The fonds contains correspondence, memoranda, speeches and addresses, briefs and submissions, clippings, reports, articles, minutes, certificates, plaques, statements of claims and judgments pertaining to the activities, interests and career of Emmett M Hall.

This collection contains several files relating to horticulture, soil studies, shelter belts and prairie perennials. It also includes files of articles and addresses, and newspaper clippings, as well as biographical information and Brown's personal correspondence.

Student ephemera from 1940-1952. Including crests, pamphlets, student election ballots (Sylvia Fedoruk), dance and event pamphlets, student directories, student cards, etc.

This fonds consists of materials used, created, and accumulated by the Westlund and McAusland families. The majority of the material consists of financial records related to the farming operations of Arthur Westlund and Clarance McAusland near Brownlee and Melfort, Saskatchewan respectively. Although broadly speaking, the story of agriculture in Saskatchewan is well known – cyclical environmental factors, changes in product prices and markets – this fonds provides evidence of the impact of those changes on the lives of a single family, over decades. How that family interacted within the local community is also revealed in terms of how and where they spent their income. The source material, in farm account books, vendor receipts, property tax assessments, banking and investment records, income tax returns, crop insurance documentation, and other materials generated from the farming operations, provides direct evidence of farm and community in the lives of one farm family over generations. In addition to the farming records, there is a small amount of correspondence, family memorabilia, ephemera, and artifacts. The fonds includes some material related to the Saskatchewan Liberal Party as the McAuslands were members of the party for a number of years. The fonds also includes records related to the operation of the Royal Winter Snow Plow Club, of which Clarance McAusland was a member. There is also a small collection of publications which are largely related to agriculture.

This fonds contains the personal correspondence, office, and research files of the Murray family, including W.C. Murray (President, University of Saskatchewan), his wife Christina, and his daughters, Christina, Dr. Lucy H. Murray (Professor of English, Regina College), and Dr. Jean E. Murray.

This fonds contains materials relating to the life of Jack Quinlan. It includes photographs of his years as a student at the University of Saskatchewan, but predominantly reflects his time with the RCAF. It is notable for the letters of condolence sent to his family following his death, which provide clear evidence of the extent to which one family’s loss was felt throughout the community.

Memorabilia relating to the colleges of arts and science, and law; including the McGoun Cup debate program, student directories, university postcards, crests, and more.

This fonds contains materials relating to Steer’s education at the University of Saskatchewan and his career: including his research and publications; teaching material; and various presentations and addresses.

: This fonds contains the personal records of an extended family, including photographs, correspondence, and diaries. It documents their interests, careers, and family life predominantly two generations – the Ratcliffes and McConnells. The first accrual documents the interests, careers and family of John and Doreen McConnell and their daughter, Mary Ann. It includes materials related to McConnell’s work in communications, his work for the Canadian and Saskatchewan governments, together with materials relating to his interest in the environment and social and international development issues. It also includes materials relating to his wife, Doreen, who predeceased him. The second accrual adds the records of Doreen’s parents, the Ratcliffes, which includes documents related to their personal life and interests, Elma’s travel, James’ World War I service, and family life.

This album contains images of University students involved in various activities; interiors of residence rooms; the university campus; and Saskatoon, taken between 1926 and 1930. The majority of images were taken by Jack Lydiard; most of the individuals are identified.

This collection contains books, magazines, and a variety of ephemera associated with themes of Canadiana, advertising, keys, locks, and locksmithing, mysteries, socialism, sex and gender, science fiction, western living, adventure.

This fonds contains material relating to theatre in Saskatchewan. In particular, productions from the University of Saskatchewan (Greystone Theatre) and Gateway Players are well represented, but there is also material from numerous other theatre groups, including The Actor’s Lab, New Theatre Co-op, and Saskatoon Community Players. This fonds contains programmes from various plays, concerts, and cultural events, together with numerous productions in which Chrisse Bornstein played a role, either as an actor or behind the scenes. This information has been included within the file descriptions.

This fonds contains materials relating to Poelzer’s life, her religious vocation, and her career as a professor in Educational Foundations at the University of Saskatchewan. It includes materials relating to research, particularly on women in society; feminist Christianity; Metis and First Nations women in northern Saskatchewan, the impact of development and the retention of native culture.

This fonds contains various publications and some correspondence from Peter Stevens regarding his career as a poet and editor.

This collection contains correspondence relating to Fenton’s professional and private life—including a great deal of correspondence with notable artists, art dealers, and galleries. The fonds also contains working and completed drafts of his writing, and research notes, clippings, and photocopies related thereto. Working files from his periods of directorship, and from his time running Terry Fenton Art Services are also present. News clippings and articles about Fenton are dispersed throughout.
Art / travel journals are also included, as is an extensive collection of photographs and slides both documenting Fenton’s inventory of his own work, and also showing a range of art by others encountered over his career. A number of more personal photographs, slides and videos show artists at work and at play at a variety of workshops, and in a variety of settings. Digital and physical landscape photographs used for inspiration in Fenton’s painting are also present.
A large portion of the collection is comprised of Fenton’s library, which includes publications from the Edmonton Art Gallery, the Mendel Art Gallery, and the Leighton Foundation, as well as more general collected texts, works by Fenton, and an extensive collection of exhibition catalogues.