Affichage de 72 résultats

Archival description
Gibson Photo Avec objets numériques
Aperçu avant impression Affichage :
Croissant
William Kurelek Mural

William Kurelek Mural

Artist William Kurelek contemplates his work - a 32 by 36 foot mural on the inside front wall of the St. Thomas More Chapel.

Bio/Historical Note: William Kurelek, CM (1927-1977) was born in a shack near Whitford, Alberta, north of Edmonton. Kurelek spent most of his boyhood on the family farm in Manitoba. He hated the life and grew up with an increasing sense of alienation at home and at school, and decided in his last year at the University of Manitoba to devote his life to the one talent that brought admiration: his ability to draw. It was after reading Joyce's Portrait of the Artist as a Young Man at university that Kurelek decided to find out if he, too, could become an artist. He tested himself in characteristic fashion, by creating a self-portrait that involved 16 hours of frantic, non-stop painting. As the work neared completion, Kurelek recalled years later, he realized 'the painting had taken over and was directing me. I was an artist. I knew I was an artist.' But Kurelek faced a tortured journey before anyone else accepted him as an artist. He travelled to Toronto in search of an art teacher but left the Ontario College of Art after only a few months and began hitchhiking to Mexico. The artist had been plagued as a young boy by a series of frightening visions and hallucinations, all dealing with pain, suffering, cruelty. While resting under a bridge in Arizona he underwent a vision of a different kind. It was a white-robed figure calling him to be a shepherd. That figure is the someone of Kurelek's autobiography, Someone With Me, published in 1974. Kurelek failed to find an art teacher in Mexico. He returned to Canada and worked as a lumberjack to earn the money for passage to England. But his sense of 'depersonalization, of non-existence' had grown intolerable and he turned himself over to the psychiatric hospital at Maudsley. It was here and in other hospitals that Kurelek finally found himself as a painter. Later, he credited electric shock treatment and his conversion to Catholicism for his reclamation. Kurelek died in Toronto in 1977; he was only 50 years old.

Carbon 14 - Research

Carbon 14 - Research

Dr. Kenneth J. McCallum, professor and head, Department of Chemistry, stands beside equipment located at the Saskatchewan Research Council that is used for carbon 14 radioactive dating.

Bio/historical note: The Carbon 14 radioactive method of determining the ages of substances is carried out on the campus by the Saskatchewan Research Council, and is the only one in Canada. One of the experiments showed there were Indigenous peoples in British Columbia more than 8000 years ago. The method was applied by scientists outside Canada to confirm the age of the famous Dead Sea Scrolls (2000 years old).

Museum of Antiquities - Official Opening

Museum of Antiquities - Official Opening

P.M. (Michael) Swan, Head, Department of Greek and Roman Studies, and Nicholas Gyenes, Professor Emeritus of Art, look at an exhibit at the official opening of the Museum of Antiquities. 'Hermes of Praxiteles' is in background.

Bio/Historical Note: The Museum of Antiquities is an archaeological museum at the University of Saskatchewan. It opened in 1974 to provide an opportunity to study ancient works. The Museum currently features a variety of Greek and Roman sculpture, and contains a collection of Near Eastern, Egyptian, Byzantine, Islamic and Medieval art. It is one of only a handful of museums of its kind in Canada. The project which became the “Museum of Antiquities” began in 1974. It was initiated by ancient history historian Michael Swan and art historian Nicholas Gyenes, both professors of the University of Saskatchewan. The collection began with a small group of replicas purchased from the Louvre, but grew to include replicas from other museums and workshops, as well as original artifacts. The collection grew through the generosity of the University and private benefactors until, in 1981, new facilities in the Murray Library were acquired, the collection was officially opened as the “Museum of Antiquities”, and Catherine Gunderson became the first curator and director of the museum. In 2005, the ever-expanding Museum moved to a larger space in the newly renovated College Building now known as the Peter MacKinnon Building. Tracene Harvey became director in 2009. The long-term aim of the Museum is to offer a reliable and critical account of the artistic accomplishments of major Western civilizations and epochs from approximately 3000 BC to 1500 CE. The first step in this endeavor was the presentation of a dependable picture of ancient Greco-Roman sculptural art, as it has heavily influenced much later Western art. The present collection focuses on items from the Middle Helladic (c. 1500 BCE) to the Late Antique (c. 500 CE) period and now has expanded to include pieces from the ancient Near East and ancient Egypt. The Museum's pieces mainly consist of plaster cast replicas, making the collection one of a few cast collections in Canada, and the only one in Saskatchewan. The replicas in the Museum are, in general, not crafted from the same material as the original. Most are casts of plaster or resin, not marble or bronze, for reasons of expense and weight. The replicas by large workshops—such as those at the Louvre, Paris, the British Museum, London, and the Gipsformerei der Staatlichen Museen, Berlin—are created from moulds taken directly from the original pieces. They therefore replicate exactly any damage borne by the original. After the plaster cast is unmoulded, it is painted and given a surface finish which matches the original. The collection has replicas of several famous pieces, such as the Rosetta Stone and the Venus de Milo. The collection features original sculpture such as the 17th century portrait of Hannibal. Other original pieces include a storage amphora, a false door and a substantial collection of ancient glass.

Résultats 46 à 60 sur 72