Fonds consist of administrative papers (89-5 and 90-56), student records (89-5) and papers relating to the Emma Lake Artists' Workshops (89-5 and 90-56). 89-5 includes administrative papers from the Dept of Drama. 89-5 contains 31 photographs: b & w; 25 x 21 cm and smaller. 90-56 contains 4 photographs: b & w; 25 x 21 cm and smaller.

Fonds is composed of more than one accession. 89-5 consists of administrative correspondence, various class descriptions and papers from the Dept of Visual Arts. 91-27 consists of administrative papers from: the Dept of Drama, Norman Mackenzie Art Gallery, Division of Fine Arts, and the Regina Symphony Orchestra. 124 photographs and 5 architectural drawings are also included.

The first section of the University Secretary's Office Fonds is in chronological order consisting of correspondence, memos, and minutes between the Secretary's Office and various departments, committees, and other entities at the University of Regina. -a The second section of the University Secretary's Office fonds consists of four series: 1.University Secretary's Office; 3.University Wide Records; 5.Professional organizations; 7.Students. It includes annual reports, correspondence, between the Secretary's Office and various departments, committees, and other entities at the University of Regina, and Personnel matters.

Fonds consists of personal, professional and literary papers created by Saskatchewan writer Ven Begamudre, 1931-1996. Included are manuscripts, drafts, notes, and correspondence relating to his major published books 'Van de Graaff Days', 'A Planet of Eccentrics', and 'Laterna Magika', as well as a family history project entitled 'Load Shedding'/'Extended Families'. The fonds also contains: drafts of numerous published, unpublished, and/or unfinished stories, poems, plays, TV scripts, and novels; correspondence with other writers and with publishers; publications by and about Begamudr and scholarly criticism of his work; video and audio tapes of interviews and readings; essays; talks; grant and application files; association and jury files; teaching and editing files; reading and conference files; an album containing photos relating to writing including shots of the Saskatchewan School of the Arts at Fort San; and family and personal photographs and memorabilia.

Fonds consists of papers, slides, and sculptural maquettes covering a number of commissions and art pieces which Vic Cicansky completed over a twenty year period, from 1969 to 1989. They include maquettes and sketches for "The Old Working Class," and the "New Working Class" commissions, as well as several smaller pieces. The wall sculpture entitled "The Garden Fence," now in the Canadian Broadcasting Building in Regina, is also featured in this collection. Slides take the researcher through the step-by-step processes employed by the artist in creating his sculptures. There is a working sketch, a sample title, a miniature wall, the photographs of the final sculpture as evidence of these processes. This fonds includes the papers of fellow artist, David Zack.

Fonds consists of professional papers of W.C. Blight, 1919-1990. Most prominent are the numerous reports and memoranda he wrote in his capacity as Registrar and Campus Secretary, covering a wide range of topics including the history of the University, admissions and transfers, university structure and organization, registration, student unrest, native students, examinations, marking and grading, academic programs, federated colleges, and many other administrative matters. Also included is Blight's 'Curriculum Vitae', as well as photographs of University staff, convocations, and events.

Fonds consists of professional papers of investigative journalist, Walter Stewart. The bulk of the material was generated by Stewart during the research, writing, and publication of his numerous books, articles, and newspaper columns, 1948-1993. Included are correspondence, outlines, contracts, extensive research materials, notes and notebooks, drafts, tearsheets, galleys, photos, publications, publicity materials and reviews. Also of note is a series of early 'Maclean's' magazine files (1953-1960) which were rescued by Stewart during one of his stints with the magazine. Much original and copied material from 'Maclean's' staff members other than Stewart is present in these files, and Stewart's own Maclean's files from a later period (1967-1982) are also contained in the fonds. Business correspondence (1967-1984), Stewart's correspondence as editor of 'Policy Options' magazine (1988-1992), and a small quantity of his personal correspondence (1982-1993) are also included.

Fonds consists of records created by Western Producer Prairie Books publishing company, (1954-1988). The records are arranged in fifteen series reflecting the functions of the organization: Administration; Author Files; Books; Calendars; Catalogues; Committees; Design Files; Editorial Files; Education Files; Festivals and Fairs; Financial Records; Manuscripts; Publicity and Promotion; Songbook; and Computer Print-outs. The records primarily cover the years in which Prairie Books operated as an independent department, 1975-1991. However, the majority of books published back to 1954 are found in the collection, by a wide variety of authors including such popular prairie writers as James Gray, John Charyk, Hugh Dempsey, Grant MacEwan, R.H. MacDonald, J.G. MacGregor and many more. The fonds is remarkably complete, containing annual reports, marketing materials, budgets, personnel records, grant files, contacts, photographs, production records, publications, financial statements, sales records, inventory reports, customer files, manuscripts, book ideas, meeting files, and other records documenting all aspects of the book publishing business. Of particular interest is the extensive correspondence with authors, publishers, federal and provincial government agencies, libraries, bookstores, book clubs, book sellers' organizations, suppliers, and publishers' associations. Notable among the latter is a series of files relating the Association of Canadian Publishers, 1976-1984.

Fonds consists of personal and professional papers created by author, journalist, and television producer, William H. Stevenson, 1953-1979. Since Stevenson often worked simultaneously as a foreign correspondent, author, and T.V. producer, the records have been arranged chronologically to delineate these roles during various periods of his life. Included are notebooks, brochures, publications, articles, correspondence, and photographs pertaining to his work as a correspondent in Asia, Africa, China, Russia, and Malaysia while reporting for Near and Far East News (Asia) Ltd., the 'Toronto Telegram', the CBC, and other agencies. His records as an author include reviews, publications, correspondence, publicity materials, manuscripts, contracts, notes, expenses, research files, notebooks, newspaper clippings, and photographs relating to the research, writing, publication, and promotion of the books, 'Birds' Nests in Their Beards', 'The Bushbabies'. 'Strike Zion', 'Zanek', 'Emperor Red', 'The Bormann Brotherhood', 'A Man Called Intrepid', 'Intrepid's Last Case', '90 Minutes at Entebbe', and 'Ghosts of Africa'. Records documenting Stevenson's activities as a television producer relate to programs on China, Yugoslavia, various CBC 'Tuesday Night' productions, and film and T.V. treatments of 'Bushbabies', and 'A Man Called Intrepid'. Small quantities of personal material and records relating to speaking engagements are also present in this fonds. Of particular note is the 60cm of material dealing with Stevenson's biography of Sir William Stephenson, 'A Man Called Intrepid', which contains extensive correspondence between the author and his subject, 1972-1978. Researchers should note that, despite information to the contrary contained in the book's introduction, no copies of British intelligence documents are included in this fonds.