The fonds contains eight black and white photographs and one tintype in a photograph album. They remain in the order in which they were placed within the album. The photographs are all miniature portraits and, with the exception of the tintype, are mounted on a stiff paper backing. The album (one of two) was originally the property of Christina's parents, and had been brought to Canada from England when John Smith's parents emmigrated.

This fonds contains files relating to the College of Medicine, its enrolment policies, statistics, curriculum, electives, annual reports, faculty, students, and graduates, and funding. There are also files on the Plains Hospital in Regina, and both the City and St. Paul's hospitals in Saskatoon.

The fonds contains one black and white photograph of Jesse Finlay in Essex Scottish dress. It was taken in 1943, when Jesse was approx. 19 years old.

This fonds contains correspondence, interviews, drafts, articles, addresses, and resource files from the Consumer Credit Study, the Royal Commission on Consumer Problems and Inflation (Prairie Provinces Cost Study Commission), the National Farm Products Marketing Council, and the Natural Gas Development and Conservation Board. There are also press releases, speeches, and papers from the Western Economic Opportunities Conference (Calgary, 1973) and the Food Prices Review Board including published reports on prices of foodstuffs, company profits, and price trends. As well, there are news releases, bulletins, and reports from the Anti-Inflation Board. There is a considerable amount of material from the Restrictive Trade Practices Commission, including transcripts of hearings and exhibits concerning the inquiry into the economic, legal, technological, marketing, and administrative practices of telecommunications companies in Canada.

This collection contains files relating to University of Saskatchewan salary negotiations, with particular reference to librarian's salaries.

Fonds consists of personal and professional papers created by Margaret Messer. Arranged in six series (Education, General, Teaching, Organizations, Publications, and Scrapbooks) the records document her activities as a teacher, art educator, writer, and illustrator, as well as her own education and training and her involvement with several professional groups. A large part of the collection contains information on art education programs at Balfour Technical School (1945-1974) and at the University of Saskatchewan, Regina Campus (ca. 1966-1984) where she was a significant influence on program development. Of particular note is the series of publications which includes articles and books written or illustrated by Messer (1946-1973). Publications of the Saskatchewan Society for Education through Art (SSEA) are found in the Organizations series, along with papers, correspondence, conference materials, minutes, newsletters, and other records pertaining to her involvement with the SSEA (1961-1985), the Canadian Society for Education through Art (1962-1984), the Saskatchewan Arts Board (1947-1970), and others. General Files (1927-1986), containing biographical information, art commissions, personal and professional correspondence, curriculum materials, travel logs, drawings by Messer, and memorabilia, provide additional insight into her life and career.

The fonds contains one clour print photograph from Frances Slinn's private collection depicting a Senior's Fair square dance

This fonds contains correspondence, reports, articles, newspaper clippings, and the research material. Included are several files of photographs, documenting horse pulling contests, construction of a rammed-earth building, and agricultural machinery. The files on the American Society of Agricultural Engineers contain minute books, by-laws, manuals, a student branch history, and reports.

The collection contains one black and white photograph taken in 1913 of a steam tractor threshing outfit and team in the Naisberry, Saskatchewan district. Printed on a postcard backing, the photograph contains information on the individuals depicted on its reverse. The photograph was from Robert Attrill's personal collection.

The collection contains two black and white photographs. One depicts Private Wesley John Flett in 1943 in military dress. The other depicts John William Flett with a team of two horses and a caboose.