The "Partners in Growth" Campaign raised over $12 million toward the cost of the Agriculture Building. Donors included faculty, alumni, students, individuals and corporations. The campaign, begun in 1986, was organized by Ketchum Canada Inc. and directed by Scott Smardon.

The first meeting of the Agricultural Students' Association of the University of Saskatchewan was held on March 20, 1920. It was formed as "a result of the cessation of the War, with its consequent effects in student enrollment." With greater numbers of students, "many new organizations [appeared, which] caused considerable overlapping in student activities with no central body in control." At the request of his fellow students, 4th-year president J.B. Harrington called a general meeting of College of Agriculture students on February 10, 1920. A subcommittee was formed to draft a constitution; that constitution was approved, and the ASA officially formed in March. Among the objectives of the Association was the development of rural leadership and the promotion of agricultural education in the province; although, as with most student organizations, its primary function was to promote fellowship among the students and to serve as a medium of communication between students and faculty.

Born in Toronto on March 28, 1906, Murray Adaskin began his violin training at the age of ten. Additional training was received in New York and Paris including periods of composition study with John Weinzweig, Charles Jones and Darius Milhaud. A violinist with Toronto Symphony for ten years, Adaskin also served as director of music for the CPR hotels. As Head of the Music Department at the University of Saskatchewan from 1952 until 1966, and then Composer-In-Residence from 1966 until 1973, Murray, along with his first wife soprano Frances James Adaskin, initiated and supported much of the rich musical life which remains as a cultural focus in Saskatoon today. Among his many honours were Saskatoon's citizen of the year for 1970, a 1980 appointment to the Order of Canada and a D.Mus from the University of Saskatchewan in 1984. Murray Adaskin retired to Victoria in 1973. He was later married to Dorothea Larken (Adaskin). He composed his final work in 2000 and died in 2002 at the age of 96.

Joanne Abrahamson was born in Saskatoon on 24 January 1963. She worked for most of her career at SaskTel; after nearly twenty years there she left to pursue a career in Library Studies. Her father was a police photographer, and the family had a darkroom in their home; but she is largely self-taught, and has taken no formal photographic training.

Maxwell Abraham graduated from high school in Cabri and enrolled at the University of Saskatchewan in 1969. He joined the Huskies football team in 1969 after playing for the Saskatoon Hilltops and winning a Canadian Junior Championship in 1968. During his three-year career with the Huskies, from 1969 to 1971, Abraham was selected to both the Western all-star and All-Canadian team, each season at a different defensive position. Abraham was also a member of the Huskies wrestling team for one year. He was an assistant coach with the Huskies football team in 1972. He graduated with a B.Ed. in 1973.

Henry T. Abley, also often known as Harry, was an organist, choirmaster and composer, born in 1917 in Knighton, Wales. He studied at Trinity College of Music, London. He had fellowships at that college, and the London College of Music, and was an Associate of the Royal College of Organists.

He immigrated to Canada in the late 50s and worked as the organist at St. Luke’s Cathedral in Sault Ste Marie, ON from 1957-1959. From 1961-1967 he worked as the organist at First Baptist Church in Lethbridge, Alberta. Subsequently he worked as an organist and choirmaster at St. John’s Cathedral in Saskatoon, SK from 1968-1977, then at Third Avenue United Church also in Saskatoon, SK from 1979-1985. His last engagement as organist and choirmaster was at Church of the Advent in Montreal from 1985 until his death in 1994.

He was a recitalist known especially in Germany during the 70s and 80s, where he performed frequently in East and West Berlin, Bremen, Norden; as well as Geneva, Switzerland and Oxford and Cambridge, England. He excelled in music of the German School, but was also a fine exponent of Franck, Liszt, and 20th-century composers Olivier Messiaen and Jéhan Alain. Abley was also a composer of mainly sacred works, and his large output occasioned a 1981 concert in Saskatoon composed entirely of his music.