Fonds consists of personal memorabilia accumulated by music professor Dorothy Bee, 1903-1986. Included are biographical information, correspondence, certificates, programs, photographs, clippings, place-mats, publications, and artifacts relating chiefly to musical act writers and such organizations as the Saskatchewan Provincial Music Teachers Association, Regina College Institute, the Regina Conservatory of Music, and the Lemberg Auxiliary. Noteworthy is the small collection of programs relating to various music recitals, concerts, and festivals (1916-1972). Also included is a sound disc recording of a piano performance by Miss Bee's student, Angela Gabriel.

Fonds consists of personal papers created by Dr. Howard Leyton-Brown. Included are reports, notes, correspondence, meeting materials, minutes, list of artist and compositions, programs, and other records reflecting his various musical involvements locally, provincially, and nationally. The bulk of the records pertain to Dr. Leyton-Brown's activities as a member and director of the Saskatchewan Arts Board. Dating from 1966-1972, this series includes job applications, briefs, reports, committee files, correspondence, grant applications, information bulletins, minutes and agendas of Board meetings, monthly operations reports, clippings, and press releases. His participation with the Canada Council is also documented in a series of files containing reports, meeting materials, notes, and correspondence, 1971-1974. The remainder of the fonds is arranged by the organization or institution with which Dr. Leyton-Brown was associated, and includes the Canadian Association of University Schools of Music (1967); the Conservatory of Music, University of Saskatchewan, Regina Campus (1962-1966); the Regina Council of the Arts (1970); the Regina Orchestral Society (1963-1964); and the Regina Symphony Orchestra (1963-1964; 1973).

Fonds consists of records relating to Dan A. Cameron's activities as a teacher of voice at the Regina Conservatory of Music, writer, adjudicator, and concert performer. It includes personal correspondence, invitations, financial information, and military records. Arranged in four series (Conservatory of Music, Personal, Photographs, and Programs), the records reveal the full extent of his vocal activities in Regina and in Canada. Of particular interest are files documenting Cameron's extensive affliations with numerous local music organizations, and a collection of programs for various musical performances at the University of Regina's Darke Hall, and other venues. Included in these programs is one for the Gracie Fields concert in 1940. The records also contain a series of personal photographs, many unidentified, depicting Cameron, social events, local scenes, and travel views of European locales. Among the military records, the Roster Book, 2nd Battalion, Canadian Expeditionary Forces (c1918), provides significant genealogical information about members of the Battalion.

Fonds consists of correspondence, Curriculum Vitae, programs, newspaper clippings, and an issue of Musical Life (1933), all pertaining to the piano teaching and performance career of Gladys Angley.

Fonds consists of professional papers of English Professor Robert C. Cosbey, 1959-1981. The records are arranged in five series: Associations; Oral History Projects; 'All in Together Girls'; Teaching; and Sound Recordings. Within the latter series, the audio tapes have been organized as follows: Folk Songs, including radio programs and related research material; Oral History; Skipping Songs; and Student Projects. The textual records consists of conference and workshop materials, correspondence and general files pertaining to oral history associations; guides, manuals, correspondence, reports, conference material, grant files and reference files concerning oral history; reports, text, and transcripts relating to Cosbey's book 'All in Together Girls'; and course descriptions and student papers. Photographs found in the student papers chiefly relate to old-time musicians and dancing, square dancers, farm life in Saskatchewan, and school yard games. Also included are slides of quilts made by various women.

Fonds consist of 13 photographs of Roy Kiyooka, Jack Shadbolt, Ron Bloore, Ken Lochhead, Doug Morton and Mickey Morton at Emma Lake, Sask. The photos were taken in October, 1989.

Fonds consists of information on all the exhibitions held at Neutral ground from 1982-1990, with a few exceptions. The collection also contains photographs, slides, and posters.

Fonds consists of personal and professional papers created by Saskatchewan poet and writer, Anne Campbell. The papers are arranged in twelve series reflecting her numerous interests and activities: Arts/Cultural Organizations; Clippings; Correspondence files; Educational Institutions; Employment files; Exhibition Brochures/Invitations/Programs; Interests; Personal files; Photographs; Professional Organizations; Publications/Writings/Drafts by Anne Campbell; and Publications/ Writings/Drafts by others. Of particular interest is the extensive series of correspondence with family, relatives, friends, writers, artists, and colleagues, as well as drafts, manuscripts, reviews, and published versions of her writings. Taken together with her calendars, diaries, notes, and photographs these papers provide personal insights into Anne Campbell and the development of her work. Beyond that, files relating to the numerous cultural and professional organizations with which she was involved, especially the Saskatchewan Writer's Guild, the Writers union of Canada, and the League of Canadian poets, cast light on the craft of writing and creating poetry in Saskatchewan and on the milieu in which those activities occur. Additionally, files relating to local cultural groups, including an extensive series on Heritage Regina, provide evidence of the local cultural scene.