This fonds contains several drafts of the play "Chokecherry Wine (or the Hafford Wedding Caper)" including the version edited for high schools; material concerning the arrangements and expenses for the 1974 Strolling Players tour, as well as a diary of their 1975 tour.

This fonds contains reports, addresses, and articles by Haslam, as well as reprints of articles and dissertation summaries produced by the Department of Physics Betatron Group, 1951-1956. Additionally, it contains correspondence, membership lists, submissions, and clippings related to the Association of Retired Faculty.

This collection contains the papers, pamphlets, reports, correspondence, and newspaper clippings which Dr. K.A.H. Buckley has collected from his involvement in the South Saskatchewan River Project. The material has been arranged according to the groupings and headings which Dr. Buckley has assigned them.

This scrapbook, “College Days,” contains materials collected by Donna during the years she attended university. Much of the material relates to student events, including initiation; banquets (“The New Girls’ Banquet given in honour of The Old Girls”); dances sponsored by Pente Kai Deka, Arts and Science, the Engineering Society, and the Literary Society. It also include various clippings about University faculty and students; some material relating to student elections (Sexton, Culliton, Mackenzie); the 1927 program for Varsity Follies; the 1926 commemoration service on November 11; class timetables, etc. Also included are original ink drawings, of a couple dancing, and of “Study Hour at Varsity,” as well as photographs of Donna and classmates “Mac” [Mary McLeary], Eleanor Knox, Winona Yager, and Hazel [?], as well as a group known as the “Swift Current gang.” Also included are samples of University stationery, a letter, song lyrics and college yells, various ads, including one for the Halfway House, etc.

This fonds contains materials relating to the life of Jack Quinlan. It includes photographs of his years as a student at the University of Saskatchewan, but predominantly reflects his time with the RCAF. It is notable for the letters of condolence sent to his family following his death, which provide clear evidence of the extent to which one family’s loss was felt throughout the community.

The fonds includes paintings, sketches and memorabilia relating to the artistic pursuits and output of Olena (Sherven) Smith; and material relating to Tom Smith’s careers and interests, particularly archaeology and local history, as well as engineering and farming, including documentation of his job on the engineering crew for the Alaska Highway.

This fonds contains material relating to theatre in Saskatchewan. In particular, productions from the University of Saskatchewan (Greystone Theatre) and Gateway Players are well represented, but there is also material from numerous other theatre groups, including The Actor’s Lab, New Theatre Co-op, and Saskatoon Community Players. This fonds contains programmes from various plays, concerts, and cultural events, together with numerous productions in which Chrisse Bornstein played a role, either as an actor or behind the scenes. This information has been included within the file descriptions.

This fonds contains material relating to Doug Willis’ student days at the University of Saskatchewan, notably as an athlete; and material relating to his military career.

This fonds documents the career and interests of Glenis Joyce. The material regarding the Extension Division shows the growth and evolution of the Women's Program. Much of the material in the fonds deals with equity issues at the university and in society in general and includes pay and employment equity, affirmative action, women's rights and academic freedom. Joyce chaired the transformative President’s Advisory Committee on the Status of Women in the 1990s.

This fonds contains correspondence, reports, publications and memoranda relating to the research activities of Herman Austenson, as well as some administrative records relating to the department of Crop Science and Plant Ecology, and the research activities of the Crop Development Centre. Some of the materials were created by J.B. Harrington; these files have been identified whenever possible.

The McKay family fonds contains material created and assembled primarily by Angus McKay and his daughter Annie Maude (Nan) Nan McKay. The photographs include family members as well as HBC staff; the University of Saskatchewan campus during Nan McKay’s time as a student; and a variety of scenes and people in Northern Saskatchewan, documenting Angus McKay’s work and family life at various posting, and including a photo identified as a treaty party in La Ronge. The textual material accumulated by Angus McKay includes business, family and personal correspondence, including correspondence relating to his award of scrip, receipts, financial accounts, price lists, tax assessments, etc. There is also material relating to the McKay family tree; printed reminiscences (1935) of the Riel Rebellion of 1885; notes and sketches for a talk by Nan McKay about bird watching.

Student ephemera from 1940-1952. Including crests, pamphlets, student election ballots (Sylvia Fedoruk), dance and event pamphlets, student directories, student cards, etc.

This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.

This fonds contains material related to the research for Waiser's published works.