This collection contains 200 issues of the Kamloops WAWA as well as selected publications from Father LeJeune's personal collection, which are in large part directly related to the Kamloops Wawa.

This collection contains 13 photo albums and 1 scrapbook documenting the Department of Anatomy including symposiums, retirements and classes. Many of the photos have been labelled. The images include photographs of faculty, staff, and students of that department; and various departmental gatherings, conferences, etc

This fonds contains materials related both to Michael Millar’s career as a member of Humphrey and the Dumptrucks, and more personal materials relating to his life and his activity as a long-time member of Saskatchewan’s musical community.

This collection includes working papers and completed versions of Hillis’ published and unpublished poetry, drama, and fiction, as well as research and correspondence related thereto. The collection includes a range of interviews conducted by Hillis with a number of Saskatchewan authors for her books Voices and Visions and Plainspeaking. This collection also includes chapbooks published by Andrew Suknaski, Lorna Uher, and Mick Burrs.
Further, the collection contains a range of materials gathered by Doris on the subject of puppetry for her work with the Macklin Puppeteers throughout the 1960’s and 1970’s. Her personal memoirs are also included, as are materials from her involvement in Saskatchewan’s literary community, including helpful information on the art of writing from her workshops.

Correspondence from (Byng of Vimy and M.J. Quinn) and “Memorandum regarding the so-called Constitutional Crisis of 1926 and its repercussions.”

This fonds contains Kate Hodgson’s “The Twelve Stacks of Christmas,” a series of illustration in acrylic on canvas, created in 1998 as a Christmas gift to the student assistants who reshelved books in her branch.

This collection primarily contains materials acquired by Grace Taylor during the three years she spent in Japan, just prior to the outbreak of World War II. In addition, the collection includes diaries from Grace, her husband and their daughter; and numerous family photographs.

This scrapbook, “College Days,” contains materials collected by Donna during the years she attended university. Much of the material relates to student events, including initiation; banquets (“The New Girls’ Banquet given in honour of The Old Girls”); dances sponsored by Pente Kai Deka, Arts and Science, the Engineering Society, and the Literary Society. It also include various clippings about University faculty and students; some material relating to student elections (Sexton, Culliton, Mackenzie); the 1927 program for Varsity Follies; the 1926 commemoration service on November 11; class timetables, etc. Also included are original ink drawings, of a couple dancing, and of “Study Hour at Varsity,” as well as photographs of Donna and classmates “Mac” [Mary McLeary], Eleanor Knox, Winona Yager, and Hazel [?], as well as a group known as the “Swift Current gang.” Also included are samples of University stationery, a letter, song lyrics and college yells, various ads, including one for the Halfway House, etc.

This fonds contains materials relating to the life of Jack Quinlan. It includes photographs of his years as a student at the University of Saskatchewan, but predominantly reflects his time with the RCAF. It is notable for the letters of condolence sent to his family following his death, which provide clear evidence of the extent to which one family’s loss was felt throughout the community.

This fonds consists of records of the Joseph Hinde and Henry Wake families, members of an English Quaker community in Birmingham who immigrated to Canada in 1912. The records reflect their daily lives and the operation of the Hinde family's Valley Springs Ranch near Borden, Saskatchewan. Materials relating to the Horn family farm at Spring Valley Saskatchewan during the Depression comprise the second series of records in this fonds. The types of records included are diaries, correspondence, photographs, financial records, publications, artifacts and clippings.

The Skwara farm near Borden, Saskatchewan, has remained in the hands of a single family for over 70 years. The majority of that period – over 60 years – is documented in this fonds. In particular, as farmers such as the Skwaras are self-employed, details in income tax and Canadian Wheat Board permit books provide considerable insight into the changing nature of farming practices and the economic reality of farming over time. Blacksmithing costs; beekeeping; the nature of the crops being grown; diversification through livestock; cost (and availability) of transient help; and the number of acres under cultivation all combine to tell not only the personal story of one farm family, but also farming as a business. A plow, purchased in 1945 for $10.50, is replaced in 1950 by one costing $345.00; a tractor in 1967 cost more than a house in 1961.

This collection of images by H. W. Finkler, were taken of activities within the framework of Canada – USSR / Russia cooperation on the arctic. The subject matter follows the development of international relations, with an emphasis on the Chukotka Autonomous Okrug and particularly, Indigenous peoples of the north. The collection contains images of cities, towns, and herding camps; various officials from Canada and Russia; and numerous images of local people. It is an exceptionally comprehensive glimpse into the architecture, landscape, and daily lives of people in the Russian federation, over a period of roughly 20 years.

A number of letters dealing with the management of Mrs. Palmer’s landholdings and agricultural operations there during the early years of the Great Depression.

One photograph album containing photographs taken by a Canadian soldier between 1917 and 1919.

Oversized glass negatives of group photographs/graduation photos