This fonds documents Dr. Fedoroff's research, including his correspondence with colleagues in the international scientific community; and his organizational, executive, and membership roles in numerous professional associations. It provides documentation both of his highly regarded Tissue Culture Course as well as various international symposia to which he contributed. The University of Saskatchewan material includes files from both R. Altschul and J. Jackson, early heads of the department of anatomy, and includes background material and reports for various University studies in which Fedoroff participated.

This collection contains lecture notes taken by Dr. Roy while she was a student at the University of Saskatchewan. Predominately from English classes, these include notes on lectures given by Professors R.A. Wilson, J.M. Lothian, J.A. Bentley, Edith Brown, Jean Bayer, Murdoch Matheson, and Carlyle King. Included also are notes from a summer school art history class, taught at Emma Lake; and an English course from the University of Toronto.

This fonds contains administrative material from the Department of Classics and the College of Arts and Sciences, as well as several addresses given by Leddy. Additionally, it contains material relating to Leddy's involvement in various organizations, including the Humanities Research Council, Canada Council, Commonwealth Education Conference, World University Service, Canadian University Service Overseas, UNESCO, and Rhodes Scholarships.

The material in this fonds consists largely of scripts, clippings, photographs and ephemera pertaining to Bakker’s involvement in theatre in the province of Saskatchewan, and Canada at large. Materials highlighting Bakker’s career are included, as are materials pertaining to her involvement in various theatrical professional organizations. Some personal materials have also been retained.

This fonds contains correspondence, articles, speeches, radio broadcasts, notes, briefs, minutes, reports, and memoranda pertaining to the personal, academic and public interests and activities of V.C. Fowke. Topics include monetary policy, finance, taxation, banking, agricultural economy and policy, transportation and freight rates.

This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.

This fonds contains materials primarily related to Richard Sweet’s interest and research into the history of brewing. There are extensive materials relating to Canadian and western US breweries; beer companies; and beer-related materials, including magazines, newsletters, other published reference material, and collectibles (predominantly, posters, labels and mats). It includes Richard Sweet’s extensive notes, and his research materials leading to his publications, The Directory of Canadian Breweries (first and second editions); Malted Manitoba; and Brewed Right on the Prairies: 122 Years of Brewing in Saskatchewan.

This collection contains books, magazines, and a variety of ephemera associated with themes of Canadiana, advertising, keys, locks, and locksmithing, mysteries, socialism, sex and gender, science fiction, western living, adventure.

This collection contains materials created by, or about, Canadian author Robertson Davies (1913-1995). Davies was editor of Saturday Night and the Peterborough Examiner prior to joining Trinity College, University of Toronto as professor of literature. The author of numerous plays and books, Davies is perhaps best known for The Salterton trilogy and the Deptford trilogy. He received both the Stephen Leacock medal for humour and the Governor General's Award for fiction. Some of the material in this collection has been annotated by Davies, including copies of two draft manuscripts which are inscribed "to Maisie." "Maisie" is believed to be Davies' sister-in-law, Maisie Newbold (1915-2001), who was married first (in 1946) to the Australian painter Peter Purves Smith (1912-1949) and later (in 1964), to their friend and fellow artist, Russell Drysdale (1912-1981). The collection also includes souvenir coins and tokens from across Western Canada.

This fonds contains the drafts, notes, and reference materials relating to Cherwinski’s research on prairie labour and history. It has been organized into 9 series:

1. Personal
2. Letters to Albert: The Main Family Correspondence from Saskatchewan, 1908-1925.
3. Prairie Farm Labour
4. Research – Various
5. Saskatchewan Organized Labour
6. Schwinghamer General Store
7. Winter on the Prairies: 1906-1907
8. Posters
9. Library

This fonds contains files relating to St. Barbe's family, as well as his personal correspondence, autobiographical material, his forestry and conservation activities (including Men of the Trees and the Sahara Reclamation Program), and his involvement with the Baha'i faith. While the collection as a whole covers the full span of St. Barbe’s life, 1889-1982, the bulk of the material dates from post-World War II, much of the earlier material apparently having been lost to German bombs in England during the war.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

This fonds contains Rife’s diary for 1910, the year he decided to lease his homestead and pursue a degree at the University of Saskatchewan. A book owned by his father, George Rife, documents the area of Pennsylvania where Rife family were before they emigrated to Canada. Notes by Rife’s daughter provide context and additional information.

This fonds contains biographical information, material from the College of Law as well as from Valentin Linitsky's law practice, and considerable material relating to primary school education, including examinations and textbooks.

This fonds consists primarily of lecture notes created by E.F.L. Whitmore for courses he taught at the College of Law. The subjects include income tax, practice, equity, taxation, labour law, Surrogate Court, and wills. The fonds also includes copies of examinations for several courses.