Yochim’s collecting ranged over a variety of topics and medium. Often, he would take interest in a specific subject and collect everything from articles and clippings to books on the subject, interleaving the former with the latter. He also gathered “collectible” items such as trading cards and magnets on a variety of subjects.

This collection contains print blocks and catalogues/booklets on printing and lithography.

This collection contains books, magazines, and a variety of ephemera associated with themes of Canadiana, advertising, keys, locks, and locksmithing, mysteries, socialism, sex and gender, science fiction, western living, adventure.

403 English postcards, dating primarily from 1903-1905, in the original postcard album. Most of the postcards were sent [presumably] by members of the Bramford family and are stamped and annotated. Included are several series, such as "Daddy," "Please, Miss, Give Me Heaven," "The Anchor's Weigh'd," "The Sailor's Lass," artist Parsons Norman, etc.

This fonds contains materials primarily related to Richard Sweet’s interest and research into the history of brewing. There are extensive materials relating to Canadian and western US breweries; beer companies; and beer-related materials, including magazines, newsletters, other published reference material, and collectibles (predominantly, posters, labels and mats). It includes Richard Sweet’s extensive notes, and his research materials leading to his publications, The Directory of Canadian Breweries (first and second editions); Malted Manitoba; and Brewed Right on the Prairies: 122 Years of Brewing in Saskatchewan.

This collection contains prints using the George Baxter patented method. A Baxter print is generally considered any print done by Baxter, licensees or other printers using his method. Baxter used relief and intaglio printing methods.

The fonds contains material pertaining to private papers, the careers of Patrick Hayman and Dmytro Stryjek, Inuit Art, human rights in Saskatchewan during the Devine years, sexual discrimination, homosexuality, the Visual Aids Campaign the Doug Wilson Case, artists, galleries, collectors, dealers in Canada and England and the Millard Gallery, Millard’s research into Roger North and the Notes of Me manuscript. The material consists of minutes, correspondence, records, notes, clippings, articles, photographs, slides and catalogues..

This collection contains materials created by, or about, Canadian author Robertson Davies (1913-1995). Davies was editor of Saturday Night and the Peterborough Examiner prior to joining Trinity College, University of Toronto as professor of literature. The author of numerous plays and books, Davies is perhaps best known for The Salterton trilogy and the Deptford trilogy. He received both the Stephen Leacock medal for humour and the Governor General's Award for fiction. Some of the material in this collection has been annotated by Davies, including copies of two draft manuscripts which are inscribed "to Maisie." "Maisie" is believed to be Davies' sister-in-law, Maisie Newbold (1915-2001), who was married first (in 1946) to the Australian painter Peter Purves Smith (1912-1949) and later (in 1964), to their friend and fellow artist, Russell Drysdale (1912-1981). The collection also includes souvenir coins and tokens from across Western Canada.

This fonds contains a variety of material relating to George’s interests and career; including drafts of his book on fountain pens; publications and ephemera concerning the Saskatoon Public Library’s history; and ephemera from cultural events in Saskatoon.

This fonds includes materials related to Gens’ work in bringing together Saskatchewan’s gay community, both in general terms of his activism and gay health work, and more specifically in terms of his publishing work on Gaymates and Perceptions. The fonds also contains an extensive pornography collection ranging from magazines to videos to other types of pornographic materials. Gens maintained extensive subject files on Queer life in Canada, and these have been maintained under Series III: Queer Subject files. Many of these are related to the history of Queer communities in Canada and Saskatchewan. Finally, some personal material relating to Gens is also included.

This collection consists of exhibition catalogues, posters, invitations and promotional ephemera, primarily (but not exclusively) from Canadian art galleries. The catalogues predominantly feature the work of Canadian artists, with some European and American artists (and minimal representation from Asian artists). The collection provides interesting documentation of the development of Canadian art across the country, including regional focus and to some extent, the development of interest in Indigenous art. In addition, the collection includes some auction catalogues, as well as items relating to advertising; art and design used in industry promotion; and industrial design.

This fonds contains correspondence, photographs, reference material, publications and sketches documenting the artistic career of Dmytro Stryjek.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

The fonds contains records that relate to Summers’ involvement in both the military and military history, his work as an administrator and pharmacy professor, his involvement with several committees, and his significant role within a number of professional pharmacy associations, etc.

This fonds documents Allan Gonor’s active engagement with the people he met and the cultures he experienced. His was a curiosity borne of genuine interest, which manifested itself not only in his work as a physician, but also in his avocation: art; and in the numerous films and photographs he took. These document the local communities in and near North Battleford, Saskatchewan; including Hutterite colonies and First Nations reserves; as well as countries around the world. It documents his life and career, his interest in indigenous art and culture, and reflects his friendships with a wide variety of artists and writers, as well as the numerous individuals he met.