This fonds includes materials relating to Patricia Monture’s teaching, research, and professional activities on campus, as well as an extensive collection of materials relating to Indigenous rights, women’s rights, Indigenous women’s rights, the Canadian justice system, and how the Canadian justice system interacts with Aboriginal, female, and Aboriginal female offenders. The papers also explore issues of child welfare and domestic violence. A number of legal documents are included, as are materials relating to Indigenous self-governance, treaties, and the Indian Act. Also included are materials relating to Monture’s involvement in a number of national commissions including the Royal Commission on Aboriginal Peoples, the task force on federally sentenced women, and the task force on the use of solitary confinement in federal prisons. Through Monture’s correspondence, it is possible to get a sense of what it was like working as an Indigenous woman in academia during this period.

Fonds consists of personal, professional, and literary papers of Canadian poet and writer, Patrick Lane. While the arrangement differs among the various accessions, in general the records fall into the following series: Correspondence (1941, 1961-1994); Drawings and Sketches (1971-1972, 1977, 1983); Photographs ([194__], 1949, 1951, 1960-1994); Publications By/Featuring Patrick Lane (1966-1994); Publications By/Featuring Others (1967-1991); Audio-Visual Materials (1977-1993, many undated); Writings By Patrick Lane (1963-1994, many undated); Writings By Others (1961, 1971-1994, many undated); Financial Records (1978-1990); Personal Files (1946-1956, 1969-1994); Professional Activities (1977-1994); Professional Associations (1970, 1976-1990); and Red Lane (1962-1964). Of particular note is Lane's extensive correspondence with cultural and educational institutions, colleagues, family and friends, government agencies, media, publishers, and the many writers and poets who sought his advice about their work. Also included are notes, drafts, and manuscripts of the many articles, journals, poems, reviews, short stories, speeches, and radio scripts written by Lane, along with a nearly-complete set of his published works. The fonds also contains sound and video recordings of radio programs, readings, and interviews with Patrick Lane, Lorna Crozier, and other writers, and photographs depicting Lane, Crozier, family, friends, travel subjects, homes, literary events, and scenic shots. Files relating to Lane's professional functions as a writer, editor, and juror include documentation relating to conferences and festivals, workshops, grant applications, radio contracts, appraisals, readings, talks, and writer-in-residence positions. Files pertaining to his work with the League of Canadian Poets and other professional associations with which he was affiliated are also present. Poetry written by Patrick's father, 'Red' Lane, and 'Red''s correspondence with his wife, Elaine, (1962-1964) are also found in this fonds.

The material in this fonds relates to Denham's career as a Professor of English, as well as a significant amount relating to his association with "NeWest Review" from 1983 to 1999. Denham served primarily as literary review editor for NeWest (the book review section was one of the more popular features of the magazine) and more generally as a member of the editorial board. The fonds contains materials collected and/or created by other NeWest editors, including Margaret Gail Osachoff (theatre reviews), Lewis Horne (fiction reviews), Jim Miller, Bill Waiser, and David Carpenter.

The fonds, related to the Swift Current Arts And Heritage Committee, Hoffman James Powley, Swift Current Community Arts Council, Swift Current Overture Concert Association, Swift Current Tourism Committee, and the Horseshoe Tourism Region, were accumulated by the source.

The fonds consists of a copy of “A Spirit of Christology” by Paul W. Newman (no date).

Archival materials related to local individuals or families

This fonds documents the horticulture interests and career of Percy Wright and includes correspondence, clippings, articles and drafts. The majority of the file titles were supplied.

The fonds consists primarily of material relating to Bietenholz's research and writing. In particular, the fonds includes copies of some of his own publications, offprints by others, files (notes, photocopies, etc.) relating to some of his books and papers, offprints and research material relating to Erasmus, and correspondence relating to publishing and research activities, including visits to African and Asian universities.

This fonds documents the academic career of Peter Loptson, including correspondence with colleagues; notes; and material relating to publications.

This fonds consists of records created, accumulated and used by Peter McGehee in his work as an artist, performer, and writer in San Francisco, California, Saskatoon, Saskatchewan and Toronto, Ontario, and as part of the Quinlan Sisters and the Fabulous Sirs. The fonds also includes photographs taken by McGehee's friends, such as his partner Doug Wilson and Fiji Robinson.

Textual records include: an outline of a script of Fiji Robinson's life story (according to Peter McGehee); a poster for "Beyond Happiness: The intimate memoirs of Billy Lee Belle"; photocopied advertisements and newspaper articles about "Boys Like Us" and the Quinlan Sisters; posters for the Quinlan Sisters; Fabulous Sirs concert itinerary; invitation to Maddy Quinlan's (Tim Lewis) 10 year in San Francisco party; and a business card for the Quinlan Sisters with McGehee listed as writer/director, Doug Wilson as manager, and Fiji Champagne, Peaches O'Cod, and Marie Quinlan as performers.

Photographs include colour and black and white prints, black and white contact sheets, print collages, and colour and black and white negatives. Images include professional photographs of Peter McGehee, The Quinlan Sisters, The Fabulous Sirs, and Doug Wilson and candid shots of Peter McGehee, Doug Wilson, Wilson's family, Fiji Robinson, Wendy Coad, Rob MacDonald, Cheryl O'Brien, Janice Kell, Michael Achtman, Brian Gladwell, Lynn McLeod, Charlie Drinkwater, Ruth Welsh, John Goodman, Julie McGehee, Katie O'Grady, and David Rimmer. Some photographs are identified as taken in San Francisco, Toronto, New York City, Rome, Italy, Granada, and Saskatoon, Climax and Meadow Lake, Saskatchewan. Most negatives are not identified. Some photos contain explicit content.

The fonds contains material pertaining to private papers, the careers of Patrick Hayman and Dmytro Stryjek, Inuit Art, human rights in Saskatchewan during the Devine years, sexual discrimination, homosexuality, the Visual Aids Campaign the Doug Wilson Case, artists, galleries, collectors, dealers in Canada and England and the Millard Gallery, Millard’s research into Roger North and the Notes of Me manuscript. The material consists of minutes, correspondence, records, notes, clippings, articles, photographs, slides and catalogues..

This fonds contains various publications and some correspondence from Peter Stevens regarding his career as a poet and editor.

This fonds contains materials relating to Peter Phillips career and includes correspondence, grant applications, articles, reports, papers, conference presentations, teaching materials, research materials.

This collection contains a complete set of the University of Saskatchewan 1939 and 1940 Graduates’ Newsletter, established and produced by Mr. Weber. This newsletter contains information on Engineering alumni, their careers since leaving university, and obituaries.