This fonds relates to the lives of siblings or descendants of RHD Phillips and Tanyss (Bell) Phillips. Robert Howard Daniel (“Bob”) Phillips (1921-2006) was a journalist. He joined the staff of the Saskatchewan Wheat Pool as a research analyst, and later became the editor and publisher of the Western Producer. He married Tanyss Bell in 1951. Tanyss (1926-2016) was an economist who worked in the research department of the Bank of Canada, with the Saskatchewan Royal Commission on Agriculture and Rural Life, as a lecturer at the University of Regina, and as a contract editor. Both were alumni of the University of Saskatchewan.
This fonds reflects Kerr's vocational and avocational interests. His academic activities include not only his own writing in a variety of genres but also his editing, assessment and review of the contributions of others to prose, poetry, drama and film. His service to the community external to the University is primarily evident in the political, arts and heritage fields.
The bulk of this fondsl deals with the career of Richard Rempel and post-career project, the biography of the University of Saskatchewan’s third President, W.P. Thompson. This fonds also contains materials relating to the Rempel family, to the academic careers of Jacob and Richard Rempel and to the University of Saskatchewan. In particular, it provides the most extensive source available to date relating to Richard Rempel and Charles Lightbody.
This fonds contains a variety of material relating to George’s interests and career; including drafts of his book on fountain pens; publications and ephemera concerning the Saskatoon Public Library’s history; and ephemera from cultural events in Saskatoon.
This fonds includes materials collected primarily as a result of Bob Cole’s student days at the University of Saskatchewan and STM. The University Publications are particularly useful as these items are not duplicated in the University Publication Collection.
: This fonds contains the personal records of an extended family, including photographs, correspondence, and diaries. It documents their interests, careers, and family life predominantly two generations – the Ratcliffes and McConnells. The first accrual documents the interests, careers and family of John and Doreen McConnell and their daughter, Mary Ann. It includes materials related to McConnell’s work in communications, his work for the Canadian and Saskatchewan governments, together with materials relating to his interest in the environment and social and international development issues. It also includes materials relating to his wife, Doreen, who predeceased him. The second accrual adds the records of Doreen’s parents, the Ratcliffes, which includes documents related to their personal life and interests, Elma’s travel, James’ World War I service, and family life.
The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs. The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.
This collection primarily reflects Zepp’s interest in Inuit art and artists. It includes interviews with artists, images taken over the course of several years of the northern landscape, community and individuals. Importantly, Zepp and Varga spent time at fishing and hunting camps or in the homes of artists, and the resulting material reflects that friendship and intimate relationship. Material created or acquired during Zepp’s career as a curator is also evident, including a significant photo resource of Inuit art from major collections. The reference library is an uniquely complete set of articles and major works relating to Inuit art in Canada. Additionally, the collection includes material relating to a number of other artists, predominantly from Saskatchewan, whose work Zepp admired (in many instances, Zepp organized the first major exhibition of their work).
This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout. Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present. A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.
This fonds contains records mainly related to Sylvia’s time as Lieutenant Governor, with correspondence, invitations, clippings, photographs and memorabilia. It also includes documents from her career as a physicist including correspondence, notes, and clippings. Clippings, photographs, and correspondence relating to Sylvia’s involvement in sports is included – predominantly curling and golf, but also fishing, baseball, basketball, and track and field. There is extensive photography and other materials documenting her travels around the world, as well as gatherings with friends and family.
ca. 1900-2012 (inclusive) ; 1930s-1970s (predominant)
The fonds includes paintings, sketches and memorabilia relating to the artistic pursuits and output of Olena (Sherven) Smith; and material relating to Tom Smith’s careers and interests, particularly archaeology and local history, as well as engineering and farming, including documentation of his job on the engineering crew for the Alaska Highway.
The material in this fonds consists largely of scripts, clippings, photographs and ephemera pertaining to Bakker’s involvement in theatre in the province of Saskatchewan, and Canada at large. Materials highlighting Bakker’s career are included, as are materials pertaining to her involvement in various theatrical professional organizations. Some personal materials have also been retained.
