Title and statement of responsibility area
John Reeves fonds
General material designation
Other title information
Title statements of responsibility
Level of description
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
1962-1998 (inclusive); 1974-1977 (predominant) (Creation)
Physical description area
95 colour transparencies; 44 colour slides; 60 photographs; textual records.
Publisher's series area
Title proper of publisher's series
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Statement of responsibility relating to publisher's series
Numbering within publisher's series
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Archival description area
Name of creator
John Reeves was born in Burlington, Ontario, in 1938, and graduated from the Ontario College of Art in 1961. Well known particularly for his portrait photography, Reeves' work has appeared in virtually every Canadian periodical. His photographic and written essays have included works on Jean Vanier, Elizabeth Smart and Germaine Greer; and he provided photography for the books Debrett's Illustrated Guide to the Canadian Establishment and John Fillion - Thoughts about My Sculpture. John Reeves is a member of the Royal Canadian Academy of Arts.
Scope and content
This fonds contains images of Canadian women of achievement; most were taken during the celebration of the International Year of the Woman (1975) and formed part of the exhibition, "30 Portraits of Women."
Immediate source of acquisition
This fonds has been arranged into the following series:
A. Portraits of Women, 1974-1977.
B. “30 Portraits of Women” Exhibition - 1977.
C. Prints. – 1962-1998.
D. Artists and Writers - Primarily West Coast. - 1977-1978, 1985.
Language of material
Script of material
Location of originals
Availability of other formats
Restrictions on access
There are no restrictions on access.
Terms governing use, reproduction, and publication
John Reeves retains copyright; use is granted the University of Saskatchewan Archives for exhibition, promotion, and research use.
A finding aid is available.
Uploaded finding aid
Further accruals are expected.