- A-6807
- Item
- [197-?]
First border lighting, and glimpse of the auditorium from the stage.
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First border lighting, and glimpse of the auditorium from the stage.
Greystone Theatre - "The Cradle Song"
Scene directed by Ron WIlliams, .Judy Mazurik as Sister Maria Jesus; Elizabeth Carpenter as Sister Joanna of the Cross; and Marguerite Hein as Sister Tornera.
[Greystone Theatre] - Unidentified Scene
A male student dressed as a sailor with two female students in costume. One female student is seated in front of an old sewing machine.
[Greystone Theatre] - Unidentified Scene
Two students, one female and one male, dressed in costume.
[Greystone Theatre] - Unidentified Scene
Two male students in costume sit on a checkered stage.
[Greystone Theatre] - "The Desert Song"
Three actors on stage, dressed in costumes.
Frank holroyd, professor of Drama, points to two dioramas designed for the Greystone Theatre production of "The Wild Ones" by W.O. Mitchell.
Image of main doors of the Hangar Building. Sign among weeds and brush in foreground.
Bio/Historical Note: The Hangar Building was originally constructed as a World War II Royal Canadian Air Force training facility at Dafoe, Saskatchewan. At a cost of $156,560, the hangar was dismantled and completely reassembled on campus by January 1947. It was intended to provide temporary teaching space for the Department of Household Science. The shingle clad wooden structure was built of post and beam construction on a concrete slab base, and many part-time students participated in its construction. It contained lecture rooms with seating space for 300, 200, 150, 125, 25 and 25 persons respectively, as well as three laboratories. Eight offices were also built for administrative staff so that offices on the ground floors of Qu’Appelle Hall and Saskatchewan Hall could be made available as residence space for returning veterans. While the Hangar Building had been designed to house the Department of Household Science the building was eventually occupied by the College of Commerce, while Household Science was relocated to the Physics Annex. Original intentions were to convert the building into a student curling rink after approximately five years. However such plans were abandoned by the mid-1950s in favour of a new curling facility located near Rutherford Rink, where it could share the existing ice-making plant. In 1967 the College of Commerce vacated the building to occupy the new Law-Commerce Complex, and the Department of Drama moved in. The Hangar Building thus became home to the Greystone Theatre. In September 1993 the Drama Department vacated the building to move into the recently renovated John Mitchell Building. The Hangar Building then remained unoccupied until its demolition in May 1994.
This fonds contains a variety of collections gathered together by Neil during his lifetime. The main areas of interest are LGBT, cross dressing, wrestling, and (to a minor extent) running. Periodicals, postcards, posters, artwork, textual material, and audiovisual material are found throughout the fonds. Individual scope and content notes are included for each accession/collection in the finding aid.
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This fonds documents amateur and professional theatre in and around Saskatoon and contains extensive material relating to the design of costumes, including background research and watercolour design sketches.
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Parte de Howard Jackson Collection
MacBeth. 1910-1911.
Parte de Howard Jackson Collection
Julius Caesar. 1912-1913.
Nils Clausson - Guy Michaud collection
This collection contains materials related to AIDS Regina and the dramatic productions initiated by them as fundraisers / education. An outreach of that work was the formation of Oscar Wilde & Company. This collection includes scripts, posters, and programmes; and by extension documents the collaboration between Nils Clausson and Guy Michaud, who established the first gay theatre company in Saskatchewan.
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These papers include (handwritten and typed): manuscripts, drafts, journal publications, volumes and collections of his work, articles and reviews of his work; volumes of other poets work; personal correspondence and poems from the likes of Margaret Atwood, Milton Acorn, Earle Birney and Irving Layton; photos; vinyl cuts; audio recordings
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