This fonds contains materials related to Anne Szumigalski’s writing.

Letter to Charles Fitzgerald July 15, 1912 ( ? ) Autograph letter signed and including caricature sketches of two heads. Extracted from library copy of his "J. B. Yeats letters to his son, W.B. Yeats and others. N. Y., 1946”

J. Galsworthy to Madam (?) March 20, 1924.
This letter pertains to Galsworthy's forward to Far Away and Long Ago and to Green Mansions, and to his postscript in A Little Boy Lost.

The Gustafson collection includes five boxes of correspondence, including many with some of Canada's leading literary figures from the 1930s to the 1960s. The collection also houses manuscripts, proofs, and published first editions of some of Gustafson's well-known publications. There are also newspaper clippings and reviews.

Holograph letter, signed.
Una Jeffers to Mr. Forster. Dated December 18, 1929.
Telling him of their decision to return to California, and their time in Cornwall. Written on board S.S. Duchess of Bedford in mid-Atlantic. 2 p.

This fonds contains material related to the writings of J. Jill Robinson including works complete and incomplete, published and unpublished. This fonds also contains material related to professional activities such as editing, readings, and interaction with publishers and other writers.

This fonds contains articles about and reviews of Aiken's published works, as well as correspondence between Aiken and others.

The fonds consists of synopses of lectures about Australian literature prepared by critic and poet Tom Inglis Moore. The notes were obtained by Scott in 1954-55 when he took Tom Inglis Moore's course in literature at the Canberra University College, Australia (now part of the Australian National University). Tom Inglis Moore pioneered the study of Australian literature as a subject, and 1954-55 was the first year any Australian university or college offered such a course.

The material in this fonds documents the literary and performance career of Steven Ross Smith.

This fonds documents the literary and musical activities of John Hicks. It includes extensive incoming and outgoing correspondence with writers, publishers, editors, friends and colleagues, as well as a large quantity of unpublished poetry and prose.

This fonds consists of material concerning University of Saskatchewan committees, Department of English examinations, faculty minutes, and graduate work, as well as lecture notes for creative writing, American and Celtic literature, Chaucer, Thomas Hardy, the romantics, and "Modern Literature and Christianity." Most of the fonds consists of manuscripts of articles, stories, reviews, and books, as well as radio plays, research notes, and manuscripts for McCourt's unpublished and in-progress works.

This fonds consists of materials relating to Robert Currie's literary works and interests. It includes: drafts and manuscripts of his poetry, short fiction, novels and radio plays; his published books and work in periodicals; correspondence with writers and publishers; records relating to Salt, an unpublished anthology co-edited with Glen Sorestad, 2000% Cracked Wheat, and his editorial work on other's writings. Also included in this fonds are records of Coteau Books and Currie's involvement with the Festival of Words and Saskatchewan Writer's Guild, as well as some memorabilia.

This fonds includes extensive correspondence with family and colleagues, as well as materials relating to Dr. Mitcham's career as an academic and an author. It also contains manuscript drafts, research notes, and related materials regarding her books "The Last Utopia," "Taku," "Island Keepers," "Grey Owl's Favorite Wilderness," and "Ivan Hicks," among others. The fonds also includes biographical material.

This fonds contains records relating to teaching, including notes for lectures, and student records and marks. Following Bateman’s death, the University published a memorial volume of his writing, including some poems, lectures, essays (among them, on war), and correspondence.

The fonds primarily consists of material about Max Jacob compiled and organized by Maria Green, based on research in libraries and archives in North America and Europe. This includes correspondence, writings by and about Jacob, drawings by Jacob, works with references to Jacob, and Green’s index cards including an extensive set of subject-based cards. There is also some material relating to Green’s work (edited collections, articles, awards, etc.).
Where possible, the order established by Green has been maintained, based on available file lists and numbering on file folders. The fonds is organized as follows:
FIRST DRAWER - Material relating to first manuscript
SECOND DRAWER
THIRD DRAWER
FOURTH DRAWER
OTHER MATERIAL