This fonds contains materials relating to the publication of Women Together : Portraits of Love, Commitment, and Life ( essays by Mona Holmlund, photographs by Cyndy Warwick, foreword by Candace Gingrich. Philadelphia, Pa.: Running Press, 1999. In University library: HQ75.5 .H655 1999). The book was based on interviews with couples throughout North America, including those involved at the time with changes to legislation regarding same-sex marriages, etc.

This collection contains drafts, revised and working scripts, continuity reports, schedules, breakdowns, and cast calls.

This collection contains a complete set of the University of Saskatchewan 1939 and 1940 Graduates’ Newsletter, established and produced by Mr. Weber. This newsletter contains information on Engineering alumni, their careers since leaving university, and obituaries.

This fonds contains mainly textual material relating to the writing of Elizabeth Philips. Much of it is notes, rough drafts, and copies of poems and some prose work. There is also correspondence which relates to the business side of writing and getting published as well as some personal correspondence that relates to every day life and also on writing, as she corresponded with other writers.

This fonds consists of records created, accumulated and used by Doug Wilson while he lived in Saskatchewan. The records relate to his involvement and interest in matters of relevance to the Saskatchewan homosexual community, to the gay rights movement, and to Wilson's dismissal from the University of Saskatchewan and his subsequent human rights claim put before the Saskatchewan Human Rights Commission. The fonds includes correspondence, clippings, and publications about his work in the gay rights movement, as well as his involvement in the creation and administration of homosexual organizations in the province, such as the Zodiac Friendship Society / Gay Community Centre of Saskatoon, and the Saskatchewan Gay Coalition. The fonds also includes correspondence, briefs and reports pertaining to Wilson's work with the Saskatchewan Association on Human Rights, and original and reproduced cartoons drawn by Wilson.

This fonds contains several drafts of the play "Chokecherry Wine (or the Hafford Wedding Caper)" including the version edited for high schools; material concerning the arrangements and expenses for the 1974 Strolling Players tour, as well as a diary of their 1975 tour.

This fonds contains material documenting both the administrative history of the Saskatoon Women's Calendar Collective (SWCC), and the Collective's research work in Canadian women's history. The administrative records include minutes, financial records, and correspondence; the research data includes newspaper clippings, articles, notes on interviews, and correspondence. Additionally, this fonds contains a substantial number of photographs, including portraits of individual women and documentary images.

This fonds contains a variety of material relating to George’s interests and career; including drafts of his book on fountain pens; publications and ephemera concerning the Saskatoon Public Library’s history; and ephemera from cultural events in Saskatoon.

This fonds contains correspondence, minutes, lists, publications, notes and course material.

This fonds contains numerous of Marie Elyse St. George’s prints and sketches, together with some textual records relating to print-making and writing.

This fonds documents the career and interests of Glenis Joyce. The material regarding the Extension Division shows the growth and evolution of the Women's Program. Much of the material in the fonds deals with equity issues at the university and in society in general and includes pay and employment equity, affirmative action, women's rights and academic freedom. Joyce chaired the transformative President’s Advisory Committee on the Status of Women in the 1990s.

This fonds consists of records created, accumulated and used by Margaret (Fiji) Robinson in her career as a vocalist and performer in the musical revues The Quinlan Sisters (comprised of Robinson, Peter McGehee and Wendy Coad) between 1981 and 1984, and The Fabulous Sirs (Robinson and McGehee) between 1987 and 1990 in Saskatoon, Saskatchewan and Toronto, Ontario.

It also includes records created, accumulated and used by Robinson between 1990 and 2007 in the development of a book proposal and subsequent film proposal on her career as a performance artist working with writer/director Peter McGehee. Research and notes for the online GLBTQ On-Line Encyclopedia entry for McGehee's life partner, human rights activist Douglas Wilson, are also included.

It also includes records created, accumulated and used by Robinson in 2008 and 2009 in the course of producing Painted on the Spot: On the Road with Ernie Luthi, a documentary about Ernest Luthi (1906-1983), an artist from Punnichy, Saskatchewan.

The types of records included are research notes, drafts of written works, clippings, programmes, posters, song lyrics, music scores, photographs, budgets, grant applications, curricula vitae, drawings, photocopies of correspondence to Ernest Luthi, a CD-ROM and an audio cassette recording of The Fabulous Sirs in concert at the 1988 Edmonton Fringe Theatre Festival.

This collection contains material on the College of Home Economics Golden Jubilee (1978), and the Canadian Institute of International Affairs, Saskatoon branch (1980-1983).

This fonds contains clippings, photos, correspondence and memorabilia re. the U of S and synchronized swimming.

The fonds contains personal ephemera including cards, sketches, art, and photographs, from the Russell/Walker/Hurley families. A number of Hurley’s letters and cards include sketches, pictograms, and “Hurleyniks”. The personal correspondence includes updates on personal achievements, activities and health concerns. Hurley’s failing eyesight is apparent in later letters.