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Art and Advertising collection

  • MG 623
  • Fonds
  • 1926-2005 (inclusive); 1967-1998 (predominant)

This collection consists of exhibition catalogues, posters, invitations and promotional ephemera, primarily (but not exclusively) from Canadian art galleries. The catalogues predominantly feature the work of Canadian artists, with some European and American artists (and minimal representation from Asian artists). The collection provides interesting documentation of the development of Canadian art across the country, including regional focus and to some extent, the development of interest in Indigenous art. In addition, the collection includes some auction catalogues, as well as items relating to advertising; art and design used in industry promotion; and industrial design.

Tappert Strack/Lindner Collection

  • MG 506
  • Fonds
  • [ca. 1927]–1979

This collection contains Christmas cards, notes and letters, ephemera and clippings sent from Ernie to Johanna over a period of years. A small amount of material is from J.W.T. Spinks.

Strack, Johanna (Tappert)

Grace Taylor Milne Collection

  • MG 491
  • Fonds
  • 1933-1968 (inclusive) ; 1937-1941 (predominant)

This collection primarily contains materials acquired by Grace Taylor during the three years she spent in Japan, just prior to the outbreak of World War II. In addition, the collection includes diaries from Grace, her husband and their daughter; and numerous family photographs.

Milne, Grace E. (nee Taylor)

Jean Ruryk Shepherd Collection

  • MG 425
  • Fonds
  • 1936-1944

This collection contains the letters written by Mac Hone to Jean Ruryk from ca. 1939-1944, together with photographs primarily of the Lindner family. The letters discuss news of mutual friends from the Emma Lake Art Camp; theatre, music, ballet, movies and books; Mac’s war work (welding); etc.

Hone, John Ramsey McGregor, 1920-2007 (artist, teacher)

Hurley / Westcott Collection

  • MG 554
  • Fonds
  • 1937-1980 (inclusive); 1971-1980 (predominant)

The Westcott-Hurley Collection contains many finished paintings, sketches, and experimental artworks by Hurley as well as correspondence, newspaper clippings, slides and photographs of Hurley, as well as his family, friends, and things that interested him.

Hurley, Robert Newton

Terry Fenton fonds

  • MG 445
  • Fonds
  • 1940-2013 (inclusive); 1970-2013 (predominant)

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

Fenton, Terry

Zepp-Varga Collection

  • MG 559
  • Fonds
  • [ca. 1940s] – 2015 (inclusive); 1981-2003 (predominant)

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

Zepp, Norman

Moose Jaw Air Training Base 1941 Photographs

  • MG 489
  • Fonds
  • 1941-1942

This small collection consists primarily of photographs depicting life on the base as well as travels to other destinations in Canada, including Banff, Alberta, and Regina SK. A felt “Moose Jaw Millers” badge is also included.

Moose Jaw Air Training Base

A.J.E. Child fonds

  • MG 564
  • Fonds
  • 1942-2002

Collection mainly includes documents relating to the Saskatchewan artist Robert Hurley.

Child, Arthur J.E.

H.D. "Howdy" McPhail Photograph Collection

  • MG 402
  • Collection
  • 1949-1973 (inclusive) ; 1955-1960 (predominant)

This collection includes Howdy McPhail’s aerial photographs, predominantly of individual farms and views of towns and cities. Some images are of specific landmarks, scenic views, or fauna. All images are identified and a majority are dated. A second accrual contains examples of printed calendars and postcards that were sold by McPhail, as well as some correspondence and other business documentation. Images used in an exhibition curated by Helen Marzolf were added in 2018. Further accruals of correspondence, order forms, negatives and prints were interfiled in Series B.

McPhail, Hugh Duncan

Gordon Snelgrove fonds

  • MG 553
  • Fonds
  • 1950-1962

Incomplete collection of 35mm slides used by Gordon Snelgrove in his teaching. These slides were in circulation until 2010. The paper mounted slides include handwritten notes in blue and red pen by Gordon Snelgrove.
Snelgrove’s previously used glass lantern slides were discarded when the Department of Art and Art History moved from the Hangar Building to the Murray Building. Many of the 35mm slides have also been discarded or re-mounted in plastic as the original cardboard mountings were damaged with time.
Also included is a copy of a book annotated by Snelgrove entitled.

Snelgrove, Gordon

Don McNamee fonds

  • MG 141
  • Fonds
  • 1954-1993 (inclusive) ; 1968-1993 (predominant)

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

McNamee, Donald Keith

Logan-Wickenden fonds

  • MG 630
  • Fonds
  • 1954-1990.

This collection of correspondence was predominantly written by Horace Wickenden (one note was written by Margaret Wickenden) to friends Ivan and Marjorie Logan. The letters reflect Wickenden’s views on current events, both global and national, with some emphasis on Canadian politics. In them, he also discusses books he has read; philosophy; reflects on teaching and education; and to some extent, relates daily activities and events in his life and that of his family. Very little discussion of art and painting are in the letters, although these, too, are occasional topics: particularly with regard to Robert Hurley, an artist Wickenden clearly admired.

Wickenden, Horace Watson "Wick"

LGBT Movie Poster collection

  • MG 540
  • Fonds
  • [ca. 1956-2009] (inclusive)

This collection consists of promotional materials for films with a homosexual, bisexual, or transgender component, in terms of characters or theme. Both documentaries and feature films are included.

Doris Hillis fonds

  • MG 444
  • Fonds
  • 1960-2004

This collection includes working papers and completed versions of Hillis’ published and unpublished poetry, drama, and fiction, as well as research and correspondence related thereto. The collection includes a range of interviews conducted by Hillis with a number of Saskatchewan authors for her books Voices and Visions and Plainspeaking. This collection also includes chapbooks published by Andrew Suknaski, Lorna Uher, and Mick Burrs.
Further, the collection contains a range of materials gathered by Doris on the subject of puppetry for her work with the Macklin Puppeteers throughout the 1960’s and 1970’s. Her personal memoirs are also included, as are materials from her involvement in Saskatchewan’s literary community, including helpful information on the art of writing from her workshops.

Hillis, Doris

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