This fonds contains correspondence, memoranda, minutes, and publications regarding all aspects of the administration of the department.

This collection consists primarily of photocopies of correspondence, articles, photographs, sessional papers, and press clippings, related to William Henry Jackson (or Honore Jaxon, as he is also known) including copies of his correspondence. The originals of much of the material dates from 1885. The material is organized and recorded according to the structure that Griffen and Greenland have devised.

Incomplete collection of 35mm slides used by Gordon Snelgrove in his teaching. These slides were in circulation until 2010. The paper mounted slides include handwritten notes in blue and red pen by Gordon Snelgrove.
Snelgrove’s previously used glass lantern slides were discarded when the Department of Art and Art History moved from the Hangar Building to the Murray Building. Many of the 35mm slides have also been discarded or re-mounted in plastic as the original cardboard mountings were damaged with time.
Also included is a copy of a book annotated by Snelgrove entitled.

This fonds contains correspondence, minutes, reports, financial records relating to the administration of 4-H Clubs. Included are minutes of the Annual Meeting of Council (1957-1967) and the minutes of the Board of Directors (1962-1967).

Fonds consists of VHS films created by Prairie Portraits and graduation ceremony programs created by the Shaunavon High School

This fonds contains a variety of material relating to George’s interests and career; including drafts of his book on fountain pens; publications and ephemera concerning the Saskatoon Public Library’s history; and ephemera from cultural events in Saskatoon.

This fonds contains materials relating to the career of Christopher Kent, professor and head of the history department at the University of Saskatchewan. This fonds documents his time as a professor teaching various history classes, his work in supervising masters and phd students in their thesis writing, his work with the Research Society for Victorian Periodicals and the Victorian Studies Association of Western Canada, as well as his time as head of the history department including his work with the Canadian Journal of History. Also included are some materials from his undergrad studies at the University of Toronto – mainly syllabus and other handouts, with some notes and essays when they related to his later research areas. As per his faculty bio his “research areas are “Bohemia” in Britain 1815-1914 – that is the social history of the artistic and literary professions and their relationship to the idea of Bohemia as a social and cultural, as well as actual physical space (particularly in London). Other continuing and related research interests are Victorian journalism and journalists, and Victorian novels and novelists.”

The material in this fond documents the research for Professor Parks’ doctoral thesis, published collections and collected writings from the Writers’ Group of the Saskatoon Branch of the Canadian Mental Health Association, and related information.

This fonds reflects Brock Silversides’ interests in historical and contemporary culture, with particular emphasis on the history of photography, music, and film. It contains research materials used for eight of his books, including both published and unpublished images taken from a variety of archives, as well as from Brock’s personal collection. His numerous articles represent an excellent resource on photographers and the history of photography, as do several of the public exhibitions which he curated. In addition, his collections of historical newspapers, film, posters -- particularly for local musicians, Canadian film and Canadian artists -- represent a useful collection for anyone interested in these aspects of Canadian culture and society.

This fonds documents the life of Alan Nunn, his family, and communities near La Ronge, Saskatchewan; particularly in relation to the fur trade during the early 20th century.

This fonds contains documentation relating to the Hones' extensive involvement in the arts--notably, the art scene in Saskatchewan during the early 1940s and the establishment of the Saskatoon Arts Centre, the Art Association of Saskatoon, "The Prospectors," along with correspondence from friends Ernie Lindner, Nonie Mulcaster, Robert Hurley, etc. The Hone=s own artistic work is also well documented; as is their exceptional community work: with the Saskatchewan Teachers' Federation, UNESCO, Voice of Women, Regina Community Clinic, etc. The Hones were also actively involved with the Unitarian Fellowship, Regina. Additionally, this fonds contains business records from ADM Hone, Mac's father, documenting early land / mining / logging rights and development in the west. An extensive collection of slides documents the art and architecture of numerous countries visited by the Hones; including personal and commercial images of international works of art. The slide collection also illustrates many of the themes used in the Hones' art, and documents their family, friends, and interests.