This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

This fonds contains the personal correspondence, office, and research files of the Murray family, including W.C. Murray (President, University of Saskatchewan), his wife Christina, and his daughters, Christina, Dr. Lucy H. Murray (Professor of English, Regina College), and Dr. Jean E. Murray.

: This fonds contains the personal records of an extended family, including photographs, correspondence, and diaries. It documents their interests, careers, and family life predominantly two generations – the Ratcliffes and McConnells. The first accrual documents the interests, careers and family of John and Doreen McConnell and their daughter, Mary Ann. It includes materials related to McConnell’s work in communications, his work for the Canadian and Saskatchewan governments, together with materials relating to his interest in the environment and social and international development issues. It also includes materials relating to his wife, Doreen, who predeceased him. The second accrual adds the records of Doreen’s parents, the Ratcliffes, which includes documents related to their personal life and interests, Elma’s travel, James’ World War I service, and family life.

This fonds contains materials relating to Poelzer’s life, her religious vocation, and her career as a professor in Educational Foundations at the University of Saskatchewan. It includes materials relating to research, particularly on women in society; feminist Christianity; Metis and First Nations women in northern Saskatchewan, the impact of development and the retention of native culture.

The fonds includes paintings, sketches and memorabilia relating to the artistic pursuits and output of Olena (Sherven) Smith; and material relating to Tom Smith’s careers and interests, particularly archaeology and local history, as well as engineering and farming, including documentation of his job on the engineering crew for the Alaska Highway.

This fonds contains records mainly related to Sylvia’s time as Lieutenant Governor, with correspondence, invitations, clippings, photographs and memorabilia. It also includes documents from her career as a physicist including correspondence, notes, and clippings. Clippings, photographs, and correspondence relating to Sylvia’s involvement in sports is included – predominantly curling and golf, but also fishing, baseball, basketball, and track and field. There is extensive photography and other materials documenting her travels around the world, as well as gatherings with friends and family.

This fonds contains personal correspondence, travel diaries, lecture and research notes, seminar presentations, Jaques' undergraduate note books, personal reminiscences, and files relating to the activities of the Canadian Hemophilia Society and the Anglican Church of Canada.

This collection includes 7 original photograph albums, primarily documenting life overseas for Canadian servicemen during World War I. In addition to the military images are photographs of the Canadian west, including the Better Farming Train, fairs and livestock exhibitions, and early images of Banff, the Rockies, and Vancouver.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

This collection contains books, magazines, and a variety of ephemera associated with themes of Canadiana, advertising, keys, locks, and locksmithing, mysteries, socialism, sex and gender, science fiction, western living, adventure.

This fonds contains materials primarily related to Richard Sweet’s interest and research into the history of brewing. There are extensive materials relating to Canadian and western US breweries; beer companies; and beer-related materials, including magazines, newsletters, other published reference material, and collectibles (predominantly, posters, labels and mats). It includes Richard Sweet’s extensive notes, and his research materials leading to his publications, The Directory of Canadian Breweries (first and second editions); Malted Manitoba; and Brewed Right on the Prairies: 122 Years of Brewing in Saskatchewan.

This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.

The material in this fonds consists largely of scripts, clippings, photographs and ephemera pertaining to Bakker’s involvement in theatre in the province of Saskatchewan, and Canada at large. Materials highlighting Bakker’s career are included, as are materials pertaining to her involvement in various theatrical professional organizations. Some personal materials have also been retained.

This fonds consists of materials used, created, and accumulated by the Westlund and McAusland families. The majority of the material consists of financial records related to the farming operations of Arthur Westlund and Clarance McAusland near Brownlee and Melfort, Saskatchewan respectively. Although broadly speaking, the story of agriculture in Saskatchewan is well known – cyclical environmental factors, changes in product prices and markets – this fonds provides evidence of the impact of those changes on the lives of a single family, over decades. How that family interacted within the local community is also revealed in terms of how and where they spent their income. The source material, in farm account books, vendor receipts, property tax assessments, banking and investment records, income tax returns, crop insurance documentation, and other materials generated from the farming operations, provides direct evidence of farm and community in the lives of one farm family over generations. In addition to the farming records, there is a small amount of correspondence, family memorabilia, ephemera, and artifacts. The fonds includes some material related to the Saskatchewan Liberal Party as the McAuslands were members of the party for a number of years. The fonds also includes records related to the operation of the Royal Winter Snow Plow Club, of which Clarance McAusland was a member. There is also a small collection of publications which are largely related to agriculture.