The material in this fonds documents Berry’s research, writing and teaching career at the University of Western Ontario and University of Saskatchewan, as well as work undertaken on behalf of their Faculty Associations.

The fonds primarily consists of material about Max Jacob compiled and organized by Maria Green, based on research in libraries and archives in North America and Europe. This includes correspondence, writings by and about Jacob, drawings by Jacob, works with references to Jacob, and Green’s index cards including an extensive set of subject-based cards. There is also some material relating to Green’s work (edited collections, articles, awards, etc.).
Where possible, the order established by Green has been maintained, based on available file lists and numbering on file folders. The fonds is organized as follows:
FIRST DRAWER - Material relating to first manuscript
SECOND DRAWER
THIRD DRAWER
FOURTH DRAWER
OTHER MATERIAL

This collection includes Howdy McPhail’s aerial photographs, predominantly of individual farms and views of towns and cities. Some images are of specific landmarks, scenic views, or fauna. All images are identified and a majority are dated. A second accrual contains examples of printed calendars and postcards that were sold by McPhail, as well as some correspondence and other business documentation. Images used in an exhibition curated by Helen Marzolf were added in 2018. Further accruals of correspondence, order forms, negatives and prints were interfiled in Series B.

This fonds contains materials primarily related to Richard Sweet’s interest and research into the history of brewing. There are extensive materials relating to Canadian and western US breweries; beer companies; and beer-related materials, including magazines, newsletters, other published reference material, and collectibles (predominantly, posters, labels and mats). It includes Richard Sweet’s extensive notes, and his research materials leading to his publications, The Directory of Canadian Breweries (first and second editions); Malted Manitoba; and Brewed Right on the Prairies: 122 Years of Brewing in Saskatchewan.

This fonds consists of material relating to Ridgway's military service, his scholarly research concerning the work of Voltaire and Chamfort particularly, his career with the University of Saskatchewan, and his work on internal university committees, professional associations, external agencies (such as Canadian University Service Overseas and the Saskatoon Symphony Board), as well as materials relating to his classes and lectures.

This fonds contains several drafts of the play "Chokecherry Wine (or the Hafford Wedding Caper)" including the version edited for high schools; material concerning the arrangements and expenses for the 1974 Strolling Players tour, as well as a diary of their 1975 tour.

This fonds contains reports, addresses, and articles by Haslam, as well as reprints of articles and dissertation summaries produced by the Department of Physics Betatron Group, 1951-1956. Additionally, it contains correspondence, membership lists, submissions, and clippings related to the Association of Retired Faculty.

This fonds contains biographical data, correspondence, lectures and addresses, exhibition catalogues, and sketches. Most of the material deals with Kenderdine's career as an artist, art teacher and founder of the Emma Lake Art School (now known as the Kenderdine Campus). There are a substantial number of photographs: of the Kenderdine family; Emma Lake; Kenderdine in his studio or instructing students; and scenic views; as well as several portraits of natives by E.N. Davis. Additionally, there are scrapbooks and miscellaneous collected items: medals and Boer War postcards.

This fonds consists of material used, created, and accumulated by Arthur Moxon. The fonds contains correspondence concerning a number of organizations, associations, and committees with which Moxon was associated. The fonds also includes notes and records related to lectures given by Moxon on various legal topics. In addition, the fonds includes a file of correspondence concerning business conducted while Moxon was in private practice including requests for information on points of law or advice about how to proceed in legal matters.

This fonds primarily consists of correspondence between J.A. Sharrard and his wife, Edith. The correspondence pertains to missionary work in India, individuals and activities at the University of Saskatchewan and in Saskatoon, the 1918 Spanish Flu epidemic, and family life. The fonds includes some drawings and notes written by Sharrard’s daughter Ruth. It also contains a small file of notes for sermons or speeches as well as a few postcards and photographs.

This fonds contains files relating to Professor Byers research in Northern Saskatchewan and Manitoba, specifically Amisk, Wildnest, Annabel, Waddy, Neagle, Face, Errington, Black and Pillow lakes; Flin Flon; and Missi Island.

This fonds contains correspondence with family, friends and colleagues; biographical and research grant information; research and bibliographic files and notes; manuscripts and typescripts of published and unpublished scholarly articles, book reviews, addresses and books; lecture notes and course materials; as well as drafts and typescripts of plays, short stories and several books for youth. A large percentage of the research files contain photocopies of secondary and primary materials.

This fonds consists of biographical data, correspondence with family, friends, colleagues and gallery curators; lecture notes, articles, poems, exhibition catalogues, and roughly 700 sketches.

This fonds consists of Reid's research materials relating Isaac Barr and the Barr Colony. Materials include copies of documents on the Barr family and the Barr Colony, dating from 1883. The records have been sorted into three broad categories. New file titles have been created only when it was appropriate to do so.

This fonds consists of records created, accumulated and used by Peter McGehee in his work as an artist, performer, and writer in San Francisco, California, Saskatoon, Saskatchewan and Toronto, Ontario, and as part of the Quinlan Sisters and the Fabulous Sirs. The fonds also includes photographs taken by McGehee's friends, such as his partner Doug Wilson and Fiji Robinson.

Textual records include: an outline of a script of Fiji Robinson's life story (according to Peter McGehee); a poster for "Beyond Happiness: The intimate memoirs of Billy Lee Belle"; photocopied advertisements and newspaper articles about "Boys Like Us" and the Quinlan Sisters; posters for the Quinlan Sisters; Fabulous Sirs concert itinerary; invitation to Maddy Quinlan's (Tim Lewis) 10 year in San Francisco party; and a business card for the Quinlan Sisters with McGehee listed as writer/director, Doug Wilson as manager, and Fiji Champagne, Peaches O'Cod, and Marie Quinlan as performers.

Photographs include colour and black and white prints, black and white contact sheets, print collages, and colour and black and white negatives. Images include professional photographs of Peter McGehee, The Quinlan Sisters, The Fabulous Sirs, and Doug Wilson and candid shots of Peter McGehee, Doug Wilson, Wilson's family, Fiji Robinson, Wendy Coad, Rob MacDonald, Cheryl O'Brien, Janice Kell, Michael Achtman, Brian Gladwell, Lynn McLeod, Charlie Drinkwater, Ruth Welsh, John Goodman, Julie McGehee, Katie O'Grady, and David Rimmer. Some photographs are identified as taken in San Francisco, Toronto, New York City, Rome, Italy, Granada, and Saskatoon, Climax and Meadow Lake, Saskatchewan. Most negatives are not identified. Some photos contain explicit content.