This fonds contains materials relating to Steer’s education at the University of Saskatchewan and his career: including his research and publications; teaching material; and various presentations and addresses.

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

This fonds contains the personal correspondence, office, and research files of the Murray family, including W.C. Murray (President, University of Saskatchewan), his wife Christina, and his daughters, Christina, Dr. Lucy H. Murray (Professor of English, Regina College), and Dr. Jean E. Murray.

This fonds contains the drafts, notes, and reference materials relating to Cherwinski’s research on prairie labour and history. It has been organized into 9 series:

1. Personal
2. Letters to Albert: The Main Family Correspondence from Saskatchewan, 1908-1925.
3. Prairie Farm Labour
4. Research – Various
5. Saskatchewan Organized Labour
6. Schwinghamer General Store
7. Winter on the Prairies: 1906-1907
8. Posters
9. Library

This fonds includes materials relating to the history, faculty and students of the department of economics and political studies; Spafford's work with the Symphony, heritage organizations in Saskatoon, etc; as well as materials relating to her father, Ah King, and her mother, Katie Malinowski (nee Dobrowney).

The fonds contains records that relate to Summers’ involvement in both the military and military history, his work as an administrator and pharmacy professor, his involvement with several committees, and his significant role within a number of professional pharmacy associations, etc.

This fonds reflects Holmlund’s interest in the philosophy of education, his varied career at the University of Saskatchewan, and his concern for an equitable society. It is particularly valuable as a source for university history, specifically for the period of Leo Kristjanson’s tenure; and for issues surrounding health delivery, education, and the College of Medicine; the development of computer / IT services on campus; and First Nations educational opportunities. As a reflection of planning at a post-secondary U-15 institution, this fonds is particularly strong, notably for the materials surrounding the Issues and Options project.

This fonds contains material relating to Dr. Crawford's poultry research, notably epilepsy mutant data, notes on breeds including Japanese quail and Chantecler, material from Poultry Breeding and Genetics, and wing band indexes of stocks by year (1965-1990); as well as material relating to Dr. Crawford's sabbatical leaves, and his personal correspondence.

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

This fonds contains material relating to the Ukrainian community in Canada (1930-1957); the Saskatchewan Golden Jubilee committee (1953-1955); the Provincial Archives [Saskatchewan Archives Board] (1942-1947); the department of Slavic Studies (1943-1957); and the Citizenship Division, Department of National War Services (1941-1946).

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

This collection contains lecture notes taken by Dr. Roy while she was a student at the University of Saskatchewan. Predominately from English classes, these include notes on lectures given by Professors R.A. Wilson, J.M. Lothian, J.A. Bentley, Edith Brown, Jean Bayer, Murdoch Matheson, and Carlyle King. Included also are notes from a summer school art history class, taught at Emma Lake; and an English course from the University of Toronto.

This fonds reflects Kerr's vocational and avocational interests. His academic activities include not only his own writing in a variety of genres but also his editing, assessment and review of the contributions of others to prose, poetry, drama and film. His service to the community external to the University is primarily evident in the political, arts and heritage fields.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

This collection contains materials created by, or about, Canadian author Robertson Davies (1913-1995). Davies was editor of Saturday Night and the Peterborough Examiner prior to joining Trinity College, University of Toronto as professor of literature. The author of numerous plays and books, Davies is perhaps best known for The Salterton trilogy and the Deptford trilogy. He received both the Stephen Leacock medal for humour and the Governor General's Award for fiction. Some of the material in this collection has been annotated by Davies, including copies of two draft manuscripts which are inscribed "to Maisie." "Maisie" is believed to be Davies' sister-in-law, Maisie Newbold (1915-2001), who was married first (in 1946) to the Australian painter Peter Purves Smith (1912-1949) and later (in 1964), to their friend and fellow artist, Russell Drysdale (1912-1981). The collection also includes souvenir coins and tokens from across Western Canada.