore and Moffat. The Arts Tower was officially opened on 16 January 1961.The addition to the Arts Tower was constructed from 1963-1965 by Bird Construction. While the initial tower completed in 1960 had been designed to accommodate another three floors at a later date, by 1963-1964 improvements in structural building techniques allowed the architectural firm of Shore and Moffat and Partners to add an eleventh floor to the building designs.

College of Arts and Science Building - Tower - Construction

View looking northwest of crane hoisting metal girders to the top of Arts Tower. Classroom wing at right; trees in foreground.

Bio/Historical Note: The Arts Building was constructed in four major stages from 1958 to 1967 at a cost of $758,491. The first stage of construction began in September 1958 with the raising of the classroom wing. The classroom wing was constructed by W.C. Wells Construction, and was designed by Shore and Moffat. It was officially opened on 28 September 1959. The second phase of construction was completed in 1960. It involved the building of the first seven floors of the Arts Tower, the Arts Theatre, and a link joining the Tower to the classroom wing. The Arts Tower project was contracted to Bird Construction while design of the building was again carried out by Shore and Moffat. The Arts Tower was officially opened on 16 January 1961.The addition to the Arts Tower was constructed from 1963-1965 by Bird Construction. While the initial tower completed in 1960 had been designed to accommodate another three floors at a later date, by 1963-1964 improvements in structural building techniques allowed the architectural firm of Shore and Moffat and Partners to add an eleventh floor to the building designs.

College of Arts and Science Building - Tower - Construction

View looking northeast at the Arts Tower; a surveyor using equipment on a tripod in foreground.

Bio/Historical Note: The Arts Building was constructed in four major stages from 1958 to 1967 at a cost of $758,491. The first stage of construction began in September 1958 with the raising of the classroom wing. The classroom wing was constructed by W.C. Wells Construction, and was designed by Shore and Moffat. It was officially opened on 28 September 1959. The second phase of construction was completed in 1960. It involved the building of the first seven floors of the Arts Tower, the Arts Theatre, and a link joining the Tower to the classroom wing. The Arts Tower project was contracted to Bird Construction while design of the building was again carried out by Shore and Moffat. The Arts Tower was officially opened on 16 January 1961.The addition to the Arts Tower was constructed from 1963-1965 by Bird Construction. While the initial tower completed in 1960 had been designed to accommodate another three floors at a later date, by 1963-1964 improvements in structural building techniques allowed the architectural firm of Shore and Moffat and Partners to add an eleventh floor to the building designs.

Monuments - Island of Trees

Looking southwest at the Island of Trees, commemorating Robert Reid Moffat, co-architect of the Memorial Union Building, in front of the Arts building. Health Sciences building at left.

Bio/Historical Note: Robert Reid Moffat (1906-1960), partner in the leading postwar firm of Shore & Moffat, established in Toronto in 1945. Born in Edrans, Manitoba, he obtained a degree in Science from the University of Saskatchewan in 1926, and worked for one year as a junior draftsman for David Webster, a leading architect in that city. He moved to Boston and studied architecture at the Massachusetts Institute of Technology from 1927 to 1931, then returned to Canada where he worked for Darling & Pearson, for Mathers & Haldenby, and for S.B. Coon & Son, all of Toronto. He served as Assistant Superintendent of Buildings at the Univ. of Toronto from 1932 to 1936, then opened an office under his own name. He embraced the new modernist style being promoted in Europe and the United States, and entered the T. Eaton Co. Architectural Competition for House Designs in 1936, receiving an Honourable Mention for his progressive concept. His striking design was a radical departure from the neo-Georgian conservatism evident in some of the other entries. After serving overseas with Canadian Forces during WWII, he formed a new partnership in 1945 with Leonard Shore and during the next fifteen years they were credited with a number of significant modernist landmarks in Toronto (see list of works under Shore & Moffat). The firm also designed the Memorial Student Union Building on the campus of the University of Saskatchewan. Their firm was awarded a Massey Medal for the York Township Municipal Offices (1952), and another Silver Massey Medal for the Imperial Oil Research Centre in Sarnia, Ont. (1961). Moffat died suddenly on 17 December 1960 at Port Credit, Ont.

Murray Memorial Library - North Wing - Exterior

Looking north at the Murray Library. Students changing classes in front of a parking lot; Arts Tower at left.

Bio/Historical Note: Though the first recorded withdrawal from the University Library occurred in October 1909, nearly five decades passed before the Library had its own building. The early collection was housed either on the second floor of the College Building (later known as the Administration Building) or was scattered among a number of small departmental libraries. Plans for a new library building in the late 1920s were ended by the start of the Great Depression; but a dramatically reduced acquisitions budget was offset by a grant from the Carnegie Corporation in 1933. In 1943 the University hired its first professional Librarian. A combination of provincial grants and University fundraising financed the construction of the Murray Memorial Library. The library was named after the University’s first President, Walter C. Murray. Designed by noted Regina architect Kioshi Izumi working under H.K. Black, Architect, it marked a change in campus architecture away from the more angular and elaborate Collegiate Gothic style to that of the less expensive cube. Building materials included granite at the entrance and Tyndall stone as a wall cladding and window trim. In addition to the library, the building housed the College of Law, an office of the Provincial Archives and a 105-seat lecture theatre equipped with the latest in audiovisual teaching aids. The most dramatic transformation took place between 1970 and 1976 when a six floor south wing was added along with an extensive renovation of the 1956 structure. Designed by BLM, Regina, the south wing was unlike any other building on campus. Clad in Tyndall stone panels made to look like concrete (through a "bush hammered" finish), the grey almost windowless building is industrial and utilitarian in appearance. The University's master plan required buildings in the core of campus to be clad in stone. However, the "bush hammered" finish was used since the Library addition was built during a period that saw the flowering of "Brutalist" Architecture, so called because of the wide use of exposed concrete. The new (south) wing, originally called the Main Library, was officially opened on 17 May 1974, and also became the home of the Department of Art and Art History, the College of Graduate Studies and the University Archives.

Statues - Lesya Ukrainka

Autumn view of statue of Lesya Ukrainka with Arts Tower in background.

Bio/Historical Note: Lesya Ukrainka (Larysa Kosach-Kvitka) (1871-1913), the celebrated Ukrainian poet, made her mark on Ukrainian and world literature through her diverse writing talents. Her profound knowledge of world history and languages enabled her to write extensively across genres on a variety of subjects. In her lyrical works and dramatic poems, she vividly developed the themes of patriotism, human dignity, and personal integrity. Ukrainka’s work is timeless in its powerful assertion of human rights and freedoms. In 1976, a bronze statue of Lesya Ukrainka, made in Kyiv, Ukraine (USSR) by sculptor Halyna Kal’chenko and architect Anatoliy Ihnashchenko, was unveiled at the University of Saskatchewan. Commissioned by the Association for Cultural Relations with Ukrainians Abroad, the statue was at the time seen by some merely as Soviet propaganda designed to rehabilitate their international reputation tarnished, in part, by injustices perpetrated against the people of Ukraine. The gift was initially declined by both the Province of Saskatchewan and the City of Saskatoon before being accepted by the University of Saskatchewan and installed on campus in a grove south of the Arts Tower. Through a generous donation by Dr. Victor O. Buyniak, as well as through the support of alumni and the wider Ukrainian community, the statue was refurbished and unveiled in its present location on 1 August 2013, the centenary of the death of Lesya Ukrainka.

Statues - Lesya Ukrainka

Image 1 is a view looking northwest of the 10-foot high bronze statue of Lesya Ukrainka, the celebrated Ukrainian poet; Arts Tower in background. Image 2 is a view taken from the foot of the statue looking up at it.

Bio/Historical Note: Lesya Ukrainka (Larysa Kosach-Kvitka) (1871-1913), the celebrated Ukrainian poet, made her mark on Ukrainian and world literature through her diverse writing talents. Her profound knowledge of world history and languages enabled her to write extensively across genres on a variety of subjects. In her lyrical works and dramatic poems, she vividly developed the themes of patriotism, human dignity, and personal integrity. Ukrainka’s work is timeless in its powerful assertion of human rights and freedoms. In 1976, a bronze statue of Lesya Ukrainka, made in Kyiv, Ukraine (USSR) by sculptor Halyna Kal’chenko and architect Anatoliy Ihnashchenko, was unveiled at the University of Saskatchewan. Commissioned by the Association for Cultural Relations with Ukrainians Abroad, the statue was at the time seen by some merely as Soviet propaganda designed to rehabilitate their international reputation tarnished, in part, by injustices perpetrated against the people of Ukraine. The gift was initially declined by both the Province of Saskatchewan and the City of Saskatoon before being accepted by the University of Saskatchewan and installed on campus in a grove south of the Arts Tower. Through a generous donation by Dr. Victor O. Buyniak, as well as through the support of alumni and the wider Ukrainian community, the statue was refurbished and unveiled in its present location on 1 August 2013, the centenary of the death of Lesya Ukrainka.

Biographical/historical note: A statue of Lesya Ukrainka, the celebrated Ukrainian poet, was presented to the U of S in 1976 by the Association for Cultural Relations with Ukrainians Abroad of the USSR as a gift of friendship from the people of Ukraine to the people of Canada.

Statues - Lesya Ukrainka

Lesya Ukrainka statue standing in front of the Arts Wing.

Bio/Historical Note: Lesya Ukrainka (Larysa Kosach-Kvitka) (1871-1913), the celebrated Ukrainian poet, made her mark on Ukrainian and world literature through her diverse writing talents. Her profound knowledge of world history and languages enabled her to write extensively across genres on a variety of subjects. In her lyrical works and dramatic poems, she vividly developed the themes of patriotism, human dignity, and personal integrity. Ukrainka’s work is timeless in its powerful assertion of human rights and freedoms. In 1976, a bronze statue of Lesya Ukrainka, made in Kyiv, Ukraine (USSR) by sculptor Halyna Kal’chenko and architect Anatoliy Ihnashchenko, was unveiled at the University of Saskatchewan. Commissioned by the Association for Cultural Relations with Ukrainians Abroad, the statue was at the time seen by some merely as Soviet propaganda designed to rehabilitate their international reputation tarnished, in part, by injustices perpetrated against the people of Ukraine. The gift was initially declined by both the Province of Saskatchewan and the City of Saskatoon before being accepted by the University of Saskatchewan and installed on campus in a grove south of the Arts Tower. Through a generous donation by Dr. Victor O. Buyniak, as well as through the support of alumni and the wider Ukrainian community, the statue was refurbished and unveiled in its present location on 1 August 2013, the centenary of the death of Lesya Ukrainka.

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