Fonds consists of papers, slides, and sculptural maquettes covering a number of commissions and art pieces which Vic Cicansky completed over a twenty year period, from 1969 to 1989. They include maquettes and sketches for "The Old Working Class," and the "New Working Class" commissions, as well as several smaller pieces. The wall sculpture entitled "The Garden Fence," now in the Canadian Broadcasting Building in Regina, is also featured in this collection. Slides take the researcher through the step-by-step processes employed by the artist in creating his sculptures. There is a working sketch, a sample title, a miniature wall, the photographs of the final sculpture as evidence of these processes. This fonds includes the papers of fellow artist, David Zack.

Fonds consists of records relating to Dan A. Cameron's activities as a teacher of voice at the Regina Conservatory of Music, writer, adjudicator, and concert performer. It includes personal correspondence, invitations, financial information, and military records. Arranged in four series (Conservatory of Music, Personal, Photographs, and Programs), the records reveal the full extent of his vocal activities in Regina and in Canada. Of particular interest are files documenting Cameron's extensive affliations with numerous local music organizations, and a collection of programs for various musical performances at the University of Regina's Darke Hall, and other venues. Included in these programs is one for the Gracie Fields concert in 1940. The records also contain a series of personal photographs, many unidentified, depicting Cameron, social events, local scenes, and travel views of European locales. Among the military records, the Roster Book, 2nd Battalion, Canadian Expeditionary Forces (c1918), provides significant genealogical information about members of the Battalion.

Fonds consist of personal papers documenting the artistic and teaching career of Claude Breeze. The records are arranged in nine series: Art Works, Drawings, Sketches and Sketchbooks; Calendars and Diaries; Correspondence; Personal Financial Records; General Files; Newspaper Clippings; Photographs; Publications; and Scrapbooks. These papers, and in particular the wealth of sketches, drawings, and photographs included in the fonds, trace in detail the development of Breeze's art from his first works produced in the early 1950's to 1969 and beyond. A rich collection of correspondence, photographs, publications, and publicity materials reveals a generation of Canadian artists, poets, and writers who were strongly influenced by the 1960s. Also included is correspondence with Canadian public and commercial art galleries and with Breeze's patrons, Dr. Ken and Joyce Morton of Vancouver.

Fonds consists of drawings and sketches by Bloore; correspondence with public and private art galleries; personal correspondence, including artists Ted Godwin, Ray Kiyooka, Ernest Lindner, David Thaughberger, Claude Breeze, Ken Lochhead, Doug Morton, and Jan Wyers; catalogues, notices, posters, and other publicity materials relating to exhibitions of artworks by Bloore and other artists; articles by and about Bloore; organization, committee, and general subject files relating to Bloore's professional and charitable activities; newspaper clippings;. lecture notes, correspondence, and other records relating to his teaching career, chiefly at York University; personal financial, health, and legal records, including extensive documentation and photographs relating to Bloore's role as executor of the Theodore Allen Heinrich estate; and photographs, negatives, and slides depicting works of art by Bloore and other artists, family, friends, gallery openings, and Bloore's travels in North and Central America, Europe, and Africa; and sound recordings pertaining to the "Regina Five" and Innuit art.

Fonds consists of professional papers of W.C. Blight, 1919-1990. Most prominent are the numerous reports and memoranda he wrote in his capacity as Registrar and Campus Secretary, covering a wide range of topics including the history of the University, admissions and transfers, university structure and organization, registration, student unrest, native students, examinations, marking and grading, academic programs, federated colleges, and many other administrative matters. Also included is Blight's 'Curriculum Vitae', as well as photographs of University staff, convocations, and events.

Fonds consists of personal memorabilia accumulated by music professor Dorothy Bee, 1903-1986. Included are biographical information, correspondence, certificates, programs, photographs, clippings, place-mats, publications, and artifacts relating chiefly to musical act writers and such organizations as the Saskatchewan Provincial Music Teachers Association, Regina College Institute, the Regina Conservatory of Music, and the Lemberg Auxiliary. Noteworthy is the small collection of programs relating to various music recitals, concerts, and festivals (1916-1972). Also included is a sound disc recording of a piano performance by Miss Bee's student, Angela Gabriel.