This collection consists of exhibition catalogues, posters, invitations and promotional ephemera, primarily (but not exclusively) from Canadian art galleries. The catalogues predominantly feature the work of Canadian artists, with some European and American artists (and minimal representation from Asian artists). The collection provides interesting documentation of the development of Canadian art across the country, including regional focus and to some extent, the development of interest in Indigenous art. In addition, the collection includes some auction catalogues, as well as items relating to advertising; art and design used in industry promotion; and industrial design.

This is a collection of Yacowar’s art auction catalogues, predominantly for European and American art, ranging from the Old Masters to contemporary, representing a variety of mediums. Several of the catalogues include final price lists from the auctions.

This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.

This collection includes images Keith Ewart has taken of structural landmarks, particularly in Saskatchewan, but also from all across Canada. Also, there are glass plates from a Moose Jaw photographer ca. 1915-1920. The collection also contains some images that were not taken by Ewart, but were collected by him.

This collection consists of promotional materials for films with a homosexual, bisexual, or transgender component, in terms of characters or theme. Both documentaries and feature films are included.

The fonds includes paintings, sketches and memorabilia relating to the artistic pursuits and output of Olena (Sherven) Smith; and material relating to Tom Smith’s careers and interests, particularly archaeology and local history, as well as engineering and farming, including documentation of his job on the engineering crew for the Alaska Highway.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

This collection includes 7 original photograph albums, primarily documenting life overseas for Canadian servicemen during World War I. In addition to the military images are photographs of the Canadian west, including the Better Farming Train, fairs and livestock exhibitions, and early images of Banff, the Rockies, and Vancouver.

This fonds contains correspondence, cards, and published materials owned by various members of the Kenderdine / Beamish families.

This collection contains original works of art, photographs, and documentation relating to classes Ms. Perron took at the University of Saskatchewan, notably fine art classes. Her professors included Bill Epp, Otto Rogers, and Eli Bornstein; her classmates included Bob Christie and Doug Bentham.

This fonds contains materials documenting the approach of a self-taught artist, including reference materials, catalogues of art shows, articles, etc. It includes material relating to various art exhibitions throughout the province, at which several respected folk artists displayed their work. Some early artworks by Harvey are included, as are the art supplies used by Harvey in his work.

This fonds contains the administrative records of the art gallery, including exhibition, extension, publicity materials, and correspondence with various artists' associations and organizations.

Since 1984, Joanne Abrahamson has travelled extensively throughout Saskatchewan, and has documented virtually every city, town, village, and hamlet in the province, from Aberfeldy to Xena. Her photographs are primarily of grain elevators, schools, churches, railway stations, town offices; in some instances she has returned to a site after a period of several years, providing documentation of changes over time. A few of her images are of rural Alberta and Manitoba, with a few of the northern United States (North Dakota and Montana). In addition, she created a daily photographic journal of the demolition of the YWCA building in Saskatoon. Several of her photographs have been published.