This fonds contains photographs, negatives, slides, notes and drafts pertaining to the writing, editing and production of the book University of Saskatchewan : a photo album by Betty Jantz & Louise Barak, published in Saskatoon, Sask. by the University of Saskatchewan, in 1997.

This fonds contains biographical data, correspondence, lectures and addresses, exhibition catalogues, and sketches. Most of the material deals with Kenderdine's career as an artist, art teacher and founder of the Emma Lake Art School (now known as the Kenderdine Campus). There are a substantial number of photographs: of the Kenderdine family; Emma Lake; Kenderdine in his studio or instructing students; and scenic views; as well as several portraits of natives by E.N. Davis. Additionally, there are scrapbooks and miscellaneous collected items: medals and Boer War postcards.

This fonds contains materials documenting the approach of a self-taught artist, including reference materials, catalogues of art shows, articles, etc. It includes material relating to various art exhibitions throughout the province, at which several respected folk artists displayed their work. Some early artworks by Harvey are included, as are the art supplies used by Harvey in his work.

This collection contains original works of art, photographs, and documentation relating to classes Ms. Perron took at the University of Saskatchewan, notably fine art classes. Her professors included Bill Epp, Otto Rogers, and Eli Bornstein; her classmates included Bob Christie and Doug Bentham.

This fonds contains materials relating to Professor Bornstein's teaching, research, and community involvement. In particular, it documents The Structurist.

This fonds consists of 27 Sony Beta videocassettes of drawing tutorials.

This fonds contains correspondence from Reta Cowley, and John Hicks. The Cowley correspondence in part, discusses her painting process; and the Hicks correspondence discusses the Saskatchewan writing scene (particularly Prince Albert); his publications and awards, and his ideas about writing.

This collection contains the letters written by Mac Hone to Jean Ruryk from ca. 1939-1944, together with photographs primarily of the Lindner family. The letters discuss news of mutual friends from the Emma Lake Art Camp; theatre, music, ballet, movies and books; Mac’s war work (welding); etc.

This collection is comprised primarily of exhibition mailers, as well as samples of his work in the form of stamps and book covers.

This collection primarily contains materials acquired by Grace Taylor during the three years she spent in Japan, just prior to the outbreak of World War II. In addition, the collection includes diaries from Grace, her husband and their daughter; and numerous family photographs.

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

This collection includes working papers and completed versions of Hillis’ published and unpublished poetry, drama, and fiction, as well as research and correspondence related thereto. The collection includes a range of interviews conducted by Hillis with a number of Saskatchewan authors for her books Voices and Visions and Plainspeaking. This collection also includes chapbooks published by Andrew Suknaski, Lorna Uher, and Mick Burrs.
Further, the collection contains a range of materials gathered by Doris on the subject of puppetry for her work with the Macklin Puppeteers throughout the 1960’s and 1970’s. Her personal memoirs are also included, as are materials from her involvement in Saskatchewan’s literary community, including helpful information on the art of writing from her workshops.

This fonds contains correspondence, photographs, reference material, publications and sketches documenting the artistic career of Dmytro Stryjek.

Since 1984, Joanne Abrahamson has travelled extensively throughout Saskatchewan, and has documented virtually every city, town, village, and hamlet in the province, from Aberfeldy to Xena. Her photographs are primarily of grain elevators, schools, churches, railway stations, town offices; in some instances she has returned to a site after a period of several years, providing documentation of changes over time. A few of her images are of rural Alberta and Manitoba, with a few of the northern United States (North Dakota and Montana). In addition, she created a daily photographic journal of the demolition of the YWCA building in Saskatoon. Several of her photographs have been published.