Fonds MG 559 - Zepp-Varga Collection

Zone du titre et de la mention de responsabilité

Titre propre

Zepp-Varga Collection

Dénomination générale des documents

Titre parallèle

Compléments du titre

Mentions de responsabilité du titre

Notes du titre

Niveau de description

Fonds

Cote

MG 559

Zone de l'édition

Mention d'édition

Mentions de responsabilité relatives à l'édition

Zone des précisions relatives à la catégorie de documents

Mention d'échelle (cartographique)

Mention de projection (cartographique)

Mention des coordonnées (cartographiques)

Mention d'échelle (architecturale)

Juridiction responsable et dénomination (philatélique)

Zone des dates de production

Date(s)

  • [ca. 1940s] – 2015 (inclusive); 1981-2003 (predominant) (Production)

Zone de description matérielle

Description matérielle

5.48 m of textual records and reference library, 3,273 slides, 1,448 photographs, 917 negatives, 13 digital images, 60 audio cassettes, 15 works of art on paper, 1 CD, equipment, 11 discs.

Zone de la collection

Titre propre de la collection

Titres parallèles de la collection

Compléments du titre de la collection

Mention de responsabilité relative à la collection

Numérotation à l'intérieur de la collection

Note sur la collection

Zone de la description archivistique

Nom du producteur

Notice biographique

Norman Zepp was raised on a farm near Yorkton, Saskatchewan, and earned his BA from the University of Saskatchewan. While at university, Zepp met his partner Judith Varga; and he bought his first piece of Inuit art. Zepp switched his major from Education to Art History; and went on to earn an MA in Art History from Carleton University, under the supervision of George Swinton, who remained a lifelong friend of Zepp and Varga. After earning his graduate degree, Zepp was curator of exhibitions at the Mackenzie Art Gallery in Regina, and director of the Thunder Bay National Exhibition Centre and Centre for Indian Art. In 1988, he was appointed curator of Inuit art for the Art Gallery of Ontario (AGO), where he remained until 1994. During that time, Zepp was instrumental in building the AGO Inuit collection, including helping to facilitate several major donations, including the Williamson and the Sarick collections. Following the AGO, Zepp worked in Vancouver prior to returning to Saskatoon. He remains one of Canada’s foremost experts on Inuit art.

Historique de la conservation

Portée et contenu

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

Zone des notes

État de conservation

Source immédiate d'acquisition

Classement

Langue des documents

Écriture des documents

Localisation des originaux

Disponibilité d'autres formats

Restrictions d'accès

There are no restrictions on access.

Délais d'utilisation, de reproduction et de publication

Copyright, where applicable, has been transferred to the University Archives & Special Collections.

Instruments de recherche

Instrument de recherche téléversé

Éléments associés

Éléments associés

Accruals

Identifiant(s) alternatif(s)

Zone du numéro normalisé

Numéro normalisé

Mots-clés

Mots-clés - Lieux

Mots-clés - Genre

Zone du contrôle

Accession area