Fonds consists of personal and professional papers created by economics professor Jack Boan, from the 1940s to 1985. Most of the records have not been processed but generally they fall into the following series: Professional Correspondence (1962-1978); Community and Professional Concerns, Organizations and Affiliations (1965-1985); Conferences, Colloquia, Workshops ([ca. 1967]-1985); Personal ([ca. 1940s], 1970-1976); Publications and Writings by Dr. Boan (1951-1976); Reference Files ([ca. 1945]-1983); Royal Commission on Health Services (1962-1965); and University Work ([ca. 1945]-1983). In the University Work series the following sub-series are found: Administration (1961-1975); Faculty (1962-1971); Teaching ([ca.1945]-1983); and Youth/Students (1960-1976). Of particular interest are the extensive files relating to the various community, professional, and student organizations with which Dr. Boan was involved at the local, regional, and national levels. These contain correspondence, meeting materials, financial documents, reports, newsletters, and other material pertaining to numerous groups in the areas of community planning, broadcasting, resources, economics, and, especially, international development. Some of the organizations are: the Community Planning Association of Canada, Regina Branch (1966-1973) and Saskatchewan Division (1967-1972); Man and Resources (1972-1973); the Canadian Bureau for International Education (1973-1976); CUSO, local and national (1960-1976); World University Service of Canada (1963-1971); and the United Nations Association, Regina Branch (1968-1969), 1980-1985). Also notable are the correspondence, budgets, grant applications, program materials, audio recordings, photos, and other records concerning the planning, organization, and funding of the second Canadian Conference on Health Economics held at the University of Regina in September, 1983, and chaired by Dr. Boan. The fonds also contains substantial series of teaching and reference files dating from the 1940s to 1983. Besides teaching materials, lecture notes, examinations, class lists, and other records directly relevant to the courses Dr. Boan taught, these files incorporate a broad range of background information in agricultural economics, water resources, recreation, mining, health, transportation, energy, land management, forecasting, and other areas of academic interest and expertise.

Fonds consists of personal papers created by Dr. Howard Leyton-Brown. Included are reports, notes, correspondence, meeting materials, minutes, list of artist and compositions, programs, and other records reflecting his various musical involvements locally, provincially, and nationally. The bulk of the records pertain to Dr. Leyton-Brown's activities as a member and director of the Saskatchewan Arts Board. Dating from 1966-1972, this series includes job applications, briefs, reports, committee files, correspondence, grant applications, information bulletins, minutes and agendas of Board meetings, monthly operations reports, clippings, and press releases. His participation with the Canada Council is also documented in a series of files containing reports, meeting materials, notes, and correspondence, 1971-1974. The remainder of the fonds is arranged by the organization or institution with which Dr. Leyton-Brown was associated, and includes the Canadian Association of University Schools of Music (1967); the Conservatory of Music, University of Saskatchewan, Regina Campus (1962-1966); the Regina Council of the Arts (1970); the Regina Orchestral Society (1963-1964); and the Regina Symphony Orchestra (1963-1964; 1973).

Fonds consists of the manuscript for journalist Gladys Arnold's book 'One Woman's War: A Canadian Reporter with the Free French', as well as correspondence relating to its publication, 1985-1987.

Fonds consists of correspondence, Curriculum Vitae, programs, newspaper clippings, and an issue of Musical Life (1933), all pertaining to the piano teaching and performance career of Gladys Angley.

Fonds consists of personal and professional papers of Saskatchewan writer Geoffrey Ursell. The bulk of the fonds is composed of background and research materials, drafts, manuscripts, revisions, notes, publications, publicity material, contracts, correspondence, outlines, scripts, photographs, and other documentation relating to Ursell's extensive writing projects including novels, plays, poetry, short stories, and songs, as well as writing workshops. Since several of his works are historical in nature, some of the research files contain copies of archival documents and photos dating back to the 1800s. Ursell's association with a number of professional organizations including ACTRA, Saskatchewan Sport Trust, the Saskatchewan Writers Guild, and others are reflected in files containing reports, committee records, membership lists, minutes, publicity material, financial records, correspondence, policy papers, and grant applications. A substantial series of business files contain correspondence, financial records, and other documentation pertaining to his diverse endeavors, and his involvement as an editor with Coteau Books and Salt magazine is documented through business records and edited manuscripts by other writers. Records relating to his M.A. and Ph.D theses, and to his teaching career at the University of Manitoba and the University of Regina, and small quantities of personal correspondence are also present.

Fonds consists of the professional papers of journalist Garry Fairbairn, arranged in three series reflecting three spheres of activity. The first series contains correspondence, copy, clippings, and other records documenting his career as a reporter for the Canadian Press Organization (CP), 1962-1981. The second series pertains to Fairbairn's involvement in the Saskatchewan Journalists Association, 1973-1978. It contains executive minutes, clippings, membership lists, briefs, correspondence, incorporation, founding convention and annual meeting materials, financial information, and publications including issues of 'The Saskatchewan Journalist'. Administrative files, research materials, photographs, and drafts relating to Fairbairn's commissioned book:, 'From Prairie Roots: the Remarkable Story of the Saskatchewan Wheat Pool', comprise the third series.

Fonds consists of background information, correspondence, contracts, drafts, manuscripts, notes, reviews, financial information, and publicity materials relating to the writing, publishing, and production of five books, three plays, and numerous articles by Gail Bowen. Also included are examinations, student papers, and teaching materials pertaining to her role as a professor of English, and a small quantity of personal correspondence and financial records.

Fonds consist of 300 slides of prairie wildflowers taken by Fenton R. Vance and used in the book, "Wildflowers across the prairies."

Fonds consists of Dr. Bates' Curriculum Vitae; articles and reports written by him on the care of the mentally disabled in Saskatchewan and Western Canada, and on teacher training in the West Indies; and one photograph of Dr. Bates.

Fonds consists of personal and professional papers created by psychology professor Duncan Blewett, 1954-1988. The bulk of the material has not been processed, but it includes: personal (1965-1988) and professional (1958-1979) correspondence; writings, speeches, and notes by Dr. Blewett (1958-1985) chiefly relating to psychedelics and psychotronics; articles by others about Dr. Blewett and his work (1959-1984), teaching materials and student theses (1972-1986); and various published works. Especially noteworthy is the extensive documentation relating to LSD research undertaken by Blewett and others, dating from 1955-1984 and comprised of interview forms, patient assessment scales, correspondence, data tables, reports, clippings, notes, and unpublished and published articles. A small quantity of material pertaining to departmental matters is also present.

Fonds consists of personal and professional papers chronicling the artistic and academic career of Doug Morton. Included are: Original drawings and sketches; Photographs and slides depiciting family, friends, artists, exhibitions and studios, and works of art by Doug Morton and others; and publications including exhibition catalogues, invitations, articles, publicity material, and clippings relating to Morton and other artists. A series of general files contain personal and business correspondence, biographical information, financial records, material relating to Morton's art projects, speaking engagements, jurying activities, and professional associatiions, and to his various work appointments.

Fonds consists of personal memorabilia accumulated by music professor Dorothy Bee, 1903-1986. Included are biographical information, correspondence, certificates, programs, photographs, clippings, place-mats, publications, and artifacts relating chiefly to musical act writers and such organizations as the Saskatchewan Provincial Music Teachers Association, Regina College Institute, the Regina Conservatory of Music, and the Lemberg Auxiliary. Noteworthy is the small collection of programs relating to various music recitals, concerts, and festivals (1916-1972). Also included is a sound disc recording of a piano performance by Miss Bee's student, Angela Gabriel.

Fonds consists of the professional papers of Manitoba multi-media artist, Don Proch. Included are: a chronologically arranged series of drawings and sketches (1963-1986); small qualities of business correspondence (1971-1988) and financial records (1973-1986); photographs and slides depicting works of art by Proch, as well as travel shots; and publications, news clippings, and promotional material relating to the artist and his work.

Fonds consists of photos of Regina College students and the rugby team, Deight Underwood's autograph album from Regina College days, and a Regina College blazer with crest.

Fonds consists of personal and professional papers of Saskatchewan artist David Thauberger, (1954-1989). Included are: ceramic sculptures, paintings, and prints created by Thauberger; awards and degrees; financial records; business and personal correspondence; a series of files documenting Thauberger's dealings with numerous Canadian art galleries; and photographs, slides and publications relating to Thauberger and his work. The fonds also contains the artist's extensive collection of articles, books, catalogues, invitations, correspondence, newspaper clippings, notes and writings, art works, photographs, slides, and sound recordings relating to Saskatchewan folk art. The collection includes recorded interviews, art works, and slides and photos depicting artworks by numerous artists, among them Ed Fletcher, Ann Harbuz, Molly Lenhardt, W.C. McCargar, Sam Spencer, Fred Neibrandt, Fred Moulding, and many others. Within the slides, some Quebec and Nova Scotia coverage is also present.