The collection contains one black and white photograph taken in 1913 of a steam tractor threshing outfit and team in the Naisberry, Saskatchewan district. Printed on a postcard backing, the photograph contains information on the individuals depicted on its reverse. The photograph was from Robert Attrill's personal collection.

The fonds, related to the Swift Current Amusement Company and the Swift Current Bottling Works, were accumulated by the source. No other information was captured at the time of transfer to the Swift Current Museum.

The content has not been professionally appraised, arranged, or described.

The first accession (2011-053) contains a scrapbook, art catalogues and theatre playbill programs.
The second accession (2016-147) is a record of Calder’s activities in three areas: personal life and career as student and faculty member, career as an internationally published author, and contributions to the Saskatchewan writing community.

This fonds includes materials collected primarily as a result of Bob Cole’s student days at the University of Saskatchewan and STM. The University Publications are particularly useful as these items are not duplicated in the University Publication Collection.

Fonds consists of professional papers of English Professor Robert C. Cosbey, 1959-1981. The records are arranged in five series: Associations; Oral History Projects; 'All in Together Girls'; Teaching; and Sound Recordings. Within the latter series, the audio tapes have been organized as follows: Folk Songs, including radio programs and related research material; Oral History; Skipping Songs; and Student Projects. The textual records consists of conference and workshop materials, correspondence and general files pertaining to oral history associations; guides, manuals, correspondence, reports, conference material, grant files and reference files concerning oral history; reports, text, and transcripts relating to Cosbey's book 'All in Together Girls'; and course descriptions and student papers. Photographs found in the student papers chiefly relate to old-time musicians and dancing, square dancers, farm life in Saskatchewan, and school yard games. Also included are slides of quilts made by various women.

This fonds consists of materials relating to Robert Currie's literary works and interests. It includes: drafts and manuscripts of his poetry, short fiction, novels and radio plays; his published books and work in periodicals; correspondence with writers and publishers; records relating to Salt, an unpublished anthology co-edited with Glen Sorestad, 2000% Cracked Wheat, and his editorial work on other's writings. Also included in this fonds are records of Coteau Books and Currie's involvement with the Festival of Words and Saskatchewan Writer's Guild, as well as some memorabilia.

The fonds consists of synopses of lectures about Australian literature prepared by critic and poet Tom Inglis Moore. The notes were obtained by Scott in 1954-55 when he took Tom Inglis Moore's course in literature at the Canberra University College, Australia (now part of the Australian National University). Tom Inglis Moore pioneered the study of Australian literature as a subject, and 1954-55 was the first year any Australian university or college offered such a course.

The fonds consists of a Record of Sermons (1968-1978) by Rev. McLellan, from his time as a minister.

The fonds consists of 3 church registers of marriages, baptisms, and burials, created by Rev. Thompson, during his time as a minister in Ontario, Manitoba, and Saskatchewan. Contents include records of marriages (1948-1991), baptisms (1948-1955), and burials (1948-1968), from various locations, including: Oshawa and Thunder Bay, Ontario; Neepawa, Manitoba; Kennedy, Langbank, Windhurst, Wetwood, Landsdowne, Kisby, Wawota, Melfort, Kinistino, Cranmer, Lumsden, Balgonie, Saskatoon, Melville, and Regina, Saskatchewan. There is also a scrapbook (1949-1961) also relating to Rev. Thompson.

The Hurley Collection contains many finished paintings, sketches, and experimental artworks by Hurley as well as correspondence, newspaper clippings, slides and photographs of Hurley, as well as his family, friends, and things that interested him. It also includes his diaries and “memories” or memoirs.
The Hurley Collection contains many pieces of finished and unfinished artwork by Hurley, particularly landscapes as well as other sketches and experimental works. It contains his diaries and memoirs as well as correspondence which discusses his life and his artwork.

Fonds contains a series of collected offprints relating to Morrall’s field of study spanning almost a century.

This fonds consists of a small portion of Maugham's manuscript and published items. The majority of the material relates to "The Deserters" and includes manuscripts, proofs, and a published copy of this work. The incident which forms the central theme of "The Deserters" is a meeting between an English and German soldier during World War Two. This incident is based on an event that happened to Maugham while he was fighting in the Western Desert during World War Two.

The fonds also includes heavily annotated manuscripts of "Winter in Ischia: A Novel" and "The Account: A Novel". "The Account: A Novel" was based on Maugham's play, "Enemy." There is also a manuscript of the play, "A Question of Retreat." The fonds also includes a first printing paperback copy of "The Wrong People," a monograph which was originally published by Maugham under the pseudonym David Griffin. The fonds includes a handwritten note and published tribute written by Peter Burton, who worked closely with Maugham for many years and was one of his literary executors. The fonds also contains two newspaper clippings.

This fonds contains materials relating to Pierson’s research interests, and his collaborative work with graduate students and faculty from medicine, nursing, veterinary medicine, and computational science. Pierson and the reproductive biology research unit made medical history when they were the first to capture natural human ovulation, witnessed with the use of an intra-vaginal probe to produce ultrasound waves. Those original images, on video tape, form part of this fonds; as do other images and data relating to Pierson’s research in reproductive technologies.