The Photograph Collection consists primarily of images documenting the growth and development of the University of Saskatchewan. Images of faculty, students, staff, alumni, buildings, equipment, and various events and activities constitute the majority of the collection.

This fonds contains year books, attendance books, visitor's registers and minute and account books. The series also contains audio cassettes of the symposium entitled "Emma Lake Artist's Workshop - Community Critics Workshop" (1989).

This fonds contains correspondence, memoranda, reports, and published material relating to the administration and activities of the Division.

This fonds consists of biographical data, correspondence with family, friends, colleagues and gallery curators; lecture notes, articles, poems, exhibition catalogues, and roughly 700 sketches.

This fonds contains biographical data, correspondence, lectures and addresses, exhibition catalogues, and sketches. Most of the material deals with Kenderdine's career as an artist, art teacher and founder of the Emma Lake Art School (now known as the Kenderdine Campus). There are a substantial number of photographs: of the Kenderdine family; Emma Lake; Kenderdine in his studio or instructing students; and scenic views; as well as several portraits of natives by E.N. Davis. Additionally, there are scrapbooks and miscellaneous collected items: medals and Boer War postcards.

This collection contains prints using the George Baxter patented method. A Baxter print is generally considered any print done by Baxter, licensees or other printers using his method. Baxter used relief and intaglio printing methods.

A small collection of Japanese postcards from the Meiji and Taisho era.

These postcards from the early 1900’s depict missionary work, aboriginal peoples, and landscapes all across Northern Canada.

This fonds documents the teaching career and private interests of Dennis W. Harley. It contains film, audio tapes, publications by Harley, reference material, correspondence, sketches and photographs.

This collection of correspondence was predominantly written by Horace Wickenden (one note was written by Margaret Wickenden) to friends Ivan and Marjorie Logan. The letters reflect Wickenden’s views on current events, both global and national, with some emphasis on Canadian politics. In them, he also discusses books he has read; philosophy; reflects on teaching and education; and to some extent, relates daily activities and events in his life and that of his family. Very little discussion of art and painting are in the letters, although these, too, are occasional topics: particularly with regard to Robert Hurley, an artist Wickenden clearly admired.

This collection consists of exhibition catalogues, posters, invitations and promotional ephemera, primarily (but not exclusively) from Canadian art galleries. The catalogues predominantly feature the work of Canadian artists, with some European and American artists (and minimal representation from Asian artists). The collection provides interesting documentation of the development of Canadian art across the country, including regional focus and to some extent, the development of interest in Indigenous art. In addition, the collection includes some auction catalogues, as well as items relating to advertising; art and design used in industry promotion; and industrial design.

This collection contains research notes, diaries, and printed material dealing with entomology (in particular, the study of midges), bonsai, and the classification of birds. The photographic material includes subjects relating to Saunder's research; views from his extensive travels (including Egypt [1932]; Ceylon [1932]; Brazil [1923]; Hong Kong and the Far East [1932]; and North America, particularly Emma Lake [1939-1943].

This fonds contains correspondence from Reta Cowley, and John Hicks. The Cowley correspondence in part, discusses her painting process; and the Hicks correspondence discusses the Saskatchewan writing scene (particularly Prince Albert); his publications and awards, and his ideas about writing.

This fonds contains images depicting many of the building projects that were done during Innes’ years working on campus. They are not limited to buildings, but include available building sites, roads and walks, landscaping and some graphics. In addition, it includes images of other university campus from around North America, and some from Europe.