This fonds contains the original musical scores and arrangements, and related teaching material, programs, posters and recital material from multiple generations of the Fleming family, primarily those by Arthur Evelyn Fleming (1864-1922), Robert James Berkeley Fleming (1921 – 1976), William Arthur Fleming (1933-2016), and Robert’s son Berkeley Fleming. Georgina Gunn Fleming, Robert’s wife Margaret Pound, Robert may have been the most well-known as a composer, pianist, organist, choirmaster and teacher; but William (“Bill”), a teacher-librarian who taught in Regina throughout his career, was also an acclaimed singer and choirmaster, and studied at the University of Saskatchewan under Murray Adaskin, and Frances James Adaskin. The fonds contains musical works by others in a variety of musical genres; as well as family correspondence, photographs, and memorabilia.

This fonds contains material related to the research for Waiser's published works.

This collection contains drafts, revised and working scripts, continuity reports, schedules, breakdowns, and cast calls.

This fonds includes materials collected primarily as a result of Bob Cole’s student days at the University of Saskatchewan and STM. The University Publications are particularly useful as these items are not duplicated in the University Publication Collection.

This fonds contains a variety of collections gathered together by Neil during his lifetime. The main areas of interest are LGBT, cross dressing, wrestling, and (to a minor extent) running. Periodicals, postcards, posters, artwork, textual material, and audiovisual material are found throughout the fonds. Individual scope and content notes are included for each accession/collection in the finding aid.

This fonds consists of materials used, created, and accumulated by the Saskatchewan AIDS Network. The records primarily detail SAN’s interactions with local, provincial, national, and international HIV/AIDS groups. These records include membership information, correspondence, and workshop/conference materials (i.e. agendas, programs, presentations) created by organizations of which SAN was a member. There is some material pertaining to SAN’s operations in this fonds but most of the operational records are related to SAN’s program-delivery (i.e. organizing conventions, workshops, or training). There are few records relating to the administration and internal operation of SAN in this fonds. A large portion of the fonds is HIV/AIDS resource materials that have been gathered by SAN. This includes pamphlets, publications, articles, newsletters, and information sheets from a variety of non-profit organizations and government ministries.

This fonds consists of material relating to Ridgway's military service, his scholarly research concerning the work of Voltaire and Chamfort particularly, his career with the University of Saskatchewan, and his work on internal university committees, professional associations, external agencies (such as Canadian University Service Overseas and the Saskatoon Symphony Board), as well as materials relating to his classes and lectures.

This collection consists of promotional materials for films with a homosexual, bisexual, or transgender component, in terms of characters or theme. Both documentaries and feature films are included.

This collection contains books, magazines, and a variety of ephemera associated with themes of Canadiana, advertising, keys, locks, and locksmithing, mysteries, socialism, sex and gender, science fiction, western living, adventure.

This fonds includes materials related to Gens’ work in bringing together Saskatchewan’s gay community, both in general terms of his activism and gay health work, and more specifically in terms of his publishing work on Gaymates and Perceptions. The fonds also contains an extensive pornography collection ranging from magazines to videos to other types of pornographic materials. Gens maintained extensive subject files on Queer life in Canada, and these have been maintained under Series III: Queer Subject files. Many of these are related to the history of Queer communities in Canada and Saskatchewan. Finally, some personal material relating to Gens is also included.

This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.

The material in this fonds consists largely of scripts, clippings, photographs and ephemera pertaining to Bakker’s involvement in theatre in the province of Saskatchewan, and Canada at large. Materials highlighting Bakker’s career are included, as are materials pertaining to her involvement in various theatrical professional organizations. Some personal materials have also been retained.

Fonds consists of promotional materials relating to Corner Gas including a mug, a hat, a shirt, DVDs, scripts, a signed photograph of the cast, press materials, postcards, Christmas cards, and correspondence.

This fonds includes correspondence, program guides, subject files, program logs, and news clippings concerning the programming and operation of the University student radio station.

This manuscript collection contains the Director's scripts of Radio Plays produced on the CBC National Network by Emrys Jones during the period 1952 to 1954. All the scripts are copyright by their respective authors. The authors of these plays have been arranged alphabetically in each series