This collection contains drafts, revised and working scripts, continuity reports, schedules, breakdowns, and cast calls.

This fonds contains mainly textual material relating to the writing of Elizabeth Philips. Much of it is notes, rough drafts, and copies of poems and some prose work. There is also correspondence which relates to the business side of writing and getting published as well as some personal correspondence that relates to every day life and also on writing, as she corresponded with other writers.

This fonds contains a variety of material relating to George’s interests and career; including drafts of his book on fountain pens; publications and ephemera concerning the Saskatoon Public Library’s history; and ephemera from cultural events in Saskatoon.

This fonds contains numerous of Marie Elyse St. George’s prints and sketches, together with some textual records relating to print-making and writing.

This fonds consists of records created, accumulated and used by Margaret (Fiji) Robinson in her career as a vocalist and performer in the musical revues The Quinlan Sisters (comprised of Robinson, Peter McGehee and Wendy Coad) between 1981 and 1984, and The Fabulous Sirs (Robinson and McGehee) between 1987 and 1990 in Saskatoon, Saskatchewan and Toronto, Ontario.

It also includes records created, accumulated and used by Robinson between 1990 and 2007 in the development of a book proposal and subsequent film proposal on her career as a performance artist working with writer/director Peter McGehee. Research and notes for the online GLBTQ On-Line Encyclopedia entry for McGehee's life partner, human rights activist Douglas Wilson, are also included.

It also includes records created, accumulated and used by Robinson in 2008 and 2009 in the course of producing Painted on the Spot: On the Road with Ernie Luthi, a documentary about Ernest Luthi (1906-1983), an artist from Punnichy, Saskatchewan.

The types of records included are research notes, drafts of written works, clippings, programmes, posters, song lyrics, music scores, photographs, budgets, grant applications, curricula vitae, drawings, photocopies of correspondence to Ernest Luthi, a CD-ROM and an audio cassette recording of The Fabulous Sirs in concert at the 1988 Edmonton Fringe Theatre Festival.

This fonds contains various publications and some correspondence from Peter Stevens regarding his career as a poet and editor.

This fonds contains personal correspondence relating both to McNamee's art, and his work in human rights. In addition, there is considerable reference material documenting both his work, and the work of others, within the art community and for the Coalition for Human Equality. The material on CHE not only provides extensive documentation of that organizations work in Saskatoon and particularly, in the first fight to have the province's human rights legislation amended; but also contains documentation from similar organizations across Canada.

The material in this fonds consists largely of scripts, clippings, photographs and ephemera pertaining to Bakker’s involvement in theatre in the province of Saskatchewan, and Canada at large. Materials highlighting Bakker’s career are included, as are materials pertaining to her involvement in various theatrical professional organizations. Some personal materials have also been retained.

This fonds reflects Holmlund’s interest in the philosophy of education, his varied career at the University of Saskatchewan, and his concern for an equitable society. It is particularly valuable as a source for university history, specifically for the period of Leo Kristjanson’s tenure; and for issues surrounding health delivery, education, and the College of Medicine; the development of computer / IT services on campus; and First Nations educational opportunities. As a reflection of planning at a post-secondary U-15 institution, this fonds is particularly strong, notably for the materials surrounding the Issues and Options project.

This fonds contains material relating to theatre in Saskatchewan. In particular, productions from the University of Saskatchewan (Greystone Theatre) and Gateway Players are well represented, but there is also material from numerous other theatre groups, including The Actor’s Lab, New Theatre Co-op, and Saskatoon Community Players. This fonds contains programmes from various plays, concerts, and cultural events, together with numerous productions in which Chrisse Bornstein played a role, either as an actor or behind the scenes. This information has been included within the file descriptions.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.

Student ephemera from 1940-1952. Including crests, pamphlets, student election ballots (Sylvia Fedoruk), dance and event pamphlets, student directories, student cards, etc.

This fonds consists of correspondence, research notes, drafts, and manuscripts relating to King's books: "A Book of Canadian Poems;" "A Book of Essays;" "Extending the Boundaries;" "The First Fifty;" "Saskatchewan: The Making of a University;" "Saskatchewan Harvest;" and "Three Stories by Joseph Conrad." Additionally, it includes King's articles, lectures, and addresses dealing primarily with Canadian literature. There is also material related to King's other interests: the career and works of G.B. Shaw and R.A. Wilson, provincial and national library associations, and pacifism.

This fonds contains materials primarily relating to Moyer’s musical career. It includes reel-to-reel tapes of sessions, live night club performances, dances and other concerts, studio recordings, and interviews. In addition there are numerous early vinyl recordings, posters, memorabilia, and some personal biographical materials.

This fonds contains records mainly related to Sylvia’s time as Lieutenant Governor, with correspondence, invitations, clippings, photographs and memorabilia. It also includes documents from her career as a physicist including correspondence, notes, and clippings. Clippings, photographs, and correspondence relating to Sylvia’s involvement in sports is included – predominantly curling and golf, but also fishing, baseball, basketball, and track and field. There is extensive photography and other materials documenting her travels around the world, as well as gatherings with friends and family.