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Only top-level descriptions Visual Arts√
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Warren H. Peterson fonds

  • MG 329
  • Fonds
  • 1977-1981

This fonds consists of 27 Sony Beta videocassettes of drawing tutorials.

Peterson, Warren H.

Shirley Serviss fonds

  • MG 617
  • Fonds
  • nd, 1975-1992 (inclusive)

This fonds contains correspondence from Reta Cowley, and John Hicks. The Cowley correspondence in part, discusses her painting process; and the Hicks correspondence discusses the Saskatchewan writing scene (particularly Prince Albert); his publications and awards, and his ideas about writing.

Serviss, Shirley

W.A. Farr fonds

  • MG 569
  • Fonds
  • 1974-2002

Materials relating to the Saskatchewan artist Robert Newton Hurley.

David Thauberger Collection

  • MG 566
  • Fonds
  • 1971-1995

This collection is comprised primarily of exhibition mailers, as well as samples of his work in the form of stamps and book covers.

Thauberger, David

Marie Elyse Yates St. George fonds

  • MG 406
  • Fonds
  • 1969-1987 (inclusive); 1971-1979 (predominant)

This fonds contains numerous of Marie Elyse St. George’s prints and sketches, together with some textual records relating to print-making and writing.

St. George, Marie Elyse Yates

Maurice Yacowar collection

  • MG 430
  • Fonds
  • 1968-2006 (inclusive); 1972-1980 (predominant)

This is a collection of Yacowar’s art auction catalogues, predominantly for European and American art, ranging from the Old Masters to contemporary, representing a variety of mediums. Several of the catalogues include final price lists from the auctions.

Yacowar, Maurice

Educational Media Access and Production (EMAP) fonds

  • RG 2024
  • Fonds
  • 1966-1997

This fonds contains correspondence, memoranda, reports, and published material relating to the administration and activities of the Division.

University of Saskatchewan. Educational Media Access and Production (EMAP)√

Russell/Walker/Hurley fonds

  • MG 503
  • Fonds
  • 1963-1978

The fonds contains personal ephemera including cards, sketches, art, and photographs, from the Russell/Walker/Hurley families. A number of Hurley’s letters and cards include sketches, pictograms, and “Hurleyniks”. The personal correspondence includes updates on personal achievements, activities and health concerns. Hurley’s failing eyesight is apparent in later letters.

Hurley, Robert Newton

John Reeves fonds

  • MG 276
  • Fonds
  • 1962-1998 (inclusive); 1974-1977 (predominant)

This fonds contains images of Canadian women of achievement; most were taken during the celebration of the International Year of the Woman (1975) and formed part of the exhibition, "30 Portraits of Women."

Reeves, John 1938-. (photographer)

Doris Hillis fonds

  • MG 444
  • Fonds
  • 1960-2004

This collection includes working papers and completed versions of Hillis’ published and unpublished poetry, drama, and fiction, as well as research and correspondence related thereto. The collection includes a range of interviews conducted by Hillis with a number of Saskatchewan authors for her books Voices and Visions and Plainspeaking. This collection also includes chapbooks published by Andrew Suknaski, Lorna Uher, and Mick Burrs.
Further, the collection contains a range of materials gathered by Doris on the subject of puppetry for her work with the Macklin Puppeteers throughout the 1960’s and 1970’s. Her personal memoirs are also included, as are materials from her involvement in Saskatchewan’s literary community, including helpful information on the art of writing from her workshops.

Hillis, Doris

LGBT Movie Poster collection

  • MG 540
  • Fonds
  • [ca. 1956-2009] (inclusive)

This collection consists of promotional materials for films with a homosexual, bisexual, or transgender component, in terms of characters or theme. Both documentaries and feature films are included.

Don McNamee fonds

  • MG 141
  • Fonds
  • 1954-1993 (inclusive) ; 1968-1993 (predominant)

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

McNamee, Donald Keith

Logan-Wickenden fonds

  • MG 630
  • Fonds
  • 1954-1990.

This collection of correspondence was predominantly written by Horace Wickenden (one note was written by Margaret Wickenden) to friends Ivan and Marjorie Logan. The letters reflect Wickenden’s views on current events, both global and national, with some emphasis on Canadian politics. In them, he also discusses books he has read; philosophy; reflects on teaching and education; and to some extent, relates daily activities and events in his life and that of his family. Very little discussion of art and painting are in the letters, although these, too, are occasional topics: particularly with regard to Robert Hurley, an artist Wickenden clearly admired.

Wickenden, Horace Watson "Wick"

Gordon Snelgrove fonds

  • MG 553
  • Fonds
  • 1950-1962

Incomplete collection of 35mm slides used by Gordon Snelgrove in his teaching. These slides were in circulation until 2010. The paper mounted slides include handwritten notes in blue and red pen by Gordon Snelgrove.
Snelgrove’s previously used glass lantern slides were discarded when the Department of Art and Art History moved from the Hangar Building to the Murray Building. Many of the 35mm slides have also been discarded or re-mounted in plastic as the original cardboard mountings were damaged with time.
Also included is a copy of a book annotated by Snelgrove entitled.

Snelgrove, Gordon

H.D. "Howdy" McPhail Photograph Collection

  • MG 402
  • Collection
  • 1949-1973 (inclusive) ; 1955-1960 (predominant)

This collection includes Howdy McPhail’s aerial photographs, predominantly of individual farms and views of towns and cities. Some images are of specific landmarks, scenic views, or fauna. All images are identified and a majority are dated. A second accrual contains examples of printed calendars and postcards that were sold by McPhail, as well as some correspondence and other business documentation. Images used in an exhibition curated by Helen Marzolf were added in 2018. Further accruals of correspondence, order forms, negatives and prints were interfiled in Series B.

McPhail, Hugh Duncan

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