This fonds contains materials relating to the professional and academic activities of Dr. Regehr. It includes considerable materials relating to his published works; and also extensively documents his University committee work.

Fonds consists of records documenting the personal and professional life of artist and teacher Ted Godwin. The records are arranged in thirteen series: Artifacts (1980-1984); Art Works, Designs, Sketches and Posters (1949-1987); Calendars and Diaries (1969-1986); Correspondence (ca. 1964-1984); Financial Records, Personal (1955-1984); General Files (ca. 1965-1986); Miscellaneous Material; Newspaper Clippings, Articles; Photographs and Negatives (ca. 1950-1986); Publications (1929, 1942, 1949-1986); Slides; Audio Tapes (1981); and Videotapes (1982-1987). Of particular interest are Godwin's original sketches, sketchbooks, works of art, and posters, as well as a large quantity of photographs, slides, videotapes, exhibition catalogues, and other publications relating to his work and the work of other artists. Also noteworthy is the correspondence with architects, art galleries, and dealers, artists, art teachers, family and friends which contains copies of Godwin's outgoing letters. The General Files chiefly comprise files relating to his professional life including business correspondence; correspondence and financial records pertaining to the Hard Art Moving and Storage Co. and other enterprises; professional organization files; correspondence, lecture notes and student papers relating to his work at the University of Regina and other institutions; and a small quantity of Godwin's prose and poetry. Small amounts of personal and family materials are also found in the financial records, photographs, slides, and videotapes.

Minutes of the club, including financial statements.

Fonds consists of personal and professional papers created by Terrence Heath, a Saskatchewan freelance writer, cultural consultant, and curator. While the arrangement of series differs somewhat between accessions, as a whole the fonds contains corresspondence, financial records, personal files, publications, drafts and photographs, the bulk of which relate to Heath's writing and to his consulting activities. Of particular note is his vast correspondence with cultural organizations and galleries, government agencies, professional organizations, publishers and book dealers, universities, media outlets, writers, poets, artists, friends, family and others, which provide a wealth of information about the literary and cultural scene in Canada. The extensive series of Heath's writings and publications including articles, essays, reviews, books, exhibition catalogues, poetry, consultant's reports, manuscripts, plays, radio scripts and commentaries, filmscripts, short stories, student papers, and talks, provide insight into his development as a writer and his wide-ranging expertise in the cultural arena. Along with the writings and publications by other authors contained in the fonds, these records serve as a rich source for the study of Canada's cultural history chiefly during the 1970s, 1980s, and early 1990s. Small quantities of personal documents and financial records are also included.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

Fonds consists of audio-visual recordings and photographs created during the production of the documentary "The journey of the stone". Fonds includes raw film footage, a copy of the documentary, and photographs taken in Cambridge Bay (Ikaluktuuttiaq) and elsewhere in Nunavut.

Fonds contains records and photos from the Saskatchewan Anti-Tuberculosis League not directly linked to the sanatoriums. This includes mass surveys, vaccination campaigns, ACT Shows, and other topics pertaining to general operation in the province.

Collection contains bound copies of the Valley Echo, the monthly publication of the Saskatchewan Anti-Tuberculosis League. Common themes include tuberculosis treatment and prevention, and news from the wards at each of the 3 SATL sanatoriums as recorded by patients.

Fonds consists of 18 series: Biographical Material;Family; Personal; Early Recreation; Education; Army Service; Working Career; Personal Art Interests and Activities; Professional Activities; Professional Organizations; Writing; Newspaper Clippings; Photographs and Negatives; Publications; Scrapbooks; Slides; Sound Tapes; Death. Most series are subdivided into series and sub-series. Of particular note are: Correspondence; King's College, Cambridge University; Supreme Headquarters Allied Expeditionary Force (SHAEF); Monuments, Fine Arts and Archives (MFA); Wiesbaden, Germany (Allied Restitution of Nazi Looted Art); Henry E. Huntington Library; Metropolitan Museum of Art; Royal Ontario Museum; University of Saskatchewan, Regina Campus; and York University. Although Heinrich did not publicly proclaim his homosexuality, this aspect of his life is also reflected in his papers and thus they represent a rare source of information on the homosexual lifestyle, particularly in the 1940s and 50s. The travel photographs of both Heinrich and his father, Edward Oscar Heinrich, are particularly noteworthy, as are Heinrich's photographs relating to World War II and the MFA.

Fonds consist of personal and professional papers of economist, educator, and administrator, Dr. Thomas H. McLeod. Included are correspondence, reports, notes, and other records relating to Dr. McLeod's consulting work in Turkey (1960-61, 1966), Iran (1961-63), and Africa (1970). Also included are correspondence and reports pertaining to the Saskatchewan Royal Commission on Taxation (1963-64) and general professional and personal correspondence (1940-1972). A large series of notes, lectures, essays, and speeches relates to Dr. McLeod's teaching at Brandon College (1941-44) and contains his essays as a student at Brandon College and Indiana University, as well as miscellaneous papers and speeches written by Dr. McLeod on a variety of topics (1940-1971). A copy of his Ph.D. thesis and photos of the University of Saskatchewan Hospital Board and executive staff (1963) and the Regina Campus Library Orientation Program (1969) are also present.

This fonds contains Professor Arnason's genealogy; correspondence regarding W.P. Thompson's retirement; material relating to the planning and formal opening of the Biology Building; and information concerning the Faculty Association.