Minutes, financial fonds, and publications "The Bull Sheet" and "The Antelope;" as well as miscellaneous ephemera.

This fonds documents Professor Hammer's research interests (including much data from Saskatchewan and Alberta lakes) and publication record. Also included is material relating to Dr. Hammer's service with such groups as the Water Studies Institute and the Saskatchewan Environmental Society and a file of minutes and memoranda documenting his term as Biology Department Head.

This fonds contains correspondence; minutes; reports; working papers; briefs and submissions; both for the Advisory Planning Committee on Medical Care, and for the Oil and Gas Conservation Board. Additionally, there is material from Thompsons's tenure as President of the University of Saskatchewan; material related to the International Botanical Congress and the International Congress of Genetics; and several reference books, primarily dealing with Medicare in Canada and abroad.

Equivalent in scope to the Presidential or Vice-presidential records, this fonds specifically documents the administration of the Saskatoon campus from 1967-1974, and includes correspondence, reports, minutes, and memoranda. It also includes considerable documentation of the various administrative committees functioning during this period.

The fonds consists of correspondence, minutes, memoranda and reports concerning matters of accreditation, transfer of credits, professional examinations, etc.

This fonds contains correspondence, memoranda, minutes, agenda, reports, clippings, surveys, and studies pertaining to the administration and development of the University Library system.

Fonds consists of childhood drawings created by Saskatchewan artist, Art McKay, ca. 1930s.

Fonds consists of personal and professional papers created by Margaret Messer. Arranged in six series (Education, General, Teaching, Organizations, Publications, and Scrapbooks) the records document her activities as a teacher, art educator, writer, and illustrator, as well as her own education and training and her involvement with several professional groups. A large part of the collection contains information on art education programs at Balfour Technical School (1945-1974) and at the University of Saskatchewan, Regina Campus (ca. 1966-1984) where she was a significant influence on program development. Of particular note is the series of publications which includes articles and books written or illustrated by Messer (1946-1973). Publications of the Saskatchewan Society for Education through Art (SSEA) are found in the Organizations series, along with papers, correspondence, conference materials, minutes, newsletters, and other records pertaining to her involvement with the SSEA (1961-1985), the Canadian Society for Education through Art (1962-1984), the Saskatchewan Arts Board (1947-1970), and others. General Files (1927-1986), containing biographical information, art commissions, personal and professional correspondence, curriculum materials, travel logs, drawings by Messer, and memorabilia, provide additional insight into her life and career.

Fonds consists of the personal and professional papers created by English professor and writer, Ken Mitchell. Although the series arrangement varies from accession to accession, the great bulk of the records relate to his prolific literary career. These include drafts, correspondence, notes, revisions, proofs, reviews, publicity materials, research materials, manuscripts, scripts, outlines, contracts, publications, scrapbooks, posters, audio visual materials, background information, and financial records which fully document the development of Mitchell's writing projects, dramatic performances, and radio, film, and television productions. Complimenting the literary papers are business correspondence, as well as files relating to Mitchell's involvement with various professional associations and professional activities such as speeches, readings, workshops, and tours. Correspondence class materials, student papers and other records document Mitchell's teaching activities, chiefly with the English Department at the University of Regina. The fonds also includes personal correspondence, personal financial records, biographical information, daily planners, and files relating to Mitchell's political activities with the New Democratic Party.

Fonds consists of personal and professional papers chronicling the artistic and academic career of Doug Morton. Included are: Original drawings and sketches; Photographs and slides depiciting family, friends, artists, exhibitions and studios, and works of art by Doug Morton and others; and publications including exhibition catalogues, invitations, articles, publicity material, and clippings relating to Morton and other artists. A series of general files contain personal and business correspondence, biographical information, financial records, material relating to Morton's art projects, speaking engagements, jurying activities, and professional associatiions, and to his various work appointments.

Fonds consists of information on all the exhibitions held at Neutral ground from 1982-1990, with a few exceptions. The collection also contains photographs, slides, and posters.

This fonds consists of serveral accessions: Feasibility Study on the Norman Mackenzie Art Gallery (85-73;. Cassette tape on the Mackenzie building controversy, produced by CBC (88-66); Administrative files, 3 architectural blueprints, 29 photographs and 1 poster, 1937-1985 (89-34; Architectural plans from the 1930s (89-67); General files from the Faculty of Fine Arts which includes administrative papers on the Gallery (91-27); and Administrative files from the coordinator of Education Programs, 1981-1990 (93-45).

Fonds consists of questionnaires, correspondence, notes, photographs, and research files generated by James M. Pitsula pertaining to his book, 'An Act of Faith: The Early Years of Regina College', 1984-1986. Of particular interest are questionnaires completed by former Regina College students recording their memories of the institution, as well as correspondence with some alumni. The research files contain notes, copies of articles, newspaper clippings, and photocopies of archival documents housed at the University of Regina Archives, the Saskatchewan Archives Board, and elsewhere. Although the research occurred in 1984-1986, the time-span under study was 1911-1939, and the copied documents and photographs originate from that period. The photos are copy negatives of originals in the collection of the University of Regina Archives. Most, but not all, were used in the book

Fonds consists of personal and professional papers of Rita Shelton Deverell. Documenting her multi-faceted career are publications, research files, teaching records, correspondence , audio-visual materials, committee and conference records, professional memberships, reviews, clippings, and workshop records. Of particular note are background information, correspondence, financial records, transcripts, and clippings relating to Deverell's research on theatre personality, Florence B. James. Personal records include appointment books, financial records, contracts, photographs, publications, scrapbooks, clippings, and songbooks, as well as a small quantity of personal correspondence. Research files, seminar materials, drafts and abstracts, and other records relating to Deverell's doctoral studies are also present, chiefly pertaining to her dissertation on "Arts Policy, Society, and Children".

Fonds consists of research materials and writings generated by journalist Maggie Siggins during the production of five books: 'Bassett: His Forty Years in Politics, Publishing, Business, and Sports' (James Lorimer and Company, 1979); 'Brian and the Boys: A Study of Gang Rape' (James Lorimer and Company, 1984); 'A Canadian Tragedy: JoAnn and Colin Thatcher: A Study of Love and Hate' (Macmillan of Canada, 1985); 'Revenge of the Land: A Century of Greed, Tragedy and Murder on a Saskatchewan Farm' (McClelland and Stewart, 1991); and 'Riel: A Life of Revolution' (Harper Collins, 1994). While the arrangement varies amongst the various accessions, as a whole the records fall into four main series: Research Files, Interviews, Legal Materials, and Writings. The products of Siggins' thorough research, the first series contains magazine and news clipping, correspondence, biographical information on subjects and informants, notes, bibliographies, background materials, chronologies, photographs, articles, and copies of archival documents. The second series consists of audio recordings and/or transcripts of interviews with an extensive array of individuals who played major or minor roles in the events Siggins describes. Since a number of her books deal with court cases, the fonds also includes comprehensive legal documentation including proceedings of hearings and trials, affidavits, judgements, and files relating to forensic and medical evidence, laws and legal arguments, and testimony. The final series consists of outlines, drafts, manuscripts, galleys and correspondence relating to the writing and publication of the books. It should be noted that although Siggins' research occurred since 1979, the research files contain extensive historical material. This is particularly true for the Riel records in which is assembled a comprehensive collection of archival documents copied from repositories across Canada, and dating back to the early 1800s. Relating to the 'Bassett' book, the fonds includes only tape recorded interviews.