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Dr. K.J. Paynter - Portrait

Head and shoulders image of Dr. K.J. (Jack) Paynter, first dean of Dentistry.

Bio/Historical Note: Dr. Kenneth J. (Jack) Paynter received his DDS from the University of Toronto in 1944 and a PhD in Anatomy from Columbia University in New York in 1953. In 1951 he joined the Faculty of Dentistry, University of Toronto, and served as head of the Department of Oral Anatomy from 1952–1967. Dr. Paynter was appointed the first dean of the College of Dentistry, University of Saskatchewan, in 1967 and served as dean until 1973. In 1973 he was appointed director of the Grants Program of the Medical Research Council in Ottawa and served in that capacity until his retirement in 1984. Dr. Paynter was president of the Royal College of Dentists of Canada at the time of his death in a car accident on 30 January 1985.

Arthur J. Porter - Portrait

Head and shoulders portrait of Arthur J. Porter, dean of Engineering.

Bio/Historical Note: Arthur J. Porter was born in 1910 in Ulverston, England. While studying at the University of Manchester, Porter helped build a differential analyzer - one of the world’s first analog computers, using a Mecanno construction set. In 1937 he accepted a fellowship at the Massachusetts Institute of Technology (MIT). Porter helped build the Rockefeller differential analyser - the most ambitious analog/digital computer built to date. It was used extensively for projects during World War II. In 1949 Porter accepted a position with Ferranti Canada and worked on the DATAR system. DATAR combined data from a convoy of ships’ sensors, providing a single ‘overall view’ that allowed the commander to make better-informed decisions. Soon afterwards, in the early 1950s, Porter was one of six Canadians selected to work on Project Lamp Light; working on data processing expertise was crucial to this top-secret North American air defence initiative. In 1958 Porter became the fourth dean of Engineering at the University of Saskatchewan. There, along with Norman Moody and Dr. William Feindel, Porter established Canada’s first biomedical research program. In 1962 Porter moved to the University of Toronto to chair their new Industrial engineering department - one of the first in the world. While there, Porter also helped establish the University’s biomedical program. During the late 1960s he was involved in projects that bridged the gap between culture and science. He was the first acting director of the University of Toronto’s Centre for Culture and Technology. Porter also chaired the Science and Technology Advisory Committee when Montreal hosted the World’s Fair-Expo 67. Porter died in 2010 in Winston-Salem, North Carolina at age 99.

Linear Accelerator Building - Sod Turning

Herb Pinder, member, University Board of Governors, gives an address at the sod turning of the Linear Accelerator Building. Pinder is standing on a raised platform with J.W.T. Spinks, University President, seated directly behind. Unidentified seated men, chairs, and microphones also on platform. Architectural drawing visible next to stand in foreground.

Bio/Historical Note: The building of the Linear Accelerator (Linac) was not a random event but rather the result of a series of developments on campus. The Department of Physics had over the previous decades built a reputation for experimentation and innovation. The post-war period saw the University of Saskatchewan in the forefront of nuclear physics in Canada. In 1948, Canada’s first betatron (and the world’s first used in the treatment of cancer) was installed on campus. It was used for research programs in nuclear physics, radiation chemistry, cancer therapy and radiation biology. Next the world’s first non-commercial cobalt-60 therapy unit for the treatment of cancer was officially opened in 1951. With this unit research was undertaken in the areas of radiological physics, radiation chemistry and the effects of high energy radiation on plants and animals. When the construction of the Linear Accelerator was announced in the fall of 1961, it was portrayed as the next logical step on the University’s research path. Varian Associates, Palo Alto, California, designed and built the accelerator with Poole Construction of Saskatoon employed as the general contractor. The 80 foot electron accelerator tube was to create energy six times that of the betatron. The cost of the $1,750,000 facility was split between the National Research Council and the University of Saskatchewan with the NRC meeting the cost of the equipment and the University assuming the costs of the building. The official opening in early November of 1964 was more than just a few speeches and the cutting of a ribbon. It was a physics-fest, with 75 visiting scientist from around the world in attendance presenting papers and giving lectures over the period of several days. Three eminent physicists were granted honorary degrees at the fall convocation and hundreds of people showed up for the public open house. For three decades the Linac has served the campus research community and will continue to do so as it has become incorporated into the Canadian Light Source synchrotron.

Museum of Antiquities - Official Opening

P.M. (Michael) Swan, Head, Department of Greek and Roman Studies, and Nicholas Gyenes, Professor Emeritus of Art, look at an exhibit at the official opening of the Museum of Antiquities. 'Hermes of Praxiteles' is in background.

Bio/Historical Note: The Museum of Antiquities is an archaeological museum at the University of Saskatchewan. It opened in 1974 to provide an opportunity to study ancient works. The Museum currently features a variety of Greek and Roman sculpture, and contains a collection of Near Eastern, Egyptian, Byzantine, Islamic and Medieval art. It is one of only a handful of museums of its kind in Canada. The project which became the “Museum of Antiquities” began in 1974. It was initiated by ancient history historian Michael Swan and art historian Nicholas Gyenes, both professors of the University of Saskatchewan. The collection began with a small group of replicas purchased from the Louvre, but grew to include replicas from other museums and workshops, as well as original artifacts. The collection grew through the generosity of the University and private benefactors until, in 1981, new facilities in the Murray Library were acquired, the collection was officially opened as the “Museum of Antiquities”, and Catherine Gunderson became the first curator and director of the museum. In 2005, the ever-expanding Museum moved to a larger space in the newly renovated College Building now known as the Peter MacKinnon Building. Tracene Harvey became director in 2009. The long-term aim of the Museum is to offer a reliable and critical account of the artistic accomplishments of major Western civilizations and epochs from approximately 3000 BC to 1500 CE. The first step in this endeavor was the presentation of a dependable picture of ancient Greco-Roman sculptural art, as it has heavily influenced much later Western art. The present collection focuses on items from the Middle Helladic (c. 1500 BCE) to the Late Antique (c. 500 CE) period and now has expanded to include pieces from the ancient Near East and ancient Egypt. The Museum's pieces mainly consist of plaster cast replicas, making the collection one of a few cast collections in Canada, and the only one in Saskatchewan. The replicas in the Museum are, in general, not crafted from the same material as the original. Most are casts of plaster or resin, not marble or bronze, for reasons of expense and weight. The replicas by large workshops—such as those at the Louvre, Paris, the British Museum, London, and the Gipsformerei der Staatlichen Museen, Berlin—are created from moulds taken directly from the original pieces. They therefore replicate exactly any damage borne by the original. After the plaster cast is unmoulded, it is painted and given a surface finish which matches the original. The collection has replicas of several famous pieces, such as the Rosetta Stone and the Venus de Milo. The collection features original sculpture such as the 17th century portrait of Hannibal. Other original pieces include a storage amphora, a false door and a substantial collection of ancient glass.

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