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Archival description
Only top-level descriptions University of Saskatchewan, University Archives & Special Collections Visual Arts√
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Chaddie Bremner Baxter print collection

  • MG 672
  • Fonds
  • 1849-1851, 1983

This collection contains prints using the George Baxter patented method. A Baxter print is generally considered any print done by Baxter, licensees or other printers using his method. Baxter used relief and intaglio printing methods.

Bremner, Chaddie

Art and Advertising collection

  • MG 623
  • Fonds
  • 1926-2005 (inclusive); 1967-1998 (predominant)

This collection consists of exhibition catalogues, posters, invitations and promotional ephemera, primarily (but not exclusively) from Canadian art galleries. The catalogues predominantly feature the work of Canadian artists, with some European and American artists (and minimal representation from Asian artists). The collection provides interesting documentation of the development of Canadian art across the country, including regional focus and to some extent, the development of interest in Indigenous art. In addition, the collection includes some auction catalogues, as well as items relating to advertising; art and design used in industry promotion; and industrial design.

Dmytro Stryjek fonds

  • MG 265
  • Fonds
  • 1931-1991 (inclusive), 1976-1990 (predominant)

This fonds contains correspondence, photographs, reference material, publications and sketches documenting the artistic career of Dmytro Stryjek.

Stryjek, Dmytro

Terry Fenton fonds

  • MG 445
  • Fonds
  • 1940-2013 (inclusive); 1970-2013 (predominant)

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

Fenton, Terry

Zepp-Varga Collection

  • MG 559
  • Fonds
  • [ca. 1940s] – 2015 (inclusive); 1981-2003 (predominant)

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

Zepp, Norman