This fonds contains correspondence, minutes, reports, newsletters, reprints and notes pertaining to the activities and interests of C.H. Bigland during his tenure as Professor of Veterinary Microbiology and Director of the Veterinary Infectious Diseases Organization (VIDO).

This fonds consists of a small portion of Maugham's manuscript and published items. The majority of the material relates to "The Deserters" and includes manuscripts, proofs, and a published copy of this work. The incident which forms the central theme of "The Deserters" is a meeting between an English and German soldier during World War Two. This incident is based on an event that happened to Maugham while he was fighting in the Western Desert during World War Two.

The fonds also includes heavily annotated manuscripts of "Winter in Ischia: A Novel" and "The Account: A Novel". "The Account: A Novel" was based on Maugham's play, "Enemy." There is also a manuscript of the play, "A Question of Retreat." The fonds also includes a first printing paperback copy of "The Wrong People," a monograph which was originally published by Maugham under the pseudonym David Griffin. The fonds includes a handwritten note and published tribute written by Peter Burton, who worked closely with Maugham for many years and was one of his literary executors. The fonds also contains two newspaper clippings.

This fonds contains original manuscripts, copies, and photographs, created and collected by A.S. Morton as University Librarian. The records focus on the history of western Canada, especially Saskatchewan. It includes material on the fur trade and exploration, white settlement and interaction with native people, and the Riel Rebellions. Originals of the copied material date from 1623.

This collection consists primarily of correspondence, notes, clippings and photographs. It includes material of other Porter family members.

This fonds contains the minute books of the Humboldt Music Festival Association from 1934 to 1994, financial/ledger books, list of festival entries 1967 to 1967 and 1978 to1985, music festival awards programs 1968 to 1995, music festival programs 1957 to present, Saskatchewan Music Festival Association Syllabus 1955 to 1997 and newspaper clippings

Fonds consists of personal and professional papers of Dr. John Archer, including: records on federal and provincial committees and commissions; material on Dr. Archer's Ph.D dissertation; speeches, papers and reports presented by Dr. Archer; diaries and appointment books; family and professional photographs; records of professional organizations, notably the Canadian Library Association;publications written or edited by John Archer; records on Dr. Archer's activities at Brandon, McGill, and Queens Universities, and the University of Saskatchewan, Regina Campus (University of Regina); and Saskatchewan Roughriders football team memorabilia. Of particular interest is the personal correspondence with family, friends and associates, from Europe, including letters to Alice Archer during WW II, and correspondence from various politicians and civil servants, some of whom left government in 1964. These include Roy Borrowman, T.C. Douglas, Al Gillmore, C.B. Koester, Woodrow Lloyd, Clary Mitchell, Charles Schwartz and George Stephen. Also noteworthy is the extensive series of Dr. Archer's speeches and reports during his tenure as Prinicipal and President of the University of Saskatchewan, Regina Campus, and the University of Regina.

Fonds consists of professional papers of psychology professor Lewis W. Brandt. Included are publications, student papers, teaching materials, committee and department files, exam papers, and Dr. Brandt's extensive correspondence in English, German, and French.

Fonds consist of personal papers documenting the artistic and teaching career of Claude Breeze. The records are arranged in nine series: Art Works, Drawings, Sketches and Sketchbooks; Calendars and Diaries; Correspondence; Personal Financial Records; General Files; Newspaper Clippings; Photographs; Publications; and Scrapbooks. These papers, and in particular the wealth of sketches, drawings, and photographs included in the fonds, trace in detail the development of Breeze's art from his first works produced in the early 1950's to 1969 and beyond. A rich collection of correspondence, photographs, publications, and publicity materials reveals a generation of Canadian artists, poets, and writers who were strongly influenced by the 1960s. Also included is correspondence with Canadian public and commercial art galleries and with Breeze's patrons, Dr. Ken and Joyce Morton of Vancouver.

Fonds consists of personal and literary papers of Saskatchewan writer Sharon Butala, 1981-1987. The records are arranged in three series: Correspondence with cultural organizations, government agencies, media, friends, writers, and others (1981-1987); Publications by Sharon Butala (1985); and Writings and Drafts (1982-1987). The latter contains various drafts and manuscripts of a number of unpublished and published works including 'Sweet Time' (Herren, 1985), 'Country of the Heart' (Fifth House, 1984), 'Luna' (Harper Collins, 1988), and 'From the Heart'.

Fonds consists of papers, slides, and sculptural maquettes covering a number of commissions and art pieces which Vic Cicansky completed over a twenty year period, from 1969 to 1989. They include maquettes and sketches for "The Old Working Class," and the "New Working Class" commissions, as well as several smaller pieces. The wall sculpture entitled "The Garden Fence," now in the Canadian Broadcasting Building in Regina, is also featured in this collection. Slides take the researcher through the step-by-step processes employed by the artist in creating his sculptures. There is a working sketch, a sample title, a miniature wall, the photographs of the final sculpture as evidence of these processes. This fonds includes the papers of fellow artist, David Zack.

Fonds consists of personal papers throughly documenting the private life and literary career of Canadian poet & writer, Lorna Crozier. While the arrangement of series varies somewhat among the accessions, as a whole the fonds contain the following series: Correspondence (personal and professional); Writings/Drafts (by Crozier & other writers); Professional Activites; Publications (buy and about Crozier and other authors); Personal files; Employment and Education files; Photographs; Posters; and Audio Visual Tapes. Beginning with her early student works a substantial portion of the papers is made up of drafts, revisions, gallery proofs, manuscripts, reviews, and published versions of poems, plays, short stories, and reviews written by Crozier, providing a detailed reflection of her development as a writer. Also noteworthy is the extensive personal and professional correspondence with family, friends, publishers and colleagues including such important Canadian writers as Susan Musgrave, John Newlove, Anne Szumigalski, Eli Mandel, and her husband Patrick Lane, as well as many others. Crozier's varied activities as an editor, teacher, speaker, interviewer, jurist, speech writer, and student are well represented in the papers, as are her associations with numerous literary and cultural organizations. The audio visual materials provide aural and visual glimpses into her life and work, and include audiotapes of interviews with various artists conducted by Crozier and of her and Lane's appearances on CBC Radio.

Fonds consists primarily of records generated by two committees: the Saskatchewan Department of Education's Committee of Inquiry on Teacher Salary Negotiation Procedures, 1966-67, and the University of Saskatchewan's Joint Committee on Higher Education, 1965-68. Dr. Harvey was a member of the Joint Committee on Higher Education and was chairman of the Regina Campus Sub-Committee. The major purposes of the Joint Committee were: to examine all aspects of post-secondary education; to examine the feasibility of establishing several colleges in defined regions of the province to further the economic and cultural development of the region; and to examine and evaluate the articulation of all formal and informal educational programs in a community.

Fonds consists of statistics, student papers, annual reports, memoranda, publications, and photographs relating to athletic programs at the University of Regina. Of particular interest is a series of portraits, game action shots, and group shots of Cougar hockey teams, 1974-1984, as well as hockey career scoring statistics, 1976-1984. The fonds also contains a small series of files pertaining to sport and athletic organizations with which Reg Higgs was associated.

Fonds consists of professional records generated by Manitoba painter Arthur Horsfall, 1940-1995. The bulk of the collection consists of original drawings, sketches and sketchbooks, designs, and watercolors, as well as slides and photographs of his art works. Also included are correspondence, catalogues, and other records relating to the sale and exhibition of his work, along with correspondence with art galleries, art schools, arts organizations, professional associations, and employers. Publications featuring Arthur Horsfall and other artists are also present.

Fonds consists of personal papers of Regina lawyer and art collector Norman MacKenzie, dating from approximately 1890-1936. Chiefly consisting of correspondence relating to the selection, acquisition, and appraisal of art work, 1911-1936, the fonds also contains personal and family photographs and a scrapbook of letters and clippings relating to his death.