Missionaries in Canada's North: Postcard Collection
- MG 647
- Fonds
- ca. early 1900s
These postcards from the early 1900’s depict missionary work, aboriginal peoples, and landscapes all across Northern Canada.
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Missionaries in Canada's North: Postcard Collection
These postcards from the early 1900’s depict missionary work, aboriginal peoples, and landscapes all across Northern Canada.
Stefan Chiarantano Postcard Collection
A small collection of Japanese postcards from the Meiji and Taisho era.
This fonds documents the life of Alan Nunn, his family, and communities near La Ronge, Saskatchewan; particularly in relation to the fur trade during the early 20th century.
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Incomplete collection of 35mm slides used by Gordon Snelgrove in his teaching. These slides were in circulation until 2010. The paper mounted slides include handwritten notes in blue and red pen by Gordon Snelgrove.
Snelgrove’s previously used glass lantern slides were discarded when the Department of Art and Art History moved from the Hangar Building to the Murray Building. Many of the 35mm slides have also been discarded or re-mounted in plastic as the original cardboard mountings were damaged with time.
Also included is a copy of a book annotated by Snelgrove entitled.
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This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.
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This fonds contains correspondence, clippings, photographs and printed material dealing primarily with the artistic career of Ruth Pawson. These slides represent a complete catalogue of Ruth Pawson's artwork, as well as images of friends' cabins and other locations where she liked to paint. Most of the slides were annotated; title, price, size, sales, some notes, and dates where provided have been listed here. Please note that the date on the slide may refer to the date of sale, and not the date the work was created. The slides arrived in a series of boxes, each of which was labelled with dates, and have been left in that order.
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University of Saskatchewan Photograph Collection
The Photograph Collection consists primarily of images documenting the growth and development of the University of Saskatchewan. Images of faculty, students, staff, alumni, buildings, equipment, and various events and activities constitute the majority of the collection.
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This fonds contains correspondence, photographs, reference material, publications and sketches documenting the artistic career of Dmytro Stryjek.
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This fonds contains materials relating to Professor Bornstein's teaching, research, and community involvement. In particular, it documents The Structurist.
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Art and Advertising collection
This collection consists of exhibition catalogues, posters, invitations and promotional ephemera, primarily (but not exclusively) from Canadian art galleries. The catalogues predominantly feature the work of Canadian artists, with some European and American artists (and minimal representation from Asian artists). The collection provides interesting documentation of the development of Canadian art across the country, including regional focus and to some extent, the development of interest in Indigenous art. In addition, the collection includes some auction catalogues, as well as items relating to advertising; art and design used in industry promotion; and industrial design.
This collection is comprised primarily of exhibition mailers, as well as samples of his work in the form of stamps and book covers.
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This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).
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Collection mainly includes documents relating to the Saskatchewan artist Robert Hurley.
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This fonds contains materials relating to Michael Hosaluk’s career in woodworking. It also documents his collaborative work with other artists, exhibitions he participated in or helped to facilitate, and includes some personal / family history.
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Department of Art and Art History - Kenderdine Campus (Emma Lake Art School) fonds
This fonds contains year books, attendance books, visitor's registers and minute and account books. The series also contains audio cassettes of the symposium entitled "Emma Lake Artist's Workshop - Community Critics Workshop" (1989).
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