The fonds contains material pertaining to private papers, the careers of Patrick Hayman and Dmytro Stryjek, Inuit Art, human rights in Saskatchewan during the Devine years, sexual discrimination, homosexuality, the Visual Aids Campaign the Doug Wilson Case, artists, galleries, collectors, dealers in Canada and England and the Millard Gallery, Millard’s research into Roger North and the Notes of Me manuscript. The material consists of minutes, correspondence, records, notes, clippings, articles, photographs, slides and catalogues..

This fonds consists of a small portion of Maugham's manuscript and published items. The majority of the material relates to "The Deserters" and includes manuscripts, proofs, and a published copy of this work. The incident which forms the central theme of "The Deserters" is a meeting between an English and German soldier during World War Two. This incident is based on an event that happened to Maugham while he was fighting in the Western Desert during World War Two.

The fonds also includes heavily annotated manuscripts of "Winter in Ischia: A Novel" and "The Account: A Novel". "The Account: A Novel" was based on Maugham's play, "Enemy." There is also a manuscript of the play, "A Question of Retreat." The fonds also includes a first printing paperback copy of "The Wrong People," a monograph which was originally published by Maugham under the pseudonym David Griffin. The fonds includes a handwritten note and published tribute written by Peter Burton, who worked closely with Maugham for many years and was one of his literary executors. The fonds also contains two newspaper clippings.

This fonds contains materials related to Anne Szumigalski’s writing.

These papers include (handwritten and typed): manuscripts, drafts, journal publications, volumes and collections of his work, articles and reviews of his work; volumes of other poets work; personal correspondence and poems from the likes of Margaret Atwood, Milton Acorn, Earle Birney and Irving Layton; photos; vinyl cuts; audio recordings

This collection includes working papers and completed versions of Hillis’ published and unpublished poetry, drama, and fiction, as well as research and correspondence related thereto. The collection includes a range of interviews conducted by Hillis with a number of Saskatchewan authors for her books Voices and Visions and Plainspeaking. This collection also includes chapbooks published by Andrew Suknaski, Lorna Uher, and Mick Burrs.
Further, the collection contains a range of materials gathered by Doris on the subject of puppetry for her work with the Macklin Puppeteers throughout the 1960’s and 1970’s. Her personal memoirs are also included, as are materials from her involvement in Saskatchewan’s literary community, including helpful information on the art of writing from her workshops.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

The material in this fonds deal with Glaze’s life including school and extracurricular interests as a youth and later as a journalist, fiction writer, editor and educator.

This fonds contains materials relating to Art Karras' three books, including correspondence with publishers; with fans; with trappers; drafts and typescripts.

The material in this fonds documents Berry’s research, writing and teaching career at the University of Western Ontario and University of Saskatchewan, as well as work undertaken on behalf of their Faculty Associations.

The fonds primarily consists of material about Max Jacob compiled and organized by Maria Green, based on research in libraries and archives in North America and Europe. This includes correspondence, writings by and about Jacob, drawings by Jacob, works with references to Jacob, and Green’s index cards including an extensive set of subject-based cards. There is also some material relating to Green’s work (edited collections, articles, awards, etc.).
Where possible, the order established by Green has been maintained, based on available file lists and numbering on file folders. The fonds is organized as follows:
FIRST DRAWER - Material relating to first manuscript
SECOND DRAWER
THIRD DRAWER
FOURTH DRAWER
OTHER MATERIAL

This collection contains materials created by, or about, Canadian author Robertson Davies (1913-1995). Davies was editor of Saturday Night and the Peterborough Examiner prior to joining Trinity College, University of Toronto as professor of literature. The author of numerous plays and books, Davies is perhaps best known for The Salterton trilogy and the Deptford trilogy. He received both the Stephen Leacock medal for humour and the Governor General's Award for fiction. Some of the material in this collection has been annotated by Davies, including copies of two draft manuscripts which are inscribed "to Maisie." "Maisie" is believed to be Davies' sister-in-law, Maisie Newbold (1915-2001), who was married first (in 1946) to the Australian painter Peter Purves Smith (1912-1949) and later (in 1964), to their friend and fellow artist, Russell Drysdale (1912-1981). The collection also includes souvenir coins and tokens from across Western Canada.

This fonds contains material related to the literary career of Mansel Robinson. There is correspondence regarding publishing, staging productions, residencies and grant applications. The fonds also contains drafts and edited scripts, research material, reviews and published material related stage productions. In addition the fonds contains five war diaries and an address book of Geo. J. Collinson who was stationed in France during the Great War.

This fonds contains material related to the writings of J. Jill Robinson including works complete and incomplete, published and unpublished. This fonds also contains material related to professional activities such as editing, readings, and interaction with publishers and other writers.

This fonds contains materials relating to Dr. Harding's scholarly work, including his thorough preparation and background work for his teaching; his correspondence with colleagues; his articles and conference papers; and drafts and notes for the Coleridge "Notebooks."

This fonds consists of materials relating to Robert Currie's literary works and interests. It includes: drafts and manuscripts of his poetry, short fiction, novels and radio plays; his published books and work in periodicals; correspondence with writers and publishers; records relating to Salt, an unpublished anthology co-edited with Glen Sorestad, 2000% Cracked Wheat, and his editorial work on other's writings. Also included in this fonds are records of Coteau Books and Currie's involvement with the Festival of Words and Saskatchewan Writer's Guild, as well as some memorabilia.