The fonds, related to Alf Bye, were accumulated by the source. No other information was captured at the time of transfer to the Swift Current Museum.

The content has not been professionally appraised, arranged, or described. The following is a basic listing of the unprocessed contents:
1- “Do you remember…” book of poetry, Alf Bye
2- “Man is Alone Who Leads” book of poetry, Alf Bye
3- “The Century, Saskatchewan and I” book of poetry, Alf Bye

Fonds consists of records generated by the historically associated Choiceland Pastoral Charge, Nipawin Pastoral Charge (later Nipawin-Codette Pastoral Charge), Smeaton Pastoral Charge, Snowdon Pastoral Charge, White Fox Pastoral Charge, Torch River Pastoral Charge, and their constituent churches – their boards, committees and related bodies, local women’s units and other groups.

Contents include: minutes of church boards, trustees, session, stewards, and congregational meetings; records of local Ladies Aid, Women’s Missionary Societies (W.M.S.), Women’s Association (W.A.) and United Church Women (U.C.W.) groups; historic rolls, communion rolls and related membership records; some financial records and annual reports; Home Mission and Church Records books from Choiceland and Nipawin; and church registers documenting baptisms, marriages and burials in Nipawin, Codette, Mossy Vale, Lost River, Elkhorn, Smeaton, White Fox, Garrick, Choiceland, and related area(s).

The fonds contains eight black and white photographs and one tintype in a photograph album. They remain in the order in which they were placed within the album. The photographs are all miniature portraits and, with the exception of the tintype, are mounted on a stiff paper backing. The album (one of two) was originally the property of Christina's parents, and had been brought to Canada from England when John Smith's parents emmigrated.

This fonds contains material relating to theatre in Saskatchewan. In particular, productions from the University of Saskatchewan (Greystone Theatre) and Gateway Players are well represented, but there is also material from numerous other theatre groups, including The Actor’s Lab, New Theatre Co-op, and Saskatoon Community Players. This fonds contains programmes from various plays, concerts, and cultural events, together with numerous productions in which Chrisse Bornstein played a role, either as an actor or behind the scenes. This information has been included within the file descriptions.

The fonds includes film footage and audio recordings created during Christopher Chapman’s film project relating to Richard St. Barbe Baker; photographs of the film shoot in British Columbia; correspondence, drafts, proposals, notes, etc. documenting the film project, including correspondence between Chapman and St. Barbe and between Chapman and others; photographs taken and collected by St. Barbe; letters sent to St. Barbe care of Chapman during his extended visit to Canada; articles and other resource material compiled by both Chapman and St. Barbe, especially relating to forestry and the environment, and about St. Barbe; and related material including slides of the Findhorn Community in Scotland.

This fonds contains materials relating to the career of Christopher Kent, professor and head of the history department at the University of Saskatchewan. This fonds documents his time as a professor teaching various history classes, his work in supervising masters and phd students in their thesis writing, his work with the Research Society for Victorian Periodicals and the Victorian Studies Association of Western Canada, as well as his time as head of the history department including his work with the Canadian Journal of History. Also included are some materials from his undergrad studies at the University of Toronto – mainly syllabus and other handouts, with some notes and essays when they related to his later research areas. As per his faculty bio his “research areas are “Bohemia” in Britain 1815-1914 – that is the social history of the artistic and literary professions and their relationship to the idea of Bohemia as a social and cultural, as well as actual physical space (particularly in London). Other continuing and related research interests are Victorian journalism and journalists, and Victorian novels and novelists.”

Fonds consists of the records of the City of Regina and its predecessors.

Fonds consists of the records of the City of Saskatoon and its predessors.

The fonds, related to the City of Swift Current, was acquired by the source during its lifetime. No other information was captured at the time of transfer to the Swift Current Museum. Records includes operating records related to the workings of the municipality.

This fonds contains several files relating to early town planning in Western Canada, including Calgary, Camrose, Lacombe, Magrath, and Wainright, Alberta; Churchill, Manitoba; and Kindersley, Moose Jaw, Saskatoon, and Yorkton, Saskatchewan. It also includes a miscellaneous file of speeches and addresses, correspondence regarding Mackenzie's military career, and a file on the Canadian Institute of International Affairs.

This fonds contains Rife’s diary for 1910, the year he decided to lease his homestead and pursue a degree at the University of Saskatchewan. A book owned by his father, George Rife, documents the area of Pennsylvania where Rife family were before they emigrated to Canada. Notes by Rife’s daughter provide context and additional information.

Fonds consist of personal papers documenting the artistic and teaching career of Claude Breeze. The records are arranged in nine series: Art Works, Drawings, Sketches and Sketchbooks; Calendars and Diaries; Correspondence; Personal Financial Records; General Files; Newspaper Clippings; Photographs; Publications; and Scrapbooks. These papers, and in particular the wealth of sketches, drawings, and photographs included in the fonds, trace in detail the development of Breeze's art from his first works produced in the early 1950's to 1969 and beyond. A rich collection of correspondence, photographs, publications, and publicity materials reveals a generation of Canadian artists, poets, and writers who were strongly influenced by the 1960s. Also included is correspondence with Canadian public and commercial art galleries and with Breeze's patrons, Dr. Ken and Joyce Morton of Vancouver.