This fonds contains the records generated by the Office of the Treaty Commissioner, originally created in 1989. This fonds is divided into 10 series and mainly contains commissioned reports and archival documents relating to treaty-making between the Crown and Indigenous Nations in Canada. The 8 series under this fonds include: 1 Treaties; 2 History; 3 Justice; 4 Government; 5 Education; 6 Land; 7 Media; 8 Current Conditions; 9 Finding Aids; 10 OTC Administration.
This fonds includes correspondence with colleagues, including letters, faxes, and e-mails written and received from the 1960s through to the present (2023) that cover research developments in the field of Canadian archaeology, both provincially and nationally. Pertains to Dr. Meyer’s time as a student, at the Saskatchewan Research Council, and in the Department of Anthropology and Archaeology at the University of Saskatchewan and involvement with the Saskatchewan Archaeological Society. Any mention of photographs, papers, articles, maps etc. in the correspondence were not included in the donation and are therefore absent from the files, except where specifically noted.
This fonds contains materials primarily relating to Moyer’s musical career. It includes reel-to-reel tapes of sessions, live night club performances, dances and other concerts, studio recordings, and interviews. In addition there are numerous early vinyl recordings, posters, memorabilia, and some personal biographical materials.
This fonds contains materials relating to the career of Christopher Kent, professor and head of the history department at the University of Saskatchewan. This fonds documents his time as a professor teaching various history classes, his work in supervising masters and phd students in their thesis writing, his work with the Research Society for Victorian Periodicals and the Victorian Studies Association of Western Canada, as well as his time as head of the history department including his work with the Canadian Journal of History. Also included are some materials from his undergrad studies at the University of Toronto – mainly syllabus and other handouts, with some notes and essays when they related to his later research areas. As per his faculty bio his “research areas are “Bohemia” in Britain 1815-1914 – that is the social history of the artistic and literary professions and their relationship to the idea of Bohemia as a social and cultural, as well as actual physical space (particularly in London). Other continuing and related research interests are Victorian journalism and journalists, and Victorian novels and novelists.”
ca. 1830]-2023 (inclusive); 1960-2023 (predominant).
This fonds reflects Brock Silversides’ interests in historical and contemporary culture, with particular emphasis on the history of photography, music, and film. It contains research materials used for eight of his books, including both published and unpublished images taken from a variety of archives, as well as from Brock’s personal collection. His numerous articles represent an excellent resource on photographers and the history of photography, as do several of the public exhibitions which he curated. In addition, his collections of historical newspapers, film, posters -- particularly for local musicians, Canadian film and Canadian artists -- represent a useful collection for anyone interested in these aspects of Canadian culture and society.
This fonds includes materials collected primarily as a result of Bob Cole’s student days at the University of Saskatchewan and STM. The University Publications are particularly useful as these items are not duplicated in the University Publication Collection.
This fonds contains administrative records from the Association; these occasionally include correspondence and clippings; more frequently they include financial reports. Materials related to classes and course offerings as well as special events hosted by the SSCL are also included, as are clippings about and publications by the group.
This fonds contains materials relating to Michael Hosaluk’s career in woodworking. It also documents his collaborative work with other artists, exhibitions he participated in or helped to facilitate, and includes some personal / family history.
