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Norman Mackenzie Art Gallery fonds

  • Fondo
  • 1937-1990

This fonds consists of serveral accessions: Feasibility Study on the Norman Mackenzie Art Gallery (85-73;. Cassette tape on the Mackenzie building controversy, produced by CBC (88-66); Administrative files, 3 architectural blueprints, 29 photographs and 1 poster, 1937-1985 (89-34; Architectural plans from the 1930s (89-67); General files from the Faculty of Fine Arts which includes administrative papers on the Gallery (91-27); and Administrative files from the coordinator of Education Programs, 1981-1990 (93-45).

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Jim Pitsula fonds

  • 87-74
  • Fondo
  • 1984-1986

Fonds consists of questionnaires, correspondence, notes, photographs, and research files generated by James M. Pitsula pertaining to his book, 'An Act of Faith: The Early Years of Regina College', 1984-1986. Of particular interest are questionnaires completed by former Regina College students recording their memories of the institution, as well as correspondence with some alumni. The research files contain notes, copies of articles, newspaper clippings, and photocopies of archival documents housed at the University of Regina Archives, the Saskatchewan Archives Board, and elsewhere. Although the research occurred in 1984-1986, the time-span under study was 1911-1939, and the copied documents and photographs originate from that period. The photos are copy negatives of originals in the collection of the University of Regina Archives. Most, but not all, were used in the book

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Rita Deverell fonds

  • Fondo
  • 1947-1988

Fonds consists of personal and professional papers of Rita Shelton Deverell. Documenting her multi-faceted career are publications, research files, teaching records, correspondence , audio-visual materials, committee and conference records, professional memberships, reviews, clippings, and workshop records. Of particular note are background information, correspondence, financial records, transcripts, and clippings relating to Deverell's research on theatre personality, Florence B. James. Personal records include appointment books, financial records, contracts, photographs, publications, scrapbooks, clippings, and songbooks, as well as a small quantity of personal correspondence. Research files, seminar materials, drafts and abstracts, and other records relating to Deverell's doctoral studies are also present, chiefly pertaining to her dissertation on "Arts Policy, Society, and Children".

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Maggie Siggins fonds

  • Fondo
  • 1979-1991

Fonds consists of research materials and writings generated by journalist Maggie Siggins during the production of five books: 'Bassett: His Forty Years in Politics, Publishing, Business, and Sports' (James Lorimer and Company, 1979); 'Brian and the Boys: A Study of Gang Rape' (James Lorimer and Company, 1984); 'A Canadian Tragedy: JoAnn and Colin Thatcher: A Study of Love and Hate' (Macmillan of Canada, 1985); 'Revenge of the Land: A Century of Greed, Tragedy and Murder on a Saskatchewan Farm' (McClelland and Stewart, 1991); and 'Riel: A Life of Revolution' (Harper Collins, 1994). While the arrangement varies amongst the various accessions, as a whole the records fall into four main series: Research Files, Interviews, Legal Materials, and Writings. The products of Siggins' thorough research, the first series contains magazine and news clipping, correspondence, biographical information on subjects and informants, notes, bibliographies, background materials, chronologies, photographs, articles, and copies of archival documents. The second series consists of audio recordings and/or transcripts of interviews with an extensive array of individuals who played major or minor roles in the events Siggins describes. Since a number of her books deal with court cases, the fonds also includes comprehensive legal documentation including proceedings of hearings and trials, affidavits, judgements, and files relating to forensic and medical evidence, laws and legal arguments, and testimony. The final series consists of outlines, drafts, manuscripts, galleys and correspondence relating to the writing and publication of the books. It should be noted that although Siggins' research occurred since 1979, the research files contain extensive historical material. This is particularly true for the Riel records in which is assembled a comprehensive collection of archival documents copied from repositories across Canada, and dating back to the early 1800s. Relating to the 'Bassett' book, the fonds includes only tape recorded interviews.

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Jack Sures fonds

  • Fondo
  • 1949-1999

This collection contains catalogues, publications, passports, certificates, correspondence, minutes and other formal documents from arts organizations, photographs, slides, negatives, video tapes, eight-millimetre film, architectural drawings, sketchbooks, media clippings, and one ceramic art work presented to Jack Sures from his students. His art works, exhibitions, travels, commissions, teaching career and personal contacts are well documented through this expanse of material.

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David Thauberger fonds

  • Fondo
  • 1954-1989

Fonds consists of personal and professional papers of Saskatchewan artist David Thauberger, (1954-1989). Included are: ceramic sculptures, paintings, and prints created by Thauberger; awards and degrees; financial records; business and personal correspondence; a series of files documenting Thauberger's dealings with numerous Canadian art galleries; and photographs, slides and publications relating to Thauberger and his work. The fonds also contains the artist's extensive collection of articles, books, catalogues, invitations, correspondence, newspaper clippings, notes and writings, art works, photographs, slides, and sound recordings relating to Saskatchewan folk art. The collection includes recorded interviews, art works, and slides and photos depicting artworks by numerous artists, among them Ed Fletcher, Ann Harbuz, Molly Lenhardt, W.C. McCargar, Sam Spencer, Fred Neibrandt, Fred Moulding, and many others. Within the slides, some Quebec and Nova Scotia coverage is also present.

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Deight Underwood fonds

  • Fondo
  • 1926-[1930?]

Fonds consists of photos of Regina College students and the rugby team, Deight Underwood's autograph album from Regina College days, and a Regina College blazer with crest.

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Fenton R. Vance fonds

  • Fondo
  • [before 1985]

Fonds consist of 300 slides of prairie wildflowers taken by Fenton R. Vance and used in the book, "Wildflowers across the prairies."

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D.J. Buchan fonds

  • MG 84
  • Fondo
  • 1957-1983

This fonds contains files relating to the College of Medicine, its enrolment policies, statistics, curriculum, electives, annual reports, faculty, students, and graduates, and funding. There are also files on the Plains Hospital in Regina, and both the City and St. Paul's hospitals in Saskatoon.

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E.R. Simpson fonds

  • MG 85
  • Fondo
  • 1926-1997

This fonds contains personal correspondence and professional and academic materials relating to Simpson's career at the University, including memorabilia relating to student life in the late 1920s and later material relating to the history of the College of Home Economics; as well as material pertaining to the life and activities of Simpson's sister, P.W. Rowles; husband, G.W. Simpson; and her husband's first wife, M. Simpson. The bulk of the material regarding M. Simpson is a collection of prints and printing blocks illustrating the campus of the University of Saskatchewan.

C.H. Bigland fonds

  • MG 89
  • Fondo
  • 1964-1983

This fonds contains correspondence, minutes, reports, newsletters, reprints and notes pertaining to the activities and interests of C.H. Bigland during his tenure as Professor of Veterinary Microbiology and Director of the Veterinary Infectious Diseases Organization (VIDO).

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Humboldt Music Festival Association fonds

  • A-2007.10
  • Fondo
  • 1937 to present

This fonds contains the minute books of the Humboldt Music Festival Association from 1934 to 1994, financial/ledger books, list of festival entries 1967 to 1967 and 1978 to1985, music festival awards programs 1968 to 1995, music festival programs 1957 to present, Saskatchewan Music Festival Association Syllabus 1955 to 1997 and newspaper clippings

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John Archer fonds

  • Fondo
  • 1940-1976, predominant 1959-1976

Fonds consists of personal and professional papers of Dr. John Archer, including: records on federal and provincial committees and commissions; material on Dr. Archer's Ph.D dissertation; speeches, papers and reports presented by Dr. Archer; diaries and appointment books; family and professional photographs; records of professional organizations, notably the Canadian Library Association;publications written or edited by John Archer; records on Dr. Archer's activities at Brandon, McGill, and Queens Universities, and the University of Saskatchewan, Regina Campus (University of Regina); and Saskatchewan Roughriders football team memorabilia. Of particular interest is the personal correspondence with family, friends and associates, from Europe, including letters to Alice Archer during WW II, and correspondence from various politicians and civil servants, some of whom left government in 1964. These include Roy Borrowman, T.C. Douglas, Al Gillmore, C.B. Koester, Woodrow Lloyd, Clary Mitchell, Charles Schwartz and George Stephen. Also noteworthy is the extensive series of Dr. Archer's speeches and reports during his tenure as Prinicipal and President of the University of Saskatchewan, Regina Campus, and the University of Regina.

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Lewis Brandt fonds

  • Fondo
  • 1964-1986

Fonds consists of professional papers of psychology professor Lewis W. Brandt. Included are publications, student papers, teaching materials, committee and department files, exam papers, and Dr. Brandt's extensive correspondence in English, German, and French.

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Claude Breeze fonds

  • Fondo
  • 1954-1996

Fonds consist of personal papers documenting the artistic and teaching career of Claude Breeze. The records are arranged in nine series: Art Works, Drawings, Sketches and Sketchbooks; Calendars and Diaries; Correspondence; Personal Financial Records; General Files; Newspaper Clippings; Photographs; Publications; and Scrapbooks. These papers, and in particular the wealth of sketches, drawings, and photographs included in the fonds, trace in detail the development of Breeze's art from his first works produced in the early 1950's to 1969 and beyond. A rich collection of correspondence, photographs, publications, and publicity materials reveals a generation of Canadian artists, poets, and writers who were strongly influenced by the 1960s. Also included is correspondence with Canadian public and commercial art galleries and with Breeze's patrons, Dr. Ken and Joyce Morton of Vancouver.

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