Affichage de 4 résultats

Archival description
Seulement les descriptions de haut niveau University of Regina Archives & Special Collections Regina (Sask.)
Aperçu avant impression Affichage :

Anatol Murad fonds

  • Fonds
  • 1932-1980

Fonds consists of books, articles, book reviews, published and unpublished essays, and translations by economist, Dr. Anatol Murad. Also included are Dr. Murad's Curriculum Vitae, passports, and photograph.

Sans titre

Allan B. VanCleave fonds

  • 78-11
  • Fonds
  • 1948-1976

Fonds consists of personal and professional papers created by Allan Bishop VanCleave, chemistry professor and Dean of Graduate Studies. Included are lecture notes and glass lantern slides on glaciation; records relating to a high school teachers' seminar in chemistry (1960) and the University of Saskatchewan Alumni Association (1948); and colour slides depicting the sod turning, construction, and completed buildings of the main campus, University of Regina. (1962-1976).

Sans titre

Susan Whitney Gallery fonds

  • Fonds
  • 1978-1994

Fonds consists of files generated by Susan Whitney Gallery Ltd, a private art gallery located in Regina, Saskatchewan. These records relate to the exhibitions and selling of art by such regional artists as Joe Fafard, David Thauberger, Russ yuristy, Bill Lobchuck, Don Proch, and Tony Tascona, among others, and such folk artists as W.C. McCargar, Dmytro Stryjek, and Eva Dennis. Other Canadian and foreign artists are represented. The fonds have been organized into ten series: Art Fairs, Artist files/Artists, Date Books, Financial Records, Globe Theatre, Invitations, Personal, Photographs, Scrapbooks, and Working files/Administration. The first series, Art Fairs, is further subdivided into four subseries: General, ART/LA/Los Angeles International Art Fair, Chicago International Art Exposition, and the Chicago International New Art Forms Exposition.

Sans titre

Jack Sures fonds

  • Fonds
  • 1949-1999

This collection contains catalogues, publications, passports, certificates, correspondence, minutes and other formal documents from arts organizations, photographs, slides, negatives, video tapes, eight-millimetre film, architectural drawings, sketchbooks, media clippings, and one ceramic art work presented to Jack Sures from his students. His art works, exhibitions, travels, commissions, teaching career and personal contacts are well documented through this expanse of material.

Sans titre