This collection provides diverse views of northern Canada from the 1940s, the 1960s, and the 1990s. The Miscellaneous Textual Records series also contains a Prosperity Certificate issued by the Government of Alberta in 1936.

The majority of this fonds is printed material including periodicals, magazines and reports. The subject matter deals with women's issues, adult education, native issues and international development primarily in Ghana and Saskatchewan.

This fonds contains material related to the Mapletoft family, Fort Pitt, Frenchman's Butte and Onion Lake areas, the First Nations, the Métis, the Northwest Rebellion and the Little Pipestone Ranch and Simmental cattle.

The McKay family fonds contains material created and assembled primarily by Angus McKay and his daughter Annie Maude (Nan) Nan McKay. The photographs include family members as well as HBC staff; the University of Saskatchewan campus during Nan McKay’s time as a student; and a variety of scenes and people in Northern Saskatchewan, documenting Angus McKay’s work and family life at various posting, and including a photo identified as a treaty party in La Ronge. The textual material accumulated by Angus McKay includes business, family and personal correspondence, including correspondence relating to his award of scrip, receipts, financial accounts, price lists, tax assessments, etc. There is also material relating to the McKay family tree; printed reminiscences (1935) of the Riel Rebellion of 1885; notes and sketches for a talk by Nan McKay about bird watching.

This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).

This fonds contains materials relating to Poelzer’s life, her religious vocation, and her career as a professor in Educational Foundations at the University of Saskatchewan. It includes materials relating to research, particularly on women in society; feminist Christianity; Metis and First Nations women in northern Saskatchewan, the impact of development and the retention of native culture.

This fonds contains correspondence, clippings, financial fonds, reports, and notes pertaining to the activities and interests of R.C. Carter.

This fonds contains material related to the research for Waiser's published works.

The fonds contains correspondence, memoranda, speeches and addresses, briefs and submissions, clippings, reports, articles, minutes, certificates, plaques, statements of claims and judgments pertaining to the activities, interests and career of Emmett M Hall.

This collection contains original works of art, photographs, and documentation relating to classes Ms. Perron took at the University of Saskatchewan, notably fine art classes. Her professors included Bill Epp, Otto Rogers, and Eli Bornstein; her classmates included Bob Christie and Doug Bentham.

This fonds reflects Holmlund’s interest in the philosophy of education, his varied career at the University of Saskatchewan, and his concern for an equitable society. It is particularly valuable as a source for university history, specifically for the period of Leo Kristjanson’s tenure; and for issues surrounding health delivery, education, and the College of Medicine; the development of computer / IT services on campus; and First Nations educational opportunities. As a reflection of planning at a post-secondary U-15 institution, this fonds is particularly strong, notably for the materials surrounding the Issues and Options project.

This fonds includes materials collected primarily as a result of Bob Cole’s student days at the University of Saskatchewan and STM. The University Publications are particularly useful as these items are not duplicated in the University Publication Collection.

This fonds consists of records created, accumulated and used by Margaret (Fiji) Robinson in her career as a vocalist and performer in the musical revues The Quinlan Sisters (comprised of Robinson, Peter McGehee and Wendy Coad) between 1981 and 1984, and The Fabulous Sirs (Robinson and McGehee) between 1987 and 1990 in Saskatoon, Saskatchewan and Toronto, Ontario.

The second accrual fonds consists of records pertaining to the maternal and paternal genealogy of Margaret (Fiji) Robinson; the Stuart and Robinson families, as well as material relating to Fiji’s career.
It also includes records created, accumulated and used by Robinson between 1990 and 2007 in the development of a book proposal and subsequent film proposal on her career as a performance artist working with writer/director Peter McGehee. Research and notes for the online GLBTQ On-Line Encyclopedia entry for McGehee's life partner, human rights activist Douglas Wilson, are also included.

It also includes records created, accumulated and used by Robinson in 2008 and 2009 in the course of producing Painted on the Spot: On the Road with Ernie Luthi, a documentary about Ernest Luthi (1906-1983), an artist from Punnichy, Saskatchewan.

The types of records included are research notes, drafts of written works, clippings, programmes, posters, song lyrics, music scores, photographs, budgets, grant applications, curricula vitae, drawings, photocopies of correspondence to Ernest Luthi, a CD-ROM and an audio cassette recording of The Fabulous Sirs in concert at the 1988 Edmonton Fringe Theatre Festival.

This fonds reflects Brock Silversides’ interests in historical and contemporary culture, with particular emphasis on the history of photography, music, and film. It contains research materials used for eight of his books, including both published and unpublished images taken from a variety of archives, as well as from Brock’s personal collection. His numerous articles represent an excellent resource on photographers and the history of photography, as do several of the public exhibitions which he curated. In addition, his collections of historical newspapers, film, posters -- particularly for local musicians, Canadian film and Canadian artists -- represent a useful collection for anyone interested in these aspects of Canadian culture and society.

This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.