This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.

Pertaining to Haderlein's life and his career generally, including materials relating to the University of Saskatchewan, his interest in medievalism, and his work as a translator.

: The majority of this fonds is material related to the research for Waiser’s published works. It contains material relating to Waiser’s academic and writing career including instructional material; assessments and referential material; and research and publication activities. The 2023 accrual contains material relating to the significant public recognition of Waiser’s body of work, including his investiture into the Order of Canada; his Governor-General’s Award for Non-Fiction; the Governor-General’s History Award for Popular Media; the Saskatchewan Book Award for Non-Fiction; the Cheryl and Henry Kloppenburg Award for Literary Excellence; the JB Tyrrell Medal (Royal Society); and the Clio Prize Lifetime Achievement Award (Canadian Historical Association), among others. Much of the work included here was created following Waiser’s retirement from the University of Saskatchewan; and includes material relating to his interest in making history accessible to a wide audience.

This fonds consists of materials used, created, and accumulated by the Saskatchewan AIDS Network. The records primarily detail SAN’s interactions with local, provincial, national, and international HIV/AIDS groups. These records include membership information, correspondence, and workshop/conference materials (i.e. agendas, programs, presentations) created by organizations of which SAN was a member. There is some material pertaining to SAN’s operations in this fonds but most of the operational records are related to SAN’s program-delivery (i.e. organizing conventions, workshops, or training). There are few records relating to the administration and internal operation of SAN in this fonds. A large portion of the fonds is HIV/AIDS resource materials that have been gathered by SAN. This includes pamphlets, publications, articles, newsletters, and information sheets from a variety of non-profit organizations and government ministries.

Equivalent in scope to the Presidential or Vice-presidential records, this fonds specifically documents the administration of the Saskatoon campus from 1967-1974, and includes correspondence, reports, minutes, and memoranda. It also includes considerable documentation of the various administrative committees functioning during this period.

This fonds contains copies of research materials, notes, clippings, articles and correspondence related to the research, writing and publication of books, articles, series, blogs and websites. Also includes original illustrations, poetry, personal photographs and correspondence. It also contains notes, clippings, articles and correspondence related to the research, writing and publication of the book Saskatchewan Heroes and Rogues. Material is organized by the name of the person profiled. Profiles include: Will James; Joan Bamford Fletcher; Jean Ewen; Gladys Arnold; Morris "Two Gun" Cohen; Richard St. Barbe Baker; Tom Hourie; Norman Falkner; Charlie Palmer; Father Claffey; Emma Woikin; and Kate Rice.

This collection contains books, magazines, and a variety of ephemera associated with themes of Canadiana, advertising, keys, locks, and locksmithing, mysteries, socialism, sex and gender, science fiction, western living, adventure.

This fonds consists of material relating to Ridgway's military service, his scholarly research concerning the work of Voltaire and Chamfort particularly, his career with the University of Saskatchewan, and his work on internal university committees, professional associations, external agencies (such as Canadian University Service Overseas and the Saskatoon Symphony Board), as well as materials relating to his classes and lectures.

This fonds contains material relating to theatre in Saskatchewan. In particular, productions from the University of Saskatchewan (Greystone Theatre) and Gateway Players are well represented, but there is also material from numerous other theatre groups, including The Actor’s Lab, New Theatre Co-op, and Saskatoon Community Players. This fonds contains programmes from various plays, concerts, and cultural events, together with numerous productions in which Chrisse Bornstein played a role, either as an actor or behind the scenes. This information has been included within the file descriptions.

This fonds includes materials related to Gens’ work in bringing together Saskatchewan’s gay community, both in general terms of his activism and gay health work, and more specifically in terms of his publishing work on Gaymates and Perceptions. The fonds also contains an extensive pornography collection ranging from magazines to videos to other types of pornographic materials. Gens maintained extensive subject files on Queer life in Canada, and these have been maintained under Series III: Queer Subject files. Many of these are related to the history of Queer communities in Canada and Saskatchewan. Finally, some personal material relating to Gens is also included.

This fonds contains materials relating to the professional and academic activities of Dr. Regehr. It includes considerable materials relating to his published works; and also extensively documents his University committee work.

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

The material in this fonds consists largely of scripts, clippings, photographs and ephemera pertaining to Bakker’s involvement in theatre in the province of Saskatchewan, and Canada at large. Materials highlighting Bakker’s career are included, as are materials pertaining to her involvement in various theatrical professional organizations. Some personal materials have also been retained.

This fonds includes materials collected primarily as a result of Bob Cole’s student days at the University of Saskatchewan and STM. The University Publications are particularly useful as these items are not duplicated in the University Publication Collection.

This collection contains drafts, revised and working scripts, continuity reports, schedules, breakdowns, and cast calls.